【摘要】：電視法制節(jié)目是以電視為傳播載體,通過媒體技術(shù)手段和藝術(shù)手法對(duì)有關(guān)法律的內(nèi)容進(jìn)行包裝制作,來傳播法律知識(shí)、提高受眾法律素養(yǎng)的電視節(jié)目。電視法制節(jié)目是隨著我國法治化進(jìn)程的建設(shè)孕育而生的,是全民普法建設(shè)的產(chǎn)物。它誕生的目的是為廣大民眾進(jìn)行普法教育,所以社會(huì)教育功能是電視法制節(jié)目的根本目的和宗旨。從1985年第一檔電視法制節(jié)目誕生至今,電視法制節(jié)目的成長已有三十余年,電視法制節(jié)目的類型也在不斷地豐富。論文的研究對(duì)象正是電視法制節(jié)目中的法制欄目劇的代表——《普法欄目劇》作為一種比較新的法制類電視節(jié)目,法制欄目劇是以平民化視角對(duì)真實(shí)案例進(jìn)行還原或改編,通過演員演繹的重現(xiàn),將抽象的法律條文融入故事中,通過故事宣傳法制的節(jié)目形式。而法制欄目劇與普通欄目劇最大的不同在于,它在建構(gòu)節(jié)目的同時(shí),還要考慮法律本身對(duì)法治社會(huì)的建構(gòu)作用。因此,本文以央視《普法欄目劇》為論文研究主體,嘗試把定性的方法和定量的方法相結(jié)合,通過內(nèi)容分析法和深度訪談法,對(duì)其內(nèi)容建構(gòu)的現(xiàn)狀進(jìn)行研究分析,并探討了其建構(gòu)存在問題的原因以及節(jié)目的發(fā)展策略。研究結(jié)果表明,《普法欄目劇》的節(jié)目內(nèi)容呈現(xiàn)了鮮明的傳播特色,包括故事內(nèi)容豐富,表現(xiàn)百姓生活,彰顯人文關(guān)懷;主持人兼顧專業(yè)性與親民風(fēng)格等。但作為法制類節(jié)目,《普法欄目劇》對(duì)于法治社會(huì)和社會(huì)犯罪狀態(tài)的建構(gòu)如何?筆者通過內(nèi)容分析得出該節(jié)目對(duì)現(xiàn)實(shí)的建構(gòu)呈現(xiàn)以下特點(diǎn):一方面故事內(nèi)容豐富、不良內(nèi)容得到把關(guān);但另一方面節(jié)目對(duì)現(xiàn)實(shí)法治社會(huì)的建構(gòu)存在偏差,主要表現(xiàn)在案件“重刑輕民”,違法犯罪主體不全面。此外,節(jié)目的整體風(fēng)格呈現(xiàn)娛樂性重于法理性�！镀辗谀縿　穼�(duì)節(jié)目建構(gòu)的手段一是選擇,即選擇重點(diǎn)表現(xiàn)刑事案件,而據(jù)調(diào)查顯示,在現(xiàn)實(shí)社會(huì)中民事案件的數(shù)量遠(yuǎn)遠(yuǎn)大于刑事案件;選擇重點(diǎn)呈現(xiàn)的人物角色為成年的、城市的、漢族人群,而未成年人、農(nóng)村群體和少數(shù)民族同胞是普法的重點(diǎn)對(duì)象。二是強(qiáng)化與弱化,即強(qiáng)化懸念與沖突,弱化不良內(nèi)容。節(jié)目在建構(gòu)方面存在問題的原因較為復(fù)雜:在消費(fèi)主義影響下我國的電視節(jié)目普遍注重娛樂性,而忽略了其本身的傳播目的;制作隊(duì)伍法律素養(yǎng)不足,專業(yè)人員缺失,這些原因均導(dǎo)致了《普法欄目劇》娛樂性偏重而法理性不足。筆者認(rèn)為,《普法欄目劇》應(yīng)在拓寬報(bào)道題材、深度挖掘、提升從業(yè)者法律素養(yǎng)、雙向互動(dòng)及增加與有關(guān)部門的聯(lián)動(dòng)機(jī)制方面下功夫,多方面提升節(jié)目的法理性,充分發(fā)揮節(jié)目的社會(huì)教育功能。
[Abstract]:TV legal program is a TV program which uses television as a carrier of communication, through media technical means and artistic means to package and produce the contents of relevant laws to spread legal knowledge and improve the legal literacy of the audience. The program of TV legal system is born with the process of rule of law in our country, and it is the product of popularizing the law of the whole people. The purpose of its birth is to popularize law education for the general public, so the function of social education is the fundamental aim and purpose of TV legal programs. Since the birth of the first TV legal program in 1985, the TV legal program has grown for more than 30 years, and the types of TV legal program have been constantly enriched. The research object of this paper is the representative of the legal program in the TV legal system program, the "Law Popularization column Drama", as a relatively new kind of legal system TV program, the legal column drama is to restore or adapt the real case from the perspective of populace. Through the reproduction of the actor's interpretation, the abstract legal provisions are incorporated into the story, and the legal program form is propagated through the story. The biggest difference between the legal column drama and the ordinary column play is that when it constructs the program, it should also consider the law itself in the construction of the society ruled by law. Therefore, this article takes CCTV "the popular Law column Drama" as the research subject, attempts to combine the qualitative method with the quantitative method, through the content analysis method and the depth interview method, carries on the research analysis to its content construction present situation. It also discusses the causes of the problems in its construction and the development strategy of the program. The research results show that the program content of the "popular Law" shows distinct characteristics of communication, including the rich content of the story, the expression of people's life, the display of humanistic concern, and the host's consideration of professionalism and kindred style, and so on. But as a kind of program of legal system, how about the construction of "Law Popularization column Drama" for the society ruled by law and its criminal state? Through the content analysis, the author concludes that the program has the following characteristics: on the one hand, the story is rich in content, the bad content is checked, but on the other hand, the program has bias to the construction of the real society ruled by law. Mainly in the case of "heavy punishment light of the people", the subject of crime is not comprehensive. In addition, the overall style of the program is more entertaining than legal reason. The first way to construct the program is to choose, that is, to focus on the presentation of criminal cases. According to the survey, In the real society, the number of civil cases is far greater than that of criminal cases; the key personas are adult, urban, Han people, while minors, rural groups and minority compatriots are the key objects of law popularization. Second, strengthen and weaken, that is, strengthen suspense and conflict, weaken bad content. Under the influence of consumerism, TV programs in our country generally pay attention to entertainment, but ignore their own communication purpose, the legal literacy of the production team is insufficient, and the professional personnel are missing, the reasons for the problems in the construction of the program are quite complex. All these reasons lead to entertainment and lack of rationality of law. In my opinion, the "Law Popularization column Drama" should make great efforts in broadening the coverage, digging in depth, improving the legal literacy of practitioners, two-way interaction and increasing the linkage mechanism with relevant departments, so as to enhance the legal rationality of the programs in many ways. Give full play to the social education function of the program.
【學(xué)位授予單位】：四川師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：G222

