中國(guó)民族音樂文化修志傳統(tǒng)與“集成學(xué)”學(xué)科之構(gòu)建
發(fā)布時(shí)間：2019-04-28 16:41
【摘要】： 中華民族悠悠五千年,以無(wú)以倫比的創(chuàng)造精神,共同養(yǎng)育了博大精深、輝煌燦爛的中華文化。 中國(guó)素有整理保存民族文化遺產(chǎn)的傳統(tǒng),中華民族文化富于創(chuàng)造,也惠于保存。幾千年來中國(guó)文化保持一種修續(xù)傳統(tǒng),《詩(shī)經(jīng)》《樂府》《九宮大成》……“盛世修志”成為一種歷史慣例。而流傳下來的音樂典籍,無(wú)疑都存在一定規(guī)律性:皆是政府組織的修志行為,并且由于權(quán)威人士的支持和學(xué)校教育的推廣才得以流傳至今。這些音樂典籍都是璀璨宏富的傳統(tǒng)音樂遺產(chǎn)中的瑰寶,它可以使讀者鑒古知來,通古啟今。這些典籍,對(duì)我國(guó)人類學(xué)、音樂學(xué)、歷史學(xué)、社會(huì)學(xué)、民俗學(xué)研究具有很高的史料價(jià)值、科研價(jià)值和實(shí)用價(jià)值,亦可至今人于廣闊的文化背景和文化氛圍之中來考察傳統(tǒng)音樂,對(duì)探討傳統(tǒng)音樂在整個(gè)社會(huì)結(jié)構(gòu)和文化系統(tǒng)中的作用和功能起了積極的推動(dòng)作用。 綜觀我國(guó)古代的民族民間音樂集成杰作,《詩(shī)經(jīng)》共三百零五篇,為我國(guó)第一部詩(shī)歌總集,其中的“國(guó)風(fēng)”為我國(guó)最早的民歌編選集;漢武帝設(shè)“樂府”廣集民間里巷歌謠,以觀風(fēng)俗,知薄厚,建立了國(guó)家級(jí)的采風(fēng)制度,也許由于是當(dāng)時(shí)的記譜方法不夠發(fā)達(dá),或者因?yàn)榍{(diào)都是由口傳心記,所以只記下了歌詞;另有一些零散的連詞帶譜的保存了下來的歌曲像南北朝的《幽蘭》曲譜和宋代姜夔的《白石道人歌曲集》,又因數(shù)量上的缺乏很難成體系進(jìn)行研究;即便是曠世文獻(xiàn)《新定九宮大成南北詞宮譜》,收錄了我國(guó)從9世紀(jì)到18世紀(jì)千余年流傳下來的4466首樂譜之多,也只是一部《律呂正義》的拾碎……凡此種種集成,都受到政治、經(jīng)濟(jì)、人員、技術(shù)等因素的制約,未能有今日“十大集成”這樣大面積的調(diào)查、普查、整理和出版。 這部歷時(shí)二十余年,被列入國(guó)家藝術(shù)科學(xué)重點(diǎn)項(xiàng)目、國(guó)家社科基金重大項(xiàng)目的“中國(guó)十部民族民間文藝集成志書”編纂出版是一項(xiàng)浩瀚工程。這十部集成包括《中國(guó)民間歌曲集成》、《中國(guó)民族民間器樂曲集成》、《中國(guó)戲曲音樂集成》、《中國(guó)曲藝音樂集成》、《中國(guó)民族民間舞蹈集成》、《中國(guó)戲曲志》、《中國(guó)民間故事集成》、《中國(guó)歌謠集成》、《中國(guó)諺語(yǔ)集成》、《中國(guó)曲藝志》。十部集成志書,資料極為豐富。這次對(duì)于民族民間音樂的搜集整理,不同于以往任何朝代的任何一部集成,它可以說是一次不留空白點(diǎn)的文化遺產(chǎn)整理。這十部集成志書的出版,在文化領(lǐng)域里,更產(chǎn)生了新的研究學(xué)科——集成學(xué)。 本文謹(jǐn)以四部中國(guó)民族民間音樂集成的發(fā)展脈絡(luò)為隅,以一位當(dāng)代年輕音樂史學(xué)學(xué)習(xí)者的視角,以音樂藝術(shù)集成志書編纂為主線,兼述中國(guó)音樂集成志書的歷史發(fā)展,覬覦音樂集成學(xué)學(xué)科的構(gòu)建,旨在喚起人們對(duì)這部具有特殊價(jià)值的民族音樂典籍的再認(rèn)識(shí)和對(duì)我國(guó)非物質(zhì)文化遺產(chǎn)保護(hù)與傳承的思考。
[Abstract]:Chinese nation leisurely 5, 000 years, with the incomparable spirit of creation, together raised the broad and profound, brilliant and splendid Chinese culture. China has a tradition of organizing and preserving national cultural heritages, Chinese culture is rich in creation, but also beneficial to preservation. For thousands of years, Chinese culture has maintained a tradition of repair, the Book of songs, Yuefu, Jiutong Dacheng. It has become a kind of historical practice to practice the record of the prosperous times. There is no doubt that there is a certain regularity in the music books which have been handed down: they are the actions of the government organization, and the support of the authoritative personages and the promotion of the school education have made it possible to spread to the present day. These classical music books are the treasures of the resplendent and rich traditional music heritage, which enables readers to learn from the ancient times and to enlighten the present from the ancient times. These classics have very high historical data value, scientific research value and practical value for the study of anthropology, music, history, sociology and folklore in our country, and can also examine traditional music in a broad cultural background and cultural atmosphere. It plays a positive role in exploring the function and function of traditional music in the whole social structure and cultural system. Looking at the masterpieces of folk music integration in ancient China, the Book of songs consists of 305 pieces, which is the first collection of poems in China. Among them, "Guofeng" is the earliest anthology of folk songs in China. Emperor Wu of the Han Dynasty set up a "Yuefu" to widely collect folk Lane ballads in order to observe customs, know well, and set up a national-level collecting style system, perhaps because the recording methods at that time were not sufficiently developed, or because the tunes were all recorded by word of mouth. So I only wrote down the lyrics; There are also some scattered hyphenation bands preserved songs such as the Southern and Northern dynasties "Youlan" music spectrum and the Song Dynasty Jiang Kui's "Bai Shi Dao Man Song Collection", but also because of the lack of quantitative research is very difficult to make a system; Even the long-lived literature, the Song of the North-South ci of Dacheng in Xinding Nine Palace, contains 4466 pieces of music that have been handed down from the 9th century to the 18th century in China, but it is only the collection of the book "Justice between Lu and Lu". All these integrations are restricted by political, economic, personnel, technical and other factors, and there is no such a large-scale survey, census, collation and publication of today's "Top Ten Integration". This book, which lasted more than 20 years, has been listed as the key project of the state art science. The compilation and publication of the "Ten Chinese Folk Literature and Art Integration Records" of the National Social Science Fund is a vast project. These ten integrations include the Integration of Chinese Folk songs, the Integration of Chinese Folk Organ Music, the Integration of Chinese Opera Music, the Integration of Chinese Quyi Music, the Integration of Chinese Folk Dance, and the Chronicle of Chinese Opera. Chinese Folk Story Integration, Chinese Proverbs Integration, Chinese Quyi Records. Ten integrated log books are extremely rich in data. This time the collection