【摘要】：正尼爾·波茲曼的"娛樂至死"理論不僅是對(duì)20世紀(jì)美國后現(xiàn)代工業(yè)社會(huì)的深刻洞見與尖銳批評(píng),更是對(duì)當(dāng)下媒介消費(fèi)時(shí)代的警示強(qiáng)音,因?yàn)槲覀円呀?jīng)進(jìn)入了泛娛樂時(shí)代。"泛娛樂"一詞的內(nèi)涵曾經(jīng)從"粉絲經(jīng)濟(jì)"的狹義解讀到"電視節(jié)目低俗化制作",如今其已不僅僅存在于電視、電腦的單項(xiàng)傳達(dá),而是滲透在網(wǎng)絡(luò)時(shí)代中人們生活的方方面面,它無形中侵蝕著成年人的理性認(rèn)知和新生代的價(jià)值觀建構(gòu)。在網(wǎng)絡(luò)時(shí)代,我們需要賦予"娛樂至
[Abstract]:Neil Pozman's theory of "entertainment to death" is not only a profound insight and sharp criticism of the postmodern industrial society in the United States in the 20th century, but also a warning to the current era of media consumption, because we have entered the era of pan-entertainment. " The connotation of the word pan-entertainment has been interpreted from the narrow sense of "fan economy" to "vulgarization production of TV programs". Now it no longer exists in the single communication of television and computer, but permeates all aspects of people's lives in the network age. It virtually erodes the rational cognition of adults and the construction of values of the new generation. In the age of the Internet, we need to give "entertainment to"
【作者單位】： 中國傳媒大學(xué)藝術(shù)學(xué)部戲劇影視學(xué)院;
【分類號(hào)】：G229.2

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