本文選題：二戰(zhàn)后　切入點(diǎn)：北歐玻璃器具　出處：《湖南師范大學(xué)》2011年碩士論文　論文類型：學(xué)位論文

【摘要】：玻璃器具設(shè)計在北歐設(shè)計中占據(jù)著相當(dāng)重要的地位,融合了北歐設(shè)計所崇尚的務(wù)實(shí)態(tài)度與人文情懷。另外,玻璃這種特殊的材料在北歐特定的歷史與人文環(huán)境中散發(fā)出獨(dú)特的審美氣息。在北歐設(shè)計“使日常生活更美”的設(shè)計精神之下,北歐玻璃設(shè)計自20世紀(jì)初期開始,一直引領(lǐng)北歐設(shè)計的潮流。通過國際間交流與展覽,北歐的玻璃設(shè)計在國際設(shè)計界擁有了極高的聲譽(yù)。 本文分析了二次世界大戰(zhàn)以北歐玻璃設(shè)計造型的發(fā)展與風(fēng)格的演變。通過歷史、文化和作品的分析推論出戰(zhàn)后北歐玻璃器具造型設(shè)計的形成原因并探尋出設(shè)計風(fēng)格的發(fā)展?fàn)顩r,進(jìn)而綜合各種因素找尋北歐玻璃器具的設(shè)計美學(xué)。文章引言對課題的來源、研究的現(xiàn)實(shí)意義以及研究動態(tài)等相關(guān)內(nèi)容作了簡要的論述。論文主體分為四個部分,第一部分系統(tǒng)分析了北歐設(shè)計在二戰(zhàn)后發(fā)展的機(jī)遇,現(xiàn)代的北歐設(shè)計風(fēng)格的確立,以及在這種背景之下,北歐玻璃器具設(shè)計發(fā)展的歷程；第二部分圍繞設(shè)計要素進(jìn)行分析,以由線到面,再到結(jié)構(gòu)和空間的順序,深入地探討了戰(zhàn)后北歐玻璃器具造型設(shè)計上的特點(diǎn)與變化；第三部分探索了戰(zhàn)后北歐玻璃器具造型設(shè)計中所體現(xiàn)的設(shè)計美學(xué)傾向,即審美屬性和藝術(shù)傾向,并在共性的基礎(chǔ)上分析了北歐各國在玻璃器具設(shè)計上的個性特點(diǎn)。最后一部分思考總結(jié)出戰(zhàn)后北歐玻璃器具造型設(shè)計對我國現(xiàn)代設(shè)計發(fā)展的啟示。
[Abstract]:Glassware design occupies a very important position in Nordic design. It combines the pragmatic attitude and humanistic feelings advocated by Nordic design. Glass, a special material, has a unique aesthetic flavor in the special historical and cultural environment of northern Europe. In the spirit of "making everyday life more beautiful", Nordic glass design began in the beginning of 20th century. Scandinavian design has been leading the trend of design. Through international exchanges and exhibitions, Nordic glass design has a high reputation in the international design community. This paper analyzes the development of the Nordic glass design and style in World War II. The analysis of culture and works inferred the forming reasons of the design of glass appliances in northern Europe after the war, and explored the development of the design style, and then integrated all kinds of factors to find the design aesthetics of the glass utensils of northern Europe. The thesis is divided into four parts. The first part systematically analyzes the opportunities of the development of Nordic design after World War II, the establishment of modern Nordic design style. And in this context, the development of Nordic glassware design; the second part of the design elements around the analysis, to the line to face, and then to the structure and space order, The third part explores the aesthetic tendency of the design of Nordic glassware after the war, that is, aesthetic attribute and artistic tendency. On the basis of generality, this paper analyzes the individual characteristics of glass appliance design in Nordic countries. Finally, the author summarizes the inspiration of the design of Nordic glass utensils for the development of modern design in China after the war.
【學(xué)位授予單位】：湖南師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2011
【分類號】：J53

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本文編號：1607951