本文選題：當代北歐設(shè)計風格　切入點：后現(xiàn)代主義設(shè)計精神　出處：《南京師范大學(xué)》2014年碩士論文　論文類型：學(xué)位論文

【摘要】：北歐設(shè)計風格一直是藝術(shù)設(shè)計領(lǐng)域重要的學(xué)習對象,其溫暖自然而又深厚淳樸的獨特設(shè)計魅力一直深深的吸引著世界的眼光。從北歐風格形成為大家所認知,到不斷創(chuàng)新優(yōu)化備受推崇,尤其在近幾十年的積累與發(fā)展中,我們看到了北歐設(shè)計風格的發(fā)展與進步。 新時代的北歐風格更加強調(diào)人文溫暖與日常生活,在豐富獨特的北歐設(shè)計產(chǎn)品中,我們看到了北歐設(shè)計如何自然的從現(xiàn)代主義過渡到后現(xiàn)代主義。在后現(xiàn)代主義藝術(shù)設(shè)計還未明確出現(xiàn)之時,現(xiàn)代北歐設(shè)計已經(jīng)賦有明顯的后現(xiàn)代主義傾向,北歐的設(shè)計師們率先探尋與實踐了后現(xiàn)代主義設(shè)計的精神內(nèi)涵,這也正是我選擇現(xiàn)代北歐設(shè)計作為本次研究生論文切入口的原因所在。 從歷史來看,北歐設(shè)計的變化軌跡又是一個充滿艱辛的摸索過程,本地區(qū)傳統(tǒng)手工藝的理念與從外界選擇性吸收而來的設(shè)計思想的融合,使北歐設(shè)計的整體風格得以不斷的延續(xù)并繼續(xù)向外拓展。 在現(xiàn)代北歐設(shè)計中,我們感受到了后現(xiàn)代主義風格推崇以人為本,將情感與生活,個性與心靈作為設(shè)計源泉與靈魂的精神內(nèi)涵,也順應(yīng)了社會發(fā)展與社會經(jīng)濟的全球化。 我們從北歐風格中讀到了后現(xiàn)代主義設(shè)計思潮,對后現(xiàn)代主義的設(shè)計有了更加直觀和深刻的體會。后現(xiàn)代主義設(shè)計精神鼓勵人們從真實的生活出發(fā),從內(nèi)心出發(fā),敢于實踐,在情感和具體的意向和產(chǎn)品中,找到當代藝術(shù)設(shè)計的價值與作用。
[Abstract]:Nordic design style has always been an important object of study in the field of art design, its warm, natural and profound simple unique design charm has been deeply attracted to the eyes of the world. In recent decades of accumulation and development, we have seen the development and progress of Nordic design style. The Nordic style of the new era emphasizes the warmth of humanity and daily life, in the rich and unique Nordic design products, We have seen how the Nordic design has naturally transitioned from modernism to postmodernism. At a time when postmodernism art design has not yet appeared clearly, modern Nordic design has already had an obvious postmodernism tendency. The designers of Scandinavia first explored and practiced the spiritual connotation of postmodernism design, which is why I chose modern Nordic design as the entry point of this graduate thesis. From the historical point of view, the track of Nordic design change is also a difficult exploration process, the traditional handicraft of the region and the concept of selective absorption from the outside design ideas, So that the overall style of Nordic design can continue and continue to expand outward. In modern Nordic design, we feel that postmodernist style advocates people first, and regards emotion and life, personality and soul as the spiritual connotation of design source and soul, and conforms to the globalization of social development and social economy. We read the trend of postmodernism design from the Nordic style, and have a more intuitive and profound understanding of postmodernism design. Post-modernism design spirit encourages people to start from the real life, from the heart, dare to practice, In emotion and concrete intention and product, find the value and function of contemporary art design.
【學(xué)位授予單位】：南京師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2014
【分類號】：TB472

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