本文選題：欹器　切入點(diǎn)：中國(guó)傳統(tǒng)文化　出處：《浙江理工大學(xué)》2017年碩士論文

【摘要】：近年來(lái),國(guó)內(nèi)先后爆發(fā)塑化劑、毒淀粉、劣質(zhì)油品及茶飲品摻雜化學(xué)制品等事件,重傷中國(guó)“美食王國(guó)”的國(guó)際形象,因?yàn)樯倘藶榱藵M足市場(chǎng)價(jià)格、供貨穩(wěn)定,故有了使用劣質(zhì)品、化學(xué)品以次充好。人們盲目追求功祿名利,失去了品德最基本的誠(chéng)信。欹器作為中國(guó)傳統(tǒng)禮器,秉承著儒家學(xué)派的一貫傳統(tǒng),仿佛鋼筋水泥都市里的一股清泉�？鬃釉�:“虛則欹,中則正,滿則覆�！�。儒家學(xué)說(shuō)并沒(méi)有因?yàn)?時(shí)代變遷而變得迂腐、呆板,在每個(gè)時(shí)代都綻放著它應(yīng)有的光彩。公共藝術(shù),不僅僅只是一個(gè)大眾的審美,而是一個(gè)時(shí)代精神的體現(xiàn)。樹(shù)立正確的價(jià)值觀尤為重要。欹器最早作為打水的器皿,被廣泛使用。當(dāng)它被賦予了中庸之道后,便成為君子之間互相饋贈(zèng)的禮器,人人以中正為美,這就是一個(gè)時(shí)代精神的體現(xiàn)。欹器文創(chuàng)產(chǎn)品的開(kāi)發(fā)顯得尤為重要。隨著科學(xué)技術(shù)的發(fā)展,新的工業(yè)材料層出不窮,設(shè)計(jì)師有了更多的選擇。中國(guó)20年走完,國(guó)外100年的道路,新奇的設(shè)計(jì)理念不斷沖擊著中國(guó)市場(chǎng)。人們有了更多的想法和要求,已經(jīng)不單單是對(duì)其功能性的要求。中國(guó)當(dāng)代設(shè)計(jì)師應(yīng)該順應(yīng)時(shí)代發(fā)展的潮流,在吸納新鮮設(shè)計(jì)理念的同時(shí),結(jié)合本土的精神理念和傳統(tǒng)元素,在符合現(xiàn)代公共審美的基礎(chǔ)之上,進(jìn)行個(gè)人的藝術(shù)創(chuàng)作。欹器這一傳統(tǒng)禮器與現(xiàn)代公共藝術(shù)設(shè)計(jì)思維相碰撞,必定綻放耀人的光彩。本文通過(guò)欹器文創(chuàng)產(chǎn)品的設(shè)計(jì)研究,對(duì)公共藝術(shù)在結(jié)合傳統(tǒng)文化進(jìn)行再創(chuàng)作的思路和方法進(jìn)行梳理、分析和總結(jié)。通過(guò)“欹器”設(shè)計(jì)研究,構(gòu)建傳統(tǒng)文化文創(chuàng)產(chǎn)品開(kāi)發(fā)的方向,規(guī)范創(chuàng)作思路,提高對(duì)元素應(yīng)用的敏銳性,提高創(chuàng)作設(shè)計(jì)的效率。本文主要分五個(gè)部分:第一部分為緒論,內(nèi)容主要為對(duì)研究的對(duì)象、相關(guān)概念進(jìn)行闡釋,并對(duì)選題的來(lái)源、研究的目的與意義、研究的思路與方法進(jìn)行闡述。第二部分是對(duì)“欹器”產(chǎn)品設(shè)計(jì)的現(xiàn)狀做調(diào)研,以“欹器”淘寶設(shè)計(jì)為例,分析產(chǎn)品材質(zhì)、材料價(jià)格、設(shè)計(jì)元素、功能性、美觀性、受眾群體等相關(guān)屬性。創(chuàng)作中的價(jià)值并總結(jié)調(diào)研情況及指導(dǎo)意義。第三部分是對(duì)“欹器”文創(chuàng)產(chǎn)品的設(shè)計(jì)的時(shí)代背景以及當(dāng)代藝術(shù)發(fā)展歷史進(jìn)行梳理,從歷史經(jīng)驗(yàn)中尋找其創(chuàng)作思想的發(fā)展脈絡(luò)。第四部分是對(duì)“欹器”文創(chuàng)產(chǎn)品設(shè)計(jì)進(jìn)行歸納并從兩方面入手剖析,一是設(shè)計(jì)對(duì)文化的借鑒,二是設(shè)計(jì)對(duì)文化的置換與重構(gòu),并闡述“欹器”產(chǎn)品設(shè)計(jì)的可能性及文化性。第五部分是個(gè)人創(chuàng)作實(shí)踐報(bào)告,從創(chuàng)作實(shí)踐入手對(duì)“欹器”設(shè)計(jì)進(jìn)行研究,從中總結(jié)創(chuàng)作經(jīng)驗(yàn)。結(jié)語(yǔ)部分是由個(gè)人創(chuàng)作實(shí)踐引發(fā)的關(guān)于“欹器”文創(chuàng)產(chǎn)品開(kāi)發(fā)的思考。
[Abstract]:In recent years, domestic incidents such as plasticizer, toxic starch, inferior oil and adulterated chemical products have seriously injured the international image of China's "food kingdom," as businessmen supply stable supplies in order to meet market prices. Therefore, with the use of inferior products, chemicals become inferior. People blindly pursue fame and gain, and lose the most basic integrity of morality. As a traditional Chinese ritual device, the interjector adheres to the consistent tradition of the Confucian school. It was like a clear spring in the city of reinforced concrete. Confucius said, "if you are empty, you are right, you are full.". Confucianism has not become pedantic and rigid because