本文選題：京劇臉譜 + 展開式　； 參考：《包裝工程》2017年14期

【摘要】：正設(shè)計(jì)說(shuō)明:該作品以京劇臉譜文化為特色,通過(guò)臉譜文化與女紅盒的融合與創(chuàng)新,達(dá)到女紅盒傳承文化特色。女紅盒從結(jié)構(gòu)、功能、開合方式、外觀進(jìn)行了改進(jìn)與創(chuàng)新,力求將實(shí)用性和裝飾性完美融合。在結(jié)構(gòu)上,女紅盒按"總分總"的形式分為五個(gè)部分,設(shè)計(jì)靈感來(lái)源于京劇元素中的"生旦凈末丑"五個(gè)角色的劃分。在開合方式上,設(shè)計(jì)了兩種開合方式,一種是盒子頂部的粘貼撕拉式,另一種是繩結(jié)開合,這種方式考慮到盒子的設(shè)計(jì)是展開式,有利于最大化的利用空間、在外觀上,作品選擇有京劇臉譜圖案的麻布,讓作品更加有質(zhì)感,也更加的生態(tài)環(huán)保,同時(shí)也降低了產(chǎn)品的生產(chǎn)成本。
[Abstract]:Description: this work is characterized by the facial culture of Peking Opera. Through the fusion and innovation of the facial culture and the female red box, the cultural characteristics of the female red box can be inherited. Female red box from the structure, function, opening and closing mode, appearance of improvement and innovation, and strive to perfect integration of practicality and decoration. In terms of structure, the female red box is divided into five parts according to the form of "total score", and the design inspiration comes from the division of five roles in the elements of Beijing Opera. In terms of opening and closing, there are two ways of opening and closing, one is the sticking and pulling at the top of the box, the other is the knot opening and closing, which takes into account that the design of the box is open, which is conducive to maximizing the use of space. The selection of linen with Beijing Opera facial pattern makes the work more textural, more eco-friendly, and also reduces the production cost of the product.
【作者單位】： 湖南工業(yè)大學(xué)包裝設(shè)計(jì)藝術(shù)學(xué)院;
【基金】：2017年湖南省社會(huì)科學(xué)成果評(píng)審委員會(huì)課題(湘西傳統(tǒng)手工藝文化基因譜系圖構(gòu)建及文創(chuàng)產(chǎn)品開發(fā)與實(shí)踐)(XSP17YBZZ026)
【分類號(hào)】：TB472
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本文編號(hào)：1871768