發(fā)布時(shí)間：2018-12-24 09:36

【摘要】：會(huì)話分析最初由哈維·薩克斯及其同事艾曼紐·謝格洛夫、蓋爾·杰斐遜在20世紀(jì)60年代提出。直至20世紀(jì)80年代晚期,隨著戲劇文體學(xué)的發(fā)展,語(yǔ)言學(xué)家開(kāi)始運(yùn)用會(huì)話分析方法來(lái)探討文學(xué)作品中人物的權(quán)勢(shì)關(guān)系和性格塑造�，F(xiàn)存文獻(xiàn)已能證明會(huì)話分析方法在研究人物性格和關(guān)系中的有效性�！毒┤A煙云》是林語(yǔ)堂先生最著名的英文作品之一。。不少學(xué)者從不同角度對(duì)其進(jìn)行研究,其中不乏對(duì)《京華煙云》中女性人物形象的探討。但是目前尚未發(fā)現(xiàn)從會(huì)話分析視角對(duì)這部小說(shuō)中女性人物形象的研究。因此,本文基于會(huì)話分析研究方法,探索《京華煙云》中的三位主要女性人物形象。會(huì)話分析理論,包括話輪轉(zhuǎn)換系統(tǒng)和序列結(jié)構(gòu)兩個(gè)基本概念。話輪是會(huì)話基本結(jié)構(gòu)單位,話輪轉(zhuǎn)換分析是會(huì)話分析的重要組成部分。研究話輪轉(zhuǎn)換系統(tǒng)中的話輪長(zhǎng)度、話輪類型、話輪控制策略等話輪數(shù)據(jù),為探索小說(shuō)中人物對(duì)話提供了科學(xué)客觀的方法。為了實(shí)現(xiàn)研究目的,作者提出了 3個(gè)主要研究問(wèn)題,探究話輪轉(zhuǎn)換規(guī)則在《京華煙云》中三位主要女性人物對(duì)話中的體現(xiàn),女性人物在對(duì)話中的身份構(gòu)建和性格特點(diǎn)。在選取三位女性人物的會(huì)話材料時(shí),為了實(shí)現(xiàn)語(yǔ)料庫(kù)的相對(duì)封閉完整,作者選擇以沖突會(huì)話為研究?jī)?nèi)容,并收集了三位女性人物的所有沖突會(huì)話�；谧越ㄕZ(yǔ)料庫(kù),作者采用定量分析方法,運(yùn)用話輪轉(zhuǎn)換分析框架對(duì)話輪數(shù)據(jù)進(jìn)行具體分析,揭示了對(duì)話人物之間的權(quán)勢(shì)關(guān)系和三位主要女性人物的性格。由此,作者得出結(jié)論:會(huì)話分析對(duì)于探索《京華煙云》中女性人物的性格是一種行之有效的方法。通過(guò)對(duì)姚木蘭的沖突會(huì)話的會(huì)話分析,作者發(fā)現(xiàn)木蘭一方面具有善良、勇敢、聰慧等美好品質(zhì),另一方面又嚴(yán)格遵循封建禮教。牛素云的沖突會(huì)話體現(xiàn)了她的自我中心意識(shí)和傲慢,她惡劣的人際關(guān)系和她傲慢自大、咄咄逼人的性格密不可分。她的最后兩段沖突對(duì)話也體現(xiàn)了她的愛(ài)國(guó)主義和善良本性。通過(guò)對(duì)曼妮沖突會(huì)話的分析,作者發(fā)現(xiàn)她多愁善感,敢于為自尊而斗爭(zhēng)。本篇研究豐富了會(huì)話分析理論,尤其是話輪轉(zhuǎn)換系統(tǒng),在文學(xué)作品中的應(yīng)用。通過(guò)闡述《京華煙云》中三位女性角色的沖突會(huì)話的話輪轉(zhuǎn)換特征,本文對(duì)這部作品中女性人物性格的解讀提供了一個(gè)新視角。此外,本文通過(guò)對(duì)話輪轉(zhuǎn)換系統(tǒng)的探索,有利于增進(jìn)人們對(duì)如何實(shí)現(xiàn)順利溝通的認(rèn)識(shí)。
[Abstract]:Conversational analysis was first proposed by Harvey Sachs and his colleagues Emmanuel Schaegrov and Gail Jefferson in the 1960 s. Until the late 1980s, with the development of drama stylistics, linguists began to use conversational analysis to explore the power relationship and character shaping of characters in literary works. The existing literature has proved the effectiveness of conversational analysis in the study of characters and relationships. Jinghua Yanyun is one of Lin Yutang's most famous English works. Many scholars study it from different angles, including the image of female characters in Beijing smoke Cloud. However, there is no research on the female characters in the novel from the perspective of conversational analysis. Therefore, based on the conversational analysis method, this paper explores the three main female characters in Beijing-China smoke Clouds. The theory of conversational analysis includes two basic concepts: turn-over system and sequence structure. Turn is the basic structural unit of conversation, and turn-over analysis is an important part of conversation analysis. This paper studies the data of the turn-length, the type of the turn-round and the control strategy of the turn-shifting system, which provides a scientific and objective method for the exploration of the character dialogue in the novel. In order to achieve the purpose of the study, the author puts forward three main research questions, and probes into the embodiment of the turn-switching rules in the dialogue between the three main female characters, the identity construction and personality characteristics of the female characters in the dialogue. In order to make the corpus relatively closed, the author chooses the conflict conversation as the research content and collects all the conflicting conversations of the three female characters when selecting the conversational materials of the three female characters. Based on the self-built corpus, the author adopts the quantitative analysis method, and analyzes the data of the dialogue turn by using the turn-over analysis frame. The author reveals the power relationship among the dialogue characters and the personality of the three main female characters. Therefore, the author concludes that conversational analysis is an effective method for exploring the characters of female characters in Jinghua Yanyun. Through the conversational analysis of Yao Mulan's conflict conversation, the author finds that Mulan has good qualities, such as kindness, bravery and intelligence, on the other hand, it strictly follows feudal ethics. Niu Su-yun 's conflicting conversation reflects her self-centeredness and arrogance. Her bad interpersonal relationship is closely related to her arrogant and aggressive character. Her last two conflicting dialogues also reflect her patriotism and good nature. Through the analysis of Manny's conflict conversation, the author finds that she is sentimental and dares to fight for self-respect. This study enriches the theory of conversational analysis, especially the application of turn-shifting system in literary works. This paper provides a new perspective on the interpretation of the character of the female characters in this work by expounding the characters of the three female characters in the conflict conversation of the three female characters in Beijing Yanyun. In addition, through the exploration of dialogue wheel conversion system, it is helpful to enhance people's understanding of how to realize smooth communication.
【學(xué)位授予單位】：成都理工大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：H136