of the changes of the times. In every era, it blooms with its due luster. Public art, It is not just a popular aesthetic, but an embodiment of the spirit of the times. It is particularly important to set up correct values. Interviewees were first widely used as utensils for drawing water. When it was given the golden mean, It becomes a gift of gifts between gentlemen, and everyone takes Zhongzheng as a beautiful thing. This is the embodiment of the spirit of the times. The development of the products of the interjection is particularly important. With the development of science and technology, new industrial materials emerge in endlessly. Designers have more choices. China has completed 20 years, foreign 100 years of road, novel design concept constantly impact the Chinese market. People have more ideas and requirements, Chinese contemporary designers should conform to the trend of the development of the times, absorb new design ideas, combine local spiritual ideas and traditional elements, on the basis of modern public aesthetics. Personal artistic creation. This traditional ritual device collides with the modern public art design thinking, and it will surely shine brilliantly. Combing, analyzing and summing up the ideas and methods of re-creation of public art in combination with traditional culture, through the design and research of "interjector", to construct the direction of product development of cultural creation in traditional culture, and to standardize the creative thinking. This paper is divided into five parts: the first part is the introduction, the content is mainly to explain the object of study, related concepts, and the source of the topic. The purpose and significance of the research, the ideas and methods of the study are expounded. The second part is to investigate the current situation of "interjector" product design, taking Taobao design of "interjector" as an example, to analyze the product material, material price, design elements, functionality, etc. Aesthetic, audience groups and other related attributes. The value of the creation and summary of research and guidance. The third part is the "interjection" product design of the era background and contemporary art development history. The fourth part is to sum up and analyze the product design of "interjector" from two aspects, one is the reference of design to culture, the other is the replacement and reconstruction of culture by design. The fifth part is the report of personal creation practice, which starts with the research on the design of "interjector". The conclusion part is a reflection on the product development of "interjector" caused by personal creation practice.
【學(xué)位授予單位】：浙江理工大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：TB472

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