【摘要】：本文以中央電視臺(tái)著名訪談?lì)惞?jié)目《藝術(shù)人生》為主要研究對(duì)象,運(yùn)用會(huì)話分析理論對(duì)其會(huì)話進(jìn)行系統(tǒng)分析,其中包括對(duì)會(huì)話特征的分析、會(huì)話結(jié)構(gòu)的分析、話輪轉(zhuǎn)換的分析等,對(duì)《藝術(shù)人生》節(jié)目的會(huì)話規(guī)律進(jìn)行總結(jié),探討訪談?lì)惞?jié)目會(huì)話的本質(zhì)和規(guī)律。通過(guò)對(duì)電視訪談節(jié)目《藝術(shù)人生》的會(huì)話分析,探尋電視訪談節(jié)目發(fā)展的獨(dú)特之路。第一章主要介紹了選題依據(jù)、研究意義、研究綜述、研究方法、語(yǔ)料和轉(zhuǎn)寫(xiě)符號(hào)說(shuō)明,并對(duì)相關(guān)理論、節(jié)目形式進(jìn)行了說(shuō)明。第二章對(duì)《藝術(shù)人生》節(jié)目的會(huì)話進(jìn)行分析,介紹其機(jī)構(gòu)型敘事特點(diǎn)、敘事性會(huì)話特點(diǎn)為主體的主要會(huì)話特征。第三章將《藝術(shù)人生》的會(huì)話結(jié)構(gòu)分為整體結(jié)構(gòu)和局部結(jié)構(gòu),得出節(jié)目的發(fā)展結(jié)構(gòu)和話輪轉(zhuǎn)換技巧,總結(jié)了在電視訪談節(jié)目中,主持人與嘉賓會(huì)話中需要遵循的會(huì)話原則,并選取適當(dāng)?shù)湫瓦M(jìn)行分析,從宏觀角度掌握《藝術(shù)人生》的會(huì)話結(jié)構(gòu)。第四章對(duì)會(huì)話主體中的話輪轉(zhuǎn)換及話輪索取、話輪保持、話輪放棄進(jìn)行了分析并歸類(lèi)總結(jié),運(yùn)用話輪轉(zhuǎn)換清晰的掌握節(jié)目主持人和節(jié)目嘉賓在節(jié)目中的會(huì)話目的和會(huì)話方向。電視訪談節(jié)目中的主體對(duì)話在很大程度上可以用現(xiàn)有的語(yǔ)用學(xué)理論進(jìn)行研究分析,這不僅可以指導(dǎo)節(jié)目訪談中主體的話語(yǔ)使用技巧亦可以發(fā)展語(yǔ)用學(xué)之于電視訪談節(jié)目中研究應(yīng)用。在研究的過(guò)程中,本文結(jié)合了以往的研究成果,同時(shí)提出了新的觀點(diǎn),總結(jié)出了新的方法,為今后的研究提供了理論基礎(chǔ),在豐富語(yǔ)用學(xué)理論的同時(shí),也可以作為主持人實(shí)踐的準(zhǔn)則。
[Abstract]:This paper takes the famous interview program "Art Life" of CCTV as the main research object, and uses the theory of conversational analysis to systematically analyze the conversation, including the analysis of the characteristics of the conversation, the analysis of the structure of the conversation. This paper summarizes the conversational rules of the program "Art Life" and discusses the nature and regularity of the conversation of the interview program. Through the conversational analysis of TV talk program Art Life, this paper explores the unique way to develop TV interview program. The first chapter mainly introduces the basis of the topic, the significance of the research, research review, research methods, corpus and transliteration symbol description, and the relevant theory, program form is explained. The second chapter analyzes the conversation of the "Art Life" program, introduces its institutional narrative characteristics, narrative conversational characteristics as the main conversational characteristics. The third chapter divides the conversation structure of "Art Life" into the whole structure and the partial structure, obtains the development structure of the program and the skill of the turn of conversation, and summarizes the conversation principle which the host and guest should follow in the conversation between the host and the guest in the TV interview program. And select appropriate typical analysis, from the macro point of view to grasp the conversational structure of "Art Life". In chapter four, the author analyzes and summarizes the turn-shifting, the turn-taking, the turn-keeping and the abdication in the main body of the conversation, and uses the turn-switching to clearly grasp the purpose and direction of the conversation between the host and the guest in the program. To a large extent, the main dialogue in TV interview programs can be studied and analyzed with the existing pragmatic theories. This can not only guide the subject's utterance skills, but also develop the application of pragmatics in TV interview programs. In the course of the study, this paper combines the previous research results, puts forward new viewpoints, summarizes new methods, provides a theoretical basis for future research, and enriches the pragmatic theory at the same time. It can also be used as a guide to the practice of the moderator.
【學(xué)位授予單位】：山東師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類(lèi)號(hào)】：G222

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