本文關(guān)鍵詞： 物派 藝術(shù) 形成 演變　出處：《美術(shù)觀察》2013年03期 　論文類型：期刊論文

【摘要】：正在中央美術(shù)學(xué)院就讀研究生期間,我有幸獲得了留學(xué)日本的機(jī)會(huì)。在此之后我一直專注于對(duì)日本現(xiàn)當(dāng)代藝術(shù)的研究在研究"物派"藝術(shù)的過程中,日本東京藝術(shù)大學(xué)副院長(zhǎng)"后物派"藝術(shù)家�？曝S巳教授傾注了很多心血,不僅為我講解了"物派"的基本藝術(shù)理論,甚至專門為我一個(gè)人開設(shè)了"‘物派'藝術(shù)的創(chuàng)作方式"課程。在此期間,我也有幸參加了"后物派"藝術(shù)家策劃的多個(gè)展覽,深入體會(huì)到日本藝術(shù)家的策展和創(chuàng)作理念。研究過程中,同時(shí)得到了胡明哲教
[Abstract]:As a graduate student at the Central Academy of Fine Arts, I was fortunate enough to have the opportunity to study in Japan. Since then, I have been focusing on the study of contemporary Japanese art in the process of studying the "genre" art. Japanese Deputy Dean of the Tokyo University of Art, Professor Po Kefeng, an artist, devoted a lot of effort, not only to explain to me the basic art theory of the "school of things". I even offered a course for me on "the way of creation of the art of materialism". During this time, I also had the privilege of participating in many exhibitions planned by the artists of the "post-school". Deeply understand the exhibition and creative ideas of Japanese artists. In the course of the research, we got the education of Hu Mingzhe at the same time
【分類號(hào)】：J110.9

【共引文獻(xiàn)】

相關(guān)碩士學(xué)位論文 前2條

1 劉軍;論日本“物派”藝術(shù)及對(duì)中國(guó)當(dāng)代藝術(shù)的啟示[D];中央美術(shù)學(xué)院;2007年

2 羅采;“物派”的藝術(shù)語言研究[D];中央美術(shù)學(xué)院;2007年

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本文編號(hào)：1493360