【參考文獻(xiàn)】

相關(guān)期刊論文 前10條

1 吳亞欣;于國(guó)棟;;為會(huì)話分析正名[J];山西大學(xué)學(xué)報(bào)(哲學(xué)社會(huì)科學(xué)版);2017年01期

2 Paul Drew;;Conversation Analysis and Social Action[J];外國(guó)語(yǔ)(上海外國(guó)語(yǔ)大學(xué)學(xué)報(bào));2013年03期

3 何莎;;從話輪轉(zhuǎn)換視角看“林黛玉進(jìn)賈府”中人物關(guān)系、權(quán)勢(shì)與性格[J];華中師范大學(xué)研究生學(xué)報(bào);2010年04期

4 易秀清;王小亮;;話輪轉(zhuǎn)換視角下的動(dòng)態(tài)權(quán)勢(shì)關(guān)系和人物性格——以《印度之行》某一沖突性話語(yǔ)片段為例[J];西南交通大學(xué)學(xué)報(bào)(社會(huì)科學(xué)版);2010年04期

5 冉永平;;沖突性話語(yǔ)的語(yǔ)用學(xué)研究概述[J];外語(yǔ)教學(xué);2010年01期

6 劉森林;;話輪更迭的語(yǔ)用策略[J];外語(yǔ)教學(xué);2007年04期

7 趙英玲;沖突話語(yǔ)分析[J];外語(yǔ)學(xué)刊;2004年05期

8 吳玲玲,李丹;林語(yǔ)堂英文作品翻譯之特點(diǎn)[J];北京第二外國(guó)語(yǔ)學(xué)院學(xué)報(bào);2004年02期

9 張廷國(guó);話輪及話輪轉(zhuǎn)換的交際技巧[J];外語(yǔ)教學(xué);2003年04期

10 劉運(yùn)同;會(huì)話分析學(xué)派的研究方法及理論基礎(chǔ)[J];同濟(jì)大學(xué)學(xué)報(bào)(社會(huì)科學(xué)版);2002年04期

相關(guān)博士學(xué)位論文 前1條

1 何婷婷;語(yǔ)料庫(kù)研究[D];華中師范大學(xué);2003年

相關(guān)碩士學(xué)位論文 前10條

1 焦培培;2012年奧巴馬—羅姆尼電視辯論中的沖突話語(yǔ)分析[D];山東師范大學(xué);2014年

2 康曉麗;語(yǔ)言順應(yīng)論視角下《絕望主婦》中沖突話語(yǔ)研究[D];山東大學(xué);2014年

3 賈偉文;從功能文體學(xué)角度分析《京華煙云》中三位女性人物的性格特點(diǎn)[D];河南大學(xué);2014年

4 張玲;《京華煙云》中姚木蘭形象的語(yǔ)用分析[D];上海外國(guó)語(yǔ)大學(xué);2014年

5 侯景芳;模因論視角下的沖突性話語(yǔ)分析[D];中國(guó)海洋大學(xué);2013年

6 張曉惠;從話輪轉(zhuǎn)換的角度看《玻璃動(dòng)物園》中的會(huì)話[D];鄭州大學(xué);2011年

7 劉揚(yáng);《簡(jiǎn)愛(ài)》小說(shuō)中男女主人翁話輪轉(zhuǎn)換對(duì)比研究[D];華中科技大學(xué);2011年

8 趙新利;品特戲劇中的話語(yǔ)沖突[D];上海外國(guó)語(yǔ)大學(xué);2008年

9 王志波;《京華煙云》中的女性形象[D];上海外國(guó)語(yǔ)大學(xué);2008年

10 何慧英;從會(huì)話分析角度解讀《欲望號(hào)街車》中人物關(guān)系與性格[D];內(nèi)蒙古大學(xué);2007年

，

本文編號(hào)：2390466