孔子“成于樂”音樂思想解析
發(fā)布時間：2019-05-14 00:29
【摘要】：從美學的角度上來講,音樂作品既是一個獨立存在的不以人的意識為轉(zhuǎn)移的物態(tài)性客體,同時又是一個離不開接受者意識活動的非實在性的觀念性客體。筆者認為孔子"成于樂"的音樂思想也包含了主觀性與客觀性的音樂美學內(nèi)容,本文從音樂的主觀與客觀性這個美學的角度,來解析論述孔子"成于樂"的音樂思想。
[Abstract]:From the aesthetic point of view, music works are not only an independent material object that does not take human consciousness as the transfer, but also a non-realistic conceptual object which can not be separated from the recipient's conscious activities. The author thinks that Confucius' music thought of "becoming music" also contains the content of subjective and objective music aesthetics. This paper analyzes and discusses Confucius' music thought of "becoming music" from the aesthetic point of view of subjective and objective music.
【作者單位】： 河南省鄭州師范學院音樂學院;
【分類號】：J609.2
[Abstract]:From the aesthetic point of view, music works are not only an independent material object that does not take human consciousness as the transfer, but also a non-realistic conceptual object which can not be separated from the recipient's conscious activities. The author thinks that Confucius' music thought of "becoming music" also contains the content of subjective and objective music aesthetics. This paper analyzes and discusses Confucius' music thought of "becoming music" from the aesthetic point of view of subjective and objective music.
【作者單位】： 河南省鄭州師范學院音樂學院;
【分類號】：J609.2
【參考文獻】
相關(guān)期刊論文 前2條
1 張明;;“孔顏之樂”與“詩化生存”理想的建構(gòu)[J];社會科學研究;2010年03期
2 陳，
本文編號：2476297
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