本文關(guān)鍵詞： 陶瓷 酒 包裝容器 造型設(shè)計(jì)　出處：《湖南工業(yè)大學(xué)》2014年碩士論文　論文類型：學(xué)位論文

【摘要】：陶瓷與酒是我國(guó)的兩大國(guó)粹。陶瓷藝術(shù)在各個(gè)歷史時(shí)期都取得了非凡的成就，為后人留下了許多寶貴的遺產(chǎn)，也成就了自己獨(dú)特的陶瓷文化，同樣，中國(guó)有著深厚的酒文化歷史，并且與陶瓷文化緊緊相連。陶瓷酒容器是酒文化的完美載體，也是中國(guó)陶瓷藝術(shù)發(fā)展的優(yōu)良平臺(tái)，兩者的結(jié)合能產(chǎn)生相互促進(jìn)、交相輝映的效果。陶瓷作為白酒特別是高檔白酒的包裝材料，從美學(xué)、歷史、文化、技術(shù)、等各方面來(lái)看，較之玻璃等其它材料更具市場(chǎng)競(jìng)爭(zhēng)力。一些高端白酒品牌生產(chǎn)的藝術(shù)酒容器，高貴典雅、色澤豐潤(rùn)，藝術(shù)欣賞性高，被人們作為藏品所收藏。人們生活水平的提高，審美意識(shí)的加強(qiáng)，對(duì)酒包裝的功能形式和視覺(jué)美感都有了新的要求。 論文運(yùn)用設(shè)計(jì)學(xué)、造型藝術(shù)美學(xué)、藝術(shù)心理學(xué)的研究方法，，通過(guò)對(duì)已有資料和研究成果的收集、歸納和分析。梳理中國(guó)各個(gè)時(shí)期酒容器的特點(diǎn)，并分析在現(xiàn)代生活方式下的陶瓷酒包裝容器；其次，指出現(xiàn)代陶瓷酒包裝容器工藝制作中的實(shí)際問(wèn)題，試圖找出其解決辦法；再次，探討現(xiàn)代陶瓷酒包裝容器設(shè)計(jì)的幾大要素，運(yùn)用設(shè)計(jì)學(xué)本體論，對(duì)具體案例進(jìn)行研究分析；最后，基于包裝容器造型設(shè)計(jì)的工藝基礎(chǔ)和原則，梳理出現(xiàn)代陶瓷酒包裝容器造型的設(shè)計(jì)方法。 總之，本文通過(guò)以點(diǎn)帶面的方式來(lái)研究陶瓷酒包裝容器的文化內(nèi)涵和藝術(shù)特征，并試著對(duì)陶瓷酒包裝容器的設(shè)計(jì)做出相對(duì)系統(tǒng)的理論研究。
[Abstract]:Ceramics and wine are the two quintessence of our country. Ceramic art has made remarkable achievements in every historical period, leaving behind many precious legacies for future generations, as well as achieving its own unique ceramic culture. China has a deep history of wine culture and is closely connected with ceramic culture. Ceramic wine containers are the perfect carrier of wine culture and the excellent platform for the development of Chinese ceramic art. The combination of the two can promote each other. Ceramic as the packaging material of liquor, especially high-grade liquor, from the aspects of aesthetics, history, culture, technology, etc. Compared with other materials such as glass, it is more competitive in the market. Some high-end liquor brands produce artistic wine containers, noble and elegant, rich color, high artistic appreciation, and are collected as collections by people. With the strengthening of aesthetic consciousness, there are new demands on the functional form and visual aesthetic sense of wine packaging. Using the research methods of design, plastic arts aesthetics and artistic psychology, this paper summarizes and analyzes the characteristics of wine containers in various periods of China through the collection, induction and analysis of existing materials and research results. It also analyzes the ceramic wine packaging container under the modern life style. Secondly, it points out the practical problems in the process of making the modern ceramic wine packaging container, and tries to find out the solution. Thirdly, it discusses several elements of the design of the modern ceramic wine packaging container. Finally, based on the technological foundation and principle of packaging container design, the design method of packaging container of modern ceramic wine was combed out. In a word, this paper studies the cultural connotation and artistic characteristics of the ceramic wine packaging container by means of the point band, and tries to make a relatively systematic theoretical study on the design of the ceramic wine packaging container.
【學(xué)位授予單位】：湖南工業(yè)大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：TB482

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