【摘要】：漢語言的發(fā)展經(jīng)歷了單音節(jié)詞為主到現(xiàn)代漢語雙音節(jié)詞為主的轉(zhuǎn)變史。已經(jīng)有很多學(xué)者對(duì)此發(fā)展趨勢(shì)從不同的角度進(jìn)行了研究探索。比如從語法、文字、語義等層面對(duì)其進(jìn)行探討解釋，并取得了很多成果。但仍然存在一些未被解決的遺留問題，以及一些從語法、文字、語義等層面還講不通或者還難以解釋的問題。而80年代由McCarthy和Prince所提出了韻律學(xué)（Prosodic Morphology）理論給處于這種研究困境的學(xué)術(shù)界另辟了蹊徑。以馮勝利、吳為善、王洪君等為代表的學(xué)者對(duì)此進(jìn)行大量的研究考證，為漢語的構(gòu)詞、句法等領(lǐng)域的研究開辟出一條新的道路。 筆者基于國內(nèi)外對(duì)此理論的研究和發(fā)展開辟新思路，將立足點(diǎn)放在了近年來備受關(guān)注的角度---韻律來對(duì)漢語的構(gòu)詞發(fā)展進(jìn)行討論。并且借助漢語構(gòu)詞與古代詩歌有著某種規(guī)律性的聯(lián)系這一特點(diǎn)，，提出漢語的構(gòu)詞發(fā)展與古詩歌之間是一種互動(dòng)機(jī)制系統(tǒng)，尤其是單純韻律詞（自然音步的詞）與古詩的聯(lián)系更為密切。首先，本文簡要闡述了關(guān)于此論題的一些基礎(chǔ)理論框架即漢語韻律詞理論（音步理論、自然音步等）以及此理論影響下的復(fù)合詞構(gòu)成；其次，介紹了古代詩歌的韻律規(guī)則系統(tǒng)，以及五言、七言詩的“平仄”韻律規(guī)律；四字成語、多音節(jié)詞（多音節(jié)單純?cè)~、諺語等）中所隱含的韻律機(jī)制；“之”字詞的韻律驅(qū)動(dòng)機(jī)制等；再由此推導(dǎo)出漢語韻律構(gòu)詞與其之間的關(guān)系，亦即兩者之間存在一種互動(dòng)機(jī)制系統(tǒng)。最后，推導(dǎo)出此類詞今后的高度能產(chǎn)性發(fā)展趨勢(shì)，且包含古代詩歌在今后對(duì)漢語韻律詞發(fā)展的影響繼續(xù)不間斷的傳承。
[Abstract]:The development of the Chinese language has experienced a transition from monosyllabic words to modern Chinese disyllabic words. Many scholars have studied this trend from different angles. For example, from the grammar, text, semantics and other aspects of the discussion and interpretation, and achieved a lot of results. However, there are still some unresolved problems, and some problems that are still unexplained or difficult to explain from the aspects of grammar, text, semantics and so on. The theory of prosody (Prosodic Morphology), put forward by McCarthy and Prince in 1980's, provides a new way for the academic circles in this kind of research dilemma. The scholars, such as Feng Shengli, Wu Weishan and Wang Hongjun, have done a lot of research and textual research on this, which opens a new way for the study of Chinese word-formation and syntax. Based on the research and development of this theory at home and abroad, the author puts the foothold in the perspective of rhythm, which has been paid close attention to in recent years, to discuss the development of Chinese word formation. With the help of the characteristic that Chinese word-formation has some regular relation with ancient poetry, it is put forward that the development of Chinese word-formation and ancient poetry is an interactive mechanism system. In particular, simple rhyme words (the words of natural phonetics) are more closely related to ancient poetry. First of all, this paper briefly describes the basic theoretical framework of this topic, namely, the theory of Chinese prosodic words (phonetic step theory, natural phonetic step theory) and the composition of compound words under the influence of this theory. Secondly, it introduces the prosodic rule system of ancient poetry, and the prosodic law of "flat and narrow" in five-character and seven-character poems, the prosodic mechanism implied in four-character idioms, multi-syllable words (polysyllabic simple words, proverbs, etc.); The prosodic driving mechanism of the word "Zhi" and the relationship between the Chinese prosodic word formation and the prosodic word formation are deduced, that is, there is an interactive mechanism system between the two words. Finally, this paper deduces the highly productive development trend of these words in the future, and contains the influence of ancient poetry on the development of Chinese rhyme words in the future.
【學(xué)位授予單位】：湖北師范學(xué)院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類號(hào)】：H136;H116;I207.21

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本文編號(hào)：2323816