中國(guó)古代詩(shī)歌是中國(guó)最古老,成就最輝煌的文學(xué)形式,作為中國(guó)文學(xué)的典型代表,在世界文學(xué)史上占有無可取代的地位。它語(yǔ)言簡(jiǎn)練,節(jié)奏明快,韻律感強(qiáng),并以蘊(yùn)含豐富的隱喻見長(zhǎng)。作為中國(guó)古代詩(shī)歌不可或缺的一部分,隱喻的作用不可小覷。分析中國(guó)古詩(shī)中的隱喻有很高的理論價(jià)值和應(yīng)用價(jià)值。關(guān)于隱喻的研究由來已久,可追溯到古希臘和古羅馬時(shí)期。二十世紀(jì)八十年代,萊考夫等學(xué)者提出了概念隱喻理論,把隱喻分為三種:結(jié)構(gòu)隱喻、方位隱喻和實(shí)體隱喻,從一個(gè)嶄新的角度開啟了對(duì)隱喻的研究。隱喻由傳統(tǒng)認(rèn)為的單一的修辭手段上升到了認(rèn)知高度。圖式豐富是中國(guó)古代詩(shī)歌的顯著特點(diǎn)之一,這些圖式通常承載著各種隱喻,因此圖式理論也可以用于分析中國(guó)古詩(shī)。我們可以從這些新方向,用這些新方法來重新分析看待中國(guó)古詩(shī)。本論文以萊考夫等學(xué)者的概念隱喻理論為基礎(chǔ),通過定性分析法,舉例分析中國(guó)古詩(shī)中的三種隱喻,討論隱喻形成的原因和過程。并運(yùn)用圖式理論分析中國(guó)古詩(shī)中的語(yǔ)言圖式和文化圖式。通過分析,論文作者得出結(jié)論:中國(guó)古詩(shī)中的隱喻和圖式相輔相承,共同作用。總而言之,隨著隱喻研究發(fā)展的多元化,越來越多的人開始關(guān)注中國(guó)古詩(shī)中的隱喻。作者希望通過在本論文中國(guó)古詩(shī)中的隱喻... 

【文章來源】：中國(guó)海洋大學(xué)山東省 211工程院校 985工程院校 教育部直屬院校

【文章頁(yè)數(shù)】：71 頁(yè)

【學(xué)位級(jí)別】：碩士

【文章目錄】：
摘要
Abstract
Chapter One Introduction
    1.1 Research Background
    1.2 Research Assumptions
    1.3 Research Methodology
    1.4 Research Significance
    1.5 Organization of Each Chapter
Chapter Two Literature Review
    2.1 A Brief Introduction to Chinese Ancient Poetry
        2.1.1 The Definition of Chinese Ancient Poetry
        2.1.2 Features of Chinese Ancient Poetry
        2.1.3 The Significance of Chinese Ancient Poetry
    2.2 A Brief Introduction to Metaphor
        2.2.1 Definition of Metaphor
        2.2.2 Schools of Metaphor Study
    2.3 Poetry and Metaphor
    2.4 Summary
Chapter Three Theories about Metaphor
    3.1 Lakoff & Johnson’s Classification of Metaphor
        3.1.1 The Structural Metaphor
        3.1.2 The Orientational Metaphor
        3.1.3 The Ontological Metaphor
    3.2 Schema and Its Functions
        3.2.1 Schemata from Linguistic Domain
        3.2.2 Schemata from Cultural Domain
    3.3 Metaphor and Schema
        3.3.1 Relationship of Metaphor and Schemata
        3.3.2 Cross-domain Mapping
    3.4 Summary
Chapter Four Analyses in Chinese Ancient Poetry
    4.1 Analyses from Classification of Metaphor
        4.1.1 Analyses of Structural Metaphor in Chinese Ancient Poetry
        4.1.2 Analyses of Orientational Metaphor in Chinese Ancient Poetry
        4.1.3 Analyses of Ontological Metaphor in Chinese Ancient Poetry
    4.2 Analyses from Schemata
        4.2.1 Schemata from Linguistic Domain in Chinese Ancient Poetry
        4.2.2 Schemata from Cultural Domain in Chinese Ancient Poetry
    4.3 Analyses from Metaphor and Schemata
        4.3.1 The Correspondence between Metaphor and Schemata in Chinese Ancient Poetry
        4.3.2 Different Levels of Cross-domain Mapping in Chinese Ancient Poetry
    4.4 Summary
Chapter Five Conclusion
    5.1 Major Findings
    5.2 Limitations of the present research and suggestions for future studies
References
ACKNOWLEDGEMENTS
個(gè)人簡(jiǎn)歷
攻讀碩士期間發(fā)表論文情況


【參考文獻(xiàn)】：
碩士論文
[1]古漢語(yǔ)詩(shī)歌中隱喻的認(rèn)知研究[D]. 王文英.長(zhǎng)沙理工大學(xué) 2008



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