本文關(guān)鍵詞： 體驗設(shè)計 認(rèn)知美學(xué) 審美知覺模式 n身體驗　出處：《吉林大學(xué)》2014年碩士論文　論文類型：學(xué)位論文

【摘要】：本文探討工業(yè)產(chǎn)品的“形態(tài)設(shè)計”在時代背景下，要如何應(yīng)對人對物品的“體驗需求”，與物對人行為的“啟發(fā)”與“規(guī)誡”，以及討論在生態(tài)環(huán)境中“人”、“人造物”、“生態(tài)”之間的關(guān)系，提出時代背景下的工業(yè)產(chǎn)品設(shè)計美學(xué)理論的深入方向。 從認(rèn)知科學(xué)美學(xué)角度，以科學(xué)化的美學(xué)理論為產(chǎn)品設(shè)計提供普遍性的理論建構(gòu)平臺；綜合的用戶知覺經(jīng)驗，研究具有參考性的用戶審美知覺模式建構(gòu)原理；對認(rèn)知的一般機(jī)制研究有益于產(chǎn)品設(shè)計應(yīng)對復(fù)雜多變的社會文化背景研究審美活動的時效性與趨眾性；基于人類社會實踐的審美活動研究有益于促進(jìn)設(shè)計美學(xué)理論實現(xiàn)產(chǎn)品自身與用戶的交互。 同時設(shè)計理論必須深入進(jìn)行哲學(xué)的思考，入探討物（Artifact）或者環(huán)境(Ambience)是如何使人的內(nèi)在感知和意識能力在實體的世界中，有意識或無意識地被激活、被豐富，因此產(chǎn)品之“美”即可理解為產(chǎn)品的“親和力”。本文的研究目的就是對產(chǎn)品的“親和性”進(jìn)行系統(tǒng)的詮釋，設(shè)計實踐就是在用戶主觀理解與產(chǎn)品客觀表象之間搭建起一個“可感性”場域。還需辯證討論認(rèn)知美學(xué)對于設(shè)計活動的指導(dǎo)性意義與，也就是以主客二分的認(rèn)知美學(xué)為理論工具，創(chuàng)造“主客觀相統(tǒng)一”的人造事物。提出設(shè)計的主客觀相統(tǒng)一本質(zhì)，不僅體現(xiàn)在物的形成過程，，還是物本身的存在“可能性”。
[Abstract]:Under the background of the times, this paper discusses how to deal with the "experience demand" of human beings, the "inspiration" and "precepts" of human behavior, and the discussion of "human beings" in the ecological environment under the background of the industrial products'"form design" in the background of the times. The relationship between "man-made creation" and "ecology" puts forward the in-depth direction of the aesthetic theory of industrial product design under the background of the times. From the perspective of cognitive science aesthetics, the scientific aesthetic theory provides a universal theoretical construction platform for product design. Synthesizes the user perception experience, studies the user esthetic perception pattern construction principle which has the reference; The research on the general mechanism of cognition is beneficial to the study of the timeliness and popularity of the aesthetic activities of product design in response to the complex and changeable social and cultural background. The study of aesthetic activities based on human social practice is beneficial to promote the design aesthetics theory to realize the interaction between the product itself and the user. At the same time, the theory of design must be deeply philosophical to explore how the material Artifact or the environment makes people's inner perception and consciousness in the physical world. Consciously or unconsciously activated and enriched, the "beauty" of the product can be understood as the "affinity" of the product. The purpose of this paper is to interpret the "affinity" of the product systematically. Design practice is to build a "perceptual" field between the subjective understanding of the user and the objective representation of the product. It is also necessary to dialectically discuss the guiding significance and significance of cognitive aesthetics for design activities. That is to say, with the cognitive aesthetics of subjective and objective as the theoretical tool, to create "subjective and objective unity" artificial things. The design of subjective and objective unity essence, not only reflected in the formation process of things. Or the existence of the thing itself "possibility".
【學(xué)位授予單位】：吉林大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2014
【分類號】：TB472

【參考文獻(xiàn)】

相關(guān)期刊論文 前7條

1 李蔓麗;;多感官設(shè)計理念在產(chǎn)品中的表達(dá)[J];包裝工程;2012年20期

2 李志宏;;認(rèn)知科學(xué)美學(xué)與審美機(jī)器人[J];晉陽學(xué)刊;2012年02期

3 徐獻(xiàn)軍;;身體現(xiàn)象學(xué)對認(rèn)知科學(xué)的批判[J];科學(xué)技術(shù)與辯證法;2007年06期

4 徐獻(xiàn)軍;;現(xiàn)象學(xué)對認(rèn)知科學(xué)的貢獻(xiàn)[J];自然辯證法通訊;2010年03期

5 吳瓊;;信息時代的設(shè)計倫理[J];裝飾;2012年10期

6 朱志榮;王懷義;;存在與認(rèn)識:審美的根基到底在哪里——與李志宏、劉洋二先生商榷[J];文藝爭鳴;2013年07期

7 夏開豐;;雅克·朗西埃的設(shè)計表面理論和藝術(shù)的生活化[J];裝飾;2013年07期

本文編號：1488216