本文選題：博物館　切入點(diǎn)：陳列空間　出處：《山東輕工業(yè)學(xué)院》2011年碩士論文

【摘要】：博物館陳列空間的展示設(shè)計(jì)是一門(mén)綜合性的空間藝術(shù),是一項(xiàng)創(chuàng)造性的活動(dòng),可以是展示設(shè)計(jì)業(yè)的重要組成部分。它是一種文化交流和保存、研究文化遺產(chǎn)的特殊展覽空間,囊括了所有的造型藝術(shù)手段(繪畫(huà)、雕塑、工藝美術(shù)、建筑藝術(shù)等),在設(shè)計(jì)時(shí)要求做到的是陳列內(nèi)容和展示設(shè)計(jì)的藝術(shù)形式高度統(tǒng)一、科學(xué)與技術(shù)的完美結(jié)合,所以對(duì)博物館陳列空間的展示設(shè)計(jì)藝術(shù)的研究是以設(shè)計(jì)藝術(shù)學(xué)為主導(dǎo),同時(shí)包含博物館學(xué)、傳播學(xué)、心理學(xué)、建筑學(xué)、人機(jī)工程學(xué)、美學(xué)等的交叉性學(xué)科。要做好博物館陳列空間的展示設(shè)計(jì),需要對(duì)博物館的整個(gè)發(fā)展歷程有較清晰的了解。 博物館陳列空間的展示設(shè)計(jì)是對(duì)空間的創(chuàng)作過(guò)程,其本質(zhì)也是一種配合演出的設(shè)計(jì),所設(shè)計(jì)的展示裝置本身是否精彩并不是重點(diǎn),而是展示道具、展示裝置完成后,被展示的物件或概念是否因此而精彩才是重點(diǎn)。世界上第一個(gè)博物館始建于何時(shí)也沒(méi)辦法清晰考證,但是現(xiàn)代博物館的歷史可以追溯到1793年的法蘭西共和國(guó)的自然歷史陳列館(也就是現(xiàn)在的法國(guó)盧浮宮)。這便是第一座現(xiàn)代博物館。雖然博物館的出現(xiàn)比較早,但職能化的博物館的出現(xiàn)卻是近一個(gè)多世紀(jì)的事。19世紀(jì)下半葉,西方的一些國(guó)家開(kāi)始出現(xiàn)專門(mén)的博物館,這是隨著工業(yè)革命的深入,一批兼有收藏、科研、教育三種功能的現(xiàn)代博物館在歐美等西方國(guó)家普遍發(fā)展起來(lái)的結(jié)果。此時(shí)博物館己經(jīng)把展覽空間從保管與辦公室等附屬空間中區(qū)分出來(lái),并且兼顧到展覽路線和采光照明、通風(fēng)、防火、安全等各方面的要求。但是其設(shè)計(jì)思想只是孤立地、單純地關(guān)注收藏、展出活動(dòng),并沒(méi)有對(duì)展覽中信息的傳播方式、傳播途徑、傳播藝術(shù)等進(jìn)行有針對(duì)性的研究。哪里有需求,哪里就會(huì)有發(fā)展,隨著社會(huì)的發(fā)展,人們對(duì)于美的追求,對(duì)于精神文化的需要,是現(xiàn)代博物館發(fā)展的動(dòng)力,也是促使博物館陳列空間展示設(shè)計(jì)發(fā)展的直接因素之一。而展示設(shè)計(jì)的好壞也直接影響到博物館陳列空間展品的展示效果,從而決定整個(gè)陳列空間的藝術(shù)效果。 本文在分析時(shí)遵從這樣一條主線:what——why——how。研究對(duì)象是博物館的陳列空間,切入點(diǎn)也是博物館的陳列空間,所以,研究探討的目的就是為了將展示設(shè)計(jì)的諸多形式要素等更好的運(yùn)用到博物館陳列空間當(dāng)中去,融入現(xiàn)代陳列藝術(shù)(音響、VR虛擬現(xiàn)實(shí)技術(shù)、多媒體技術(shù)等)豐富其表現(xiàn)手段、拓展知識(shí)信息的輸出量。
[Abstract]:The exhibition design of museum display space is a comprehensive space art, a creative activity, and can be an important part of the exhibition design industry. It is a special exhibition space for cultural exchange and preservation, and for the study of cultural heritage. Including all the plastic arts means (painting, sculpture, arts and crafts, architectural art, etc.), in the design is required to display the content and display the design of the art form of a high degree of unity, the perfect combination of science and technology, So the study of the exhibition design art of the museum display space is dominated by the art of design, including museology, communication, psychology, architecture, ergonomics, In order to design the exhibition space of the museum, it is necessary to have a clear understanding of the whole course of development of the museum. The exhibition design of the museum display space is the creation process of the space, and its essence is also a kind of design to cooperate with the performance. Whether the display device itself is brilliant or not is not the key point, but the display props, after the display device is completed, Whether the object or concept being displayed is so wonderful is the point. The world's first museum was built when it was not clear when it was built. But the history of modern museums can be traced back to the natural history of the French Republic in 1793 (now the Louvre in France). This is the first modern museum. But the emergence of functional museums was more than a century old. In the second half of the 19th century, some countries in the West began to have special museums. With the deepening of the Industrial Revolution, a group of museums had both collections and scientific research. The result of the general development of modern museums with three functions of education in Western countries such as Europe and the United States. At this time, museums have distinguished exhibition spaces from ancillary spaces such as custody and offices, and have taken into account exhibition routes and lighting. Ventilation, fire prevention, safety and other requirements. But its design ideas are only isolated, focusing solely on collection and exhibition activities, and there is no way to spread the information in the exhibition. Where there is demand, there will be development. With the development of society, people's pursuit of beauty and the need for spiritual culture are the driving force for the development of modern museums. It is also one of the direct factors to promote the development of the exhibition design of the museum display space, and the quality of the display design directly affects the display effect of the museum display space exhibits, which determines the artistic effect of the whole display space. This paper follows this main line: what-why--how. the object of this study is the museum's display space, and the breakthrough point is the museum's display space, so, The purpose of the research and discussion is to better apply the various formal elements of the display design to the museum display space, and integrate the modern display art (audio virtual reality technology, multimedia technology, etc.) to enrich its means of expression. Expand the output of knowledge information.
【學(xué)位授予單位】：山東輕工業(yè)學(xué)院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2011
【分類號(hào)】：G265

【引證文獻(xiàn)】

相關(guān)碩士學(xué)位論文 前5條

1 王炯;歷史類博物館文物陳列展覽的初步研究[D];重慶師范大學(xué);2012年

2 郭晨;北京地區(qū)民辦博物館個(gè)性特征研究[D];北京建筑工程學(xué)院;2012年

3 李齊麗;博物館化街道的設(shè)計(jì)手法研究[D];西安建筑科技大學(xué);2012年

4 肖玉婷;家具博物館展示設(shè)計(jì)研究[D];中南林業(yè)科技大學(xué);2013年

5 郁郁;“建康意象”—東晉博物館建康都城文化遺存展示研究[D];南京藝術(shù)學(xué)院;2013年

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本文編號(hào)：1668923