發(fā)布時(shí)間：2019-01-19 10:51

【摘要】：滿族薩滿文化在我國無論是地理,宗教,政治還是文化上,都是我國研究民族學(xué)中不可或缺的一部分內(nèi)容,有著舉足輕重的作用,同時(shí)也扮演著非常重要的歷史角色。其中獨(dú)特古老而又神秘的文化背景,豐富而又具有內(nèi)涵的精神風(fēng)貌,為我國的民族藝術(shù)研究提供了一片堅(jiān)實(shí)的土壤。其中,滿族薩滿紋飾方面的研究是薩滿文化的重點(diǎn)和熱點(diǎn),也是滿族藝術(shù)最具代表性的文化之一。滿族薩滿吉祥紋飾在很多領(lǐng)域都有所涉及,例如,服飾,衣帽,建筑,繪畫,工藝品等等生活空間上都能看到她的身影。本文在查閱文獻(xiàn)資料的基礎(chǔ)上,通過對薩滿文化的了解為突破口,進(jìn)而深入的圍繞滿族薩滿吉祥圖案來展開分析研究。首先是從原始自然崇拜,其中包括動植物的崇拜,天地及自然現(xiàn)象的崇拜,緊接著是薩滿教文化對滿族薩滿吉祥紋飾所產(chǎn)生的影響,然后對滿族薩滿吉祥紋飾的解讀,得出對薩滿吉祥紋飾的視覺符號組成形式和吉祥寓意,進(jìn)而深入的運(yùn)用在長白山旅游紀(jì)念品的包裝設(shè)計(jì)中,即創(chuàng)作著自身所具有的藝術(shù)感悟和思想,個(gè)人創(chuàng)作的感情色彩和個(gè)人傾向性。針對薩滿吉祥圖案,對其語匯按照吉祥植物,天然物紋飾及吉祥動物進(jìn)行分類,并對其進(jìn)行詳細(xì)的語意解析,并且分析薩滿吉祥紋飾的審美構(gòu)成特點(diǎn),將其歸納總結(jié),在此基礎(chǔ)上,展開對薩滿吉祥紋飾的色彩概述,揭示其色彩背后豐富的寓意和特點(diǎn)。在以上研究的基礎(chǔ)上,探討滿族薩滿吉祥紋飾在長白山旅游紀(jì)念品包裝設(shè)計(jì)的應(yīng)用,因其具有鮮明的民族性,獨(dú)特的地域性和豐富的文化性,得出民族元素運(yùn)用在旅游紀(jì)念品包裝上是未來的發(fā)展趨勢,并對其進(jìn)行可行性和實(shí)用性的包裝設(shè)計(jì)。滿族傳統(tǒng)吉祥紋飾作為中國歷史文化中的一顆明珠,具有很重要的研究價(jià)值。綜上所述,論文將滿族薩滿吉祥紋飾和長白山旅游紀(jì)念品包裝設(shè)計(jì)相結(jié)合進(jìn)行的研究方法,為滿族薩滿吉祥紋飾的研究提供了新的視角,并取得了一定的成果。
[Abstract]:Manchu shaman culture is an indispensable part of ethnology in China, not only in geography, religion, politics and culture, but also plays a very important role in history. Among them, the unique ancient and mysterious cultural background, rich and connotation of the spiritual style, for our national art research provides a solid soil. Among them, Manchu shaman decoration research is the focus of Shaman culture and one of the most representative culture of Manchu art. Manchu Shaman auspicious patterns are involved in many fields, such as clothing, hat, architecture, painting, crafts and other living space can see her figure. On the basis of literature review, this paper analyzes and studies the auspicious patterns of Manchu Shaman through the understanding of Shaman culture. First of all, from the primitive nature worship, including the worship of animals and plants, the worship of heaven and earth and natural phenomena, followed by the influence of shamanistic culture on the Manchu Shaman auspicious ornaments, and then the interpretation of Manchu Shaman auspicious ornaments. The visual symbol composition and auspicious implication of Shaman auspicious ornaments are obtained, which are further applied in the packaging design of Changbai Mountain tourist souvenirs, that is to say, they create their own artistic perception and thought. Personal creation of emotional color and personal orientation. According to the auspicious patterns of shaman, the lexicon is classified according to auspicious plants, natural ornaments and auspicious animals, and its meaning is analyzed in detail, and the aesthetic characteristics of Shaman auspicious ornaments are analyzed and summarized. On this basis, the color overview of Shaman auspicious patterns is carried out to reveal the rich implication and characteristics behind the colors. On the basis of the above research, this paper discusses the application of Manchu Shaman auspicious patterns in the packaging design of Changbai Mountain tourist souvenirs, because of its distinct nationality, unique region and rich culture. It is concluded that the application of ethnic elements in the packaging of tourist souvenirs is the development trend in the future, and it is feasible and practical to design the packaging. As a pearl in Chinese history and culture, Manchu traditional auspicious ornaments have important research value. To sum up, the paper combines Manchu Shaman auspicious ornaments with Changbai Mountain tourism souvenir packaging design to provide a new perspective for the Manchu Shaman auspicious decoration research, and has achieved certain results.
【學(xué)位授予單位】：長春工業(yè)大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：TB482

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本文編號：2411301