【摘要】：2017年中國綜藝節(jié)目市場出現(xiàn)了由朗讀類節(jié)目領(lǐng)跑的局面,從《見字如面》到《朗讀者》,這種以文本朗讀的形式來展現(xiàn)文字之美、人文之美的節(jié)目如一股清流強(qiáng)勢地注入了"娛樂至死"的綜藝節(jié)目市場。該類節(jié)目以傳統(tǒng)的文字媒介為傳播內(nèi)容,通過與互聯(lián)網(wǎng)媒介攜手再現(xiàn)了文字之美,在技術(shù)性革命中實現(xiàn)文字視覺化,在互文性解讀中實現(xiàn)了意義增值,并由此發(fā)揮了傳承文字背后的文化、情感和精神的作用。同時,在肯定之中也需反思從文字到視聽的影像轉(zhuǎn)化與融合過程中,視覺文化對文字文化的擠壓給此類節(jié)目所帶來的不易察覺的消極影響。
[Abstract]:In 2017, the market for Chinese variety shows led by reading shows, from "see words such as face" to "readers", which shows the beauty of the text in the form of text reading. The beauty of humanity, such as a clear stream of strong injection of "entertainment to death" variety show market. This kind of program takes the traditional text medium as the dissemination content, reproduces the beauty of the text through working with the Internet medium, realizes the text visualization in the technical revolution, realizes the meaning increment in the intertextuality interpretation. And thus exerting the cultural, emotional and spiritual role behind the inheritance of words. At the same time, it is also necessary to reflect on the negative influence of visual culture on this kind of programs in the process of image transformation and fusion from words to audiovisual images.
【作者單位】： 西南交通大學(xué)人文學(xué)院;
【分類號】：G222
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本文編號：2426489