敘事學(xué)視野下同題材電視真人秀節(jié)目研究
發(fā)布時間:2018-08-03 09:19
【摘要】:真人秀節(jié)目入主國內(nèi)熒屏不斷走紅,為國內(nèi)電視綜藝節(jié)目的制作帶來無限生機與可能,平民選秀是最早走入大眾視野的真人秀節(jié)目類型與模式,從次便一發(fā)不可收拾,讓每個人都有成為舞臺最閃亮的那顆星的可能。到親子類真人秀節(jié)目《爸爸去哪兒》的出現(xiàn),打破傳統(tǒng)節(jié)目演播廳的節(jié)目錄制模式;戶外真人秀節(jié)目的不可預(yù)知性,跌宕起伏的劇情構(gòu)建,沖突與懸念不斷成為了各大衛(wèi)視的寵兒。面對每年上百檔的真人秀節(jié)目獨霸熒屏,如此繁華的景象背后隱藏很多值得我們深思的地方,為什么對于電視一線制作者而言:節(jié)目越做越少,同質(zhì)化節(jié)目層出不窮,國內(nèi)電視節(jié)目制作陷入內(nèi)容單一形態(tài)趨同的困境。透過現(xiàn)象看本質(zhì),方法論是解決問題的關(guān)鍵——敘事學(xué)。后經(jīng)典敘事學(xué)聚焦點的轉(zhuǎn)變和真人秀節(jié)目獨特的敘事魅力不謀而合,為真人秀節(jié)目同質(zhì)化的差異競爭提供了堅實的理論基礎(chǔ)。
[Abstract]:Reality TV shows are becoming popular on domestic screens, bringing infinite vitality and possibility to the production of domestic TV variety shows. Civilian talent shows are the first type and mode of reality shows to enter the public's field of vision. From then on, they are out of control. It is possible for everyone to be the brightest star on stage. To the appearance of the parent-child reality show "where is Dad going?" to break the traditional program recording mode in the studio; the unpredictable nature of outdoor reality shows; and the plot construction of ups and downs. Conflict and suspense have become the pet of every big satellite TV. In the face of the hundreds of reality TV shows that dominate the screen every year, behind such a bustling scene, there are many places for us to ponder. Why is it that as far as the television front-line producers are concerned, the more programs they do, the more homogenous programs emerge in endlessly? The domestic TV program production falls into the dilemma of the single form of convergence of content. From the perspective of phenomena, methodology is the key to solving problems-narratology. The change of the focus of post-classical narratology coincides with the unique narrative charm of reality TV, which provides a solid theoretical basis for the homogeneous competition of reality shows.
【學(xué)位授予單位】:吉林藝術(shù)學(xué)院
【學(xué)位級別】:碩士
【學(xué)位授予年份】:2016
【分類號】:G222
,
本文編號:2161296
[Abstract]:Reality TV shows are becoming popular on domestic screens, bringing infinite vitality and possibility to the production of domestic TV variety shows. Civilian talent shows are the first type and mode of reality shows to enter the public's field of vision. From then on, they are out of control. It is possible for everyone to be the brightest star on stage. To the appearance of the parent-child reality show "where is Dad going?" to break the traditional program recording mode in the studio; the unpredictable nature of outdoor reality shows; and the plot construction of ups and downs. Conflict and suspense have become the pet of every big satellite TV. In the face of the hundreds of reality TV shows that dominate the screen every year, behind such a bustling scene, there are many places for us to ponder. Why is it that as far as the television front-line producers are concerned, the more programs they do, the more homogenous programs emerge in endlessly? The domestic TV program production falls into the dilemma of the single form of convergence of content. From the perspective of phenomena, methodology is the key to solving problems-narratology. The change of the focus of post-classical narratology coincides with the unique narrative charm of reality TV, which provides a solid theoretical basis for the homogeneous competition of reality shows.
【學(xué)位授予單位】:吉林藝術(shù)學(xué)院
【學(xué)位級別】:碩士
【學(xué)位授予年份】:2016
【分類號】:G222
,
本文編號:2161296
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