【參考文獻(xiàn)】

相關(guān)期刊論文 前10條

1 楊得兵;;電視法制節(jié)目與全民法治觀念培養(yǎng)[J];中國廣播電視學(xué)刊;2015年07期

2 李娜;安東;;普法欄目劇的問題剖析[J];今傳媒;2015年01期

3 刁姍姍;;從《普法欄目劇》看電視法制欄目的發(fā)展策略[J];傳媒;2014年16期

4 王天錚;李中;;對(duì)法治類電視欄目定位的思考——以山東衛(wèi)視《道德與法治》欄目為例[J];現(xiàn)代視聽;2014年05期

5 許婭;;央視《普法欄目劇》節(jié)目形態(tài)研究[J];新聞知識(shí);2013年12期

6 陳麗丹;;論電視法制節(jié)目的法治理念[J];中國廣播電視學(xué)刊;2013年12期

7 鄢麗娜;;普法欄目劇的崛起探析[J];電視研究;2013年10期

8 鄢麗娜;;論《普法欄目劇》的創(chuàng)作之道[J];現(xiàn)代傳播(中國傳媒大學(xué)學(xué)報(bào));2013年06期

9 安娜;;淺析法制節(jié)目如何普法——以《法制編輯部》欄目為視角[J];當(dāng)代電視;2013年06期

10 盛振華;;普法欄目劇:抗擊“劇無霸”——談欄目劇的創(chuàng)新策略與市場價(jià)值[J];現(xiàn)代傳播(中國傳媒大學(xué)學(xué)報(bào));2013年05期

相關(guān)博士學(xué)位論文 前2條

1 王平;電視法制信息傳播與農(nóng)民法律意識(shí)培育研究[D];南京師范大學(xué);2014年

2 方艷;誠信問題社會(huì)建構(gòu)中傳媒場域介入的研究[D];華中科技大學(xué);2013年

相關(guān)碩士學(xué)位論文 前9條

1 周旭;省級(jí)地面頻道電視法治節(jié)目的生存之道[D];安徽大學(xué);2014年

2 謝培;法制欄目劇的媒介話語分析[D];陜西師范大學(xué);2014年

3 張君;我國電視法制節(jié)目的思想性與觀賞性研究[D];揚(yáng)州大學(xué);2014年

4 張春麗;我國電視法制節(jié)目普法效果的制約因素及強(qiáng)化策略[D];南京師范大學(xué);2011年

5 房鑫;我國法制電視節(jié)目現(xiàn)狀及策略研究[D];東北師范大學(xué);2010年

6 楊引琴;我國電視法制節(jié)目創(chuàng)作存在的問題及對(duì)策研究[D];西北大學(xué);2008年

7 王仁忠;電視法制節(jié)目的現(xiàn)狀、問題與創(chuàng)新策略研究[D];浙江大學(xué);2008年

8 丁莉華;中國電視法制節(jié)目現(xiàn)狀分析及發(fā)展對(duì)策研究[D];南京師范大學(xué);2006年

9 任奕葳;我國電視法制節(jié)目問題與對(duì)策研究[D];河北大學(xué);2005年

，

本文編號(hào)：2217709