發(fā)布時(shí)間：2019-08-06 11:58

【摘要】：在德國(guó),音樂(lè)創(chuàng)作和音樂(lè)學(xué)分屬兩個(gè)不同的領(lǐng)域和歸屬。前者重視音樂(lè)實(shí)踐,側(cè)重技術(shù)訓(xùn)練,隸屬于音樂(lè)學(xué)院或藝術(shù)學(xué)院;而后者則被看成是人文學(xué)科,側(cè)重精神領(lǐng)域的研究,歸類于綜合大學(xué)的文科類。它們長(zhǎng)期以來(lái)平分秋色、各有所長(zhǎng),是德國(guó)音樂(lè)發(fā)展中的兩個(gè)重要分支。本文以德國(guó)當(dāng)代作曲家、音樂(lè)學(xué)家為例,針對(duì)他們的言論、音樂(lè)創(chuàng)作,提出自己的一些看法和思考。
[Abstract]:In Germany, music creation and music are divided into two different fields and attribution. The former attaches importance to music practice, focuses on technical training, and belongs to music college or art college;The latter is regarded as a humanities subject, focusing on the research in the spiritual field, which is classified into the arts category of the comprehensive university. For a long time, they are both important branches in the development of German music. This paper takes German contemporary composers and musicists as an example, and puts forward some views and thoughts on their comments, music creation.
【作者單位】： 德國(guó)布萊梅大學(xué)音樂(lè)學(xué)、音樂(lè)教育學(xué)系;西安音樂(lè)學(xué)院音樂(lè)學(xué)系;西北民族音樂(lè)研究中心;
【分類號(hào)】：J605
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本文編號(hào)：2523537