【摘要】：正設(shè)計(jì)史上,每一次科技革新都會(huì)帶來(lái)設(shè)計(jì)形態(tài)的裂變。沒(méi)有攝影術(shù)的發(fā)明,平面設(shè)計(jì)的面貌可能大相徑庭;沒(méi)有造紙術(shù)和印刷術(shù)的出現(xiàn),線裝書(shū)也不會(huì)成為書(shū)籍設(shè)計(jì)的經(jīng)典品類;沒(méi)有"藝術(shù)與科技的新統(tǒng)一"~([1]),包豪斯產(chǎn)品怎能成功吸引大量的消費(fèi)族群?如此,科技進(jìn)步對(duì)于設(shè)計(jì)的影響可見(jiàn)一斑。從設(shè)計(jì)的視角考量科技創(chuàng)新的行為方式,有助于認(rèn)識(shí)設(shè)計(jì)形態(tài)表征下的本質(zhì)。
[Abstract]:In the history of design, every scientific and technological innovation will lead to the fission of design form. Without the invention of photography, the appearance of graphic design may be very different; without the emergence of papermaking and printing, linear books will not become a classic category of book design. Without the "new unity of art and technology" ~ (1), how can Bauhaus products succeed in attracting a large number of consumer groups? In this way, the impact of scientific and technological progress on design can be seen. Considering the behavior of scientific and technological innovation from the perspective of design is helpful to understand the essence of design form.
【作者單位】： 山西大同大學(xué);
【基金】：大同市軟件研究項(xiàng)目“云崗旅游商品的品牌設(shè)計(jì)”(課題編號(hào):201517)階段成果
【分類號(hào)】：TB47

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