【摘要】：影像生產(chǎn)和傳播技術(shù)的發(fā)展,極大地拓展了視覺(jué)文化的生存和發(fā)展空間。從遠(yuǎn)古巖畫(huà)到移動(dòng)互聯(lián)的空間進(jìn)路來(lái)看,視覺(jué)空間不應(yīng)被簡(jiǎn)單局限于人類(lèi)視線中的空間。移動(dòng)互聯(lián)網(wǎng)絡(luò)的發(fā)展以獨(dú)有的方式拓展并重塑了視覺(jué)生產(chǎn)空間、視覺(jué)傳播空間與視覺(jué)消費(fèi)空間,形成了當(dāng)代獨(dú)特的視覺(jué)文化空間結(jié)構(gòu)。移動(dòng)互聯(lián)時(shí)空中視覺(jué)的泛在化和流動(dòng)性使影像世界與生活世界高度融合,同時(shí)促成了視覺(jué)文化實(shí)踐社會(huì)化模式的形成。不過(guò),移動(dòng)互聯(lián)時(shí)代社會(huì)化媒體公共空間和私人空間的游移性與復(fù)雜性,又給當(dāng)代視覺(jué)文化實(shí)踐提出了新的規(guī)制難題,亟需進(jìn)一步探尋解決之道。
[Abstract]:The development of image production and communication technology has greatly expanded the survival and development space of visual culture. From the ancient rock painting to the spatial approach of mobile interconnection, visual space should not be simply confined to the space in human line of sight. The development of mobile Internet has expanded and reshaped the visual production space, visual communication space and visual consumption space in a unique way, and formed the unique visual cultural spatial structure of the contemporary era. The universality and mobility of vision in mobile interconnection makes the image world and the life world highly integrated, and at the same time promotes the formation of the socialized mode of visual culture practice. However, the mobility and complexity of social media public space and private space in the era of mobile interconnection have put forward new regulatory problems for contemporary visual culture practice, and it is urgent to further explore the solutions.
【作者單位】： 南京財(cái)經(jīng)大學(xué)新聞學(xué)院;
【基金】：江蘇省哲學(xué)社會(huì)科學(xué)基金項(xiàng)目“社會(huì)化媒體的公共傳播價(jià)值與責(zé)任體系研究”(項(xiàng)目編號(hào):13XWB008) 江蘇省高校優(yōu)勢(shì)學(xué)科建設(shè)工程資助項(xiàng)目(項(xiàng)目編號(hào):PAPD)的研究成果
【分類(lèi)號(hào)】：G206
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本文編號(hào)：2508780