發(fā)布時間：2018-02-06 02:31

  本文關鍵詞： 物派 藝術 形成 演變　出處：《美術觀察》2013年03期 　論文類型：期刊論文

【摘要】：正在中央美術學院就讀研究生期間,我有幸獲得了留學日本的機會。在此之后我一直專注于對日本現當代藝術的研究在研究"物派"藝術的過程中,日本東京藝術大學副院長"后物派"藝術家�？曝S巳教授傾注了很多心血,不僅為我講解了"物派"的基本藝術理論,甚至專門為我一個人開設了"‘物派'藝術的創(chuàng)作方式"課程。在此期間,我也有幸參加了"后物派"藝術家策劃的多個展覽,深入體會到日本藝術家的策展和創(chuàng)作理念。研究過程中,同時得到了胡明哲教
[Abstract]:As a graduate student at the Central Academy of Fine Arts, I was fortunate enough to have the opportunity to study in Japan. Since then, I have been focusing on the study of contemporary Japanese art in the process of studying the "genre" art. Japanese Deputy Dean of the Tokyo University of Art, Professor Po Kefeng, an artist, devoted a lot of effort, not only to explain to me the basic art theory of the "school of things". I even offered a course for me on "the way of creation of the art of materialism". During this time, I also had the privilege of participating in many exhibitions planned by the artists of the "post-school". Deeply understand the exhibition and creative ideas of Japanese artists. In the course of the research, we got the education of Hu Mingzhe at the same time
【分類號】：J110.9

【共引文獻】

相關碩士學位論文 前2條

1 劉軍;論日本“物派”藝術及對中國當代藝術的啟示[D];中央美術學院;2007年

2 羅采;“物派”的藝術語言研究[D];中央美術學院;2007年

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本文編號：1493360