and arrangement of folk music is different from any integration of any dynasty in the past, it can be said to be a collection of cultural heritage without leaving a blank spot. The publication of these ten integrated books has produced a new research subject-Integrative Science in the field of culture. This paper takes the development of four pieces of Chinese folk music integration as an example, from the perspective of a contemporary young musical historiography learner, takes the compilation of music art integration journal as the main line, and also describes the historical development of Chinese music integration journal. The construction of the subject of music integration is aimed at arousing people's re-understanding of this folk music book with special value and thinking about the protection and inheritance of the intangible cultural heritage of our country.
【學(xué)位授予單位】：天津師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2008
【分類號(hào)】：J607
本文編號(hào)：2467796
[Abstract]:Chinese nation leisurely 5, 000 years, with the incomparable spirit of creation, together raised the broad and profound, brilliant and splendid Chinese culture. China has a tradition of organizing and preserving national cultural heritages, Chinese culture is rich in creation, but also beneficial to preservation. For thousands of years, Chinese culture has maintained a tradition of repair, the Book of songs, Yuefu, Jiutong Dacheng. It has become a kind of historical practice to practice the record of the prosperous times. There is no doubt that there is a certain regularity in the music books which have been handed down: they are the actions of the government organization, and the support of the authoritative personages and the promotion of the school education have made it possible to spread to the present day. These classical music books are the treasures of the resplendent and rich traditional music heritage, which enables readers to learn from the ancient times and to enlighten the present from the ancient times. These classics have very high historical data value, scientific research value and practical value for the study of anthropology, music, history, sociology and folklore in our country, and can also examine traditional music in a broad cultural background and cultural atmosphere. It plays a positive role in exploring the function and function of traditional music in the whole social structure and cultural system. Looking at the masterpieces of folk music integration in ancient China, the Book of songs consists of 305 pieces, which is the first collection of poems in China. Among them, "Guofeng" is the earliest anthology of folk songs in China. Emperor Wu of the Han Dynasty set up a "Yuefu" to widely collect folk Lane ballads in order to observe customs, know well, and set up a national-level collecting style system, perhaps because the recording methods at that time were not sufficiently developed, or because the tunes were all recorded by word of mouth. So I only wrote down the lyrics; There are also some scattered hyphenation bands preserved songs such as the Southern and Northern dynasties "Youlan" music spectrum and the Song Dynasty Jiang Kui's "Bai Shi Dao Man Song Collection", but also because of the lack of quantitative research is very difficult to make a system; Even the long-lived literature, the Song of the North-South ci of Dacheng in Xinding Nine Palace, contains 4466 pieces of music that have been handed down from the 9th century to the 18th century in China, but it is only the collection of the book "Justice between Lu and Lu". All these integrations are restricted by political, economic, personnel, technical and other factors, and there is no such a large-scale survey, census, collation and publication of today's "Top Ten Integration". This book, which lasted more than 20 years, has been listed as the key project of the state art science. The compilation and publication of the "Ten Chinese Folk Literature and Art Integration Records" of the National Social Science Fund is a vast project. These ten integrations include the Integration of Chinese Folk songs, the Integration of Chinese Folk Organ Music, the Integration of Chinese Opera Music, the Integration of Chinese Quyi Music, the Integration of Chinese Folk Dance, and the Chronicle of Chinese Opera. Chinese Folk Story Integration, Chinese Proverbs Integration, Chinese Quyi Records. Ten integrated log books are extremely rich in data. This time the collection and arrangement of folk music is different from any integration of any dynasty in the past, it can be said to be a collection of cultural heritage without leaving a blank spot. The publication of these ten integrated books has produced a new research subject-Integrative Science in the field of culture. This paper takes the development of four pieces of Chinese folk music integration as an example, from the perspective of a contemporary young musical historiography learner, takes the compilation of music art integration journal as the main line, and also describes the historical development of Chinese music integration journal. The construction of the subject of music integration is aimed at arousing people's re-understanding of this folk music book with special value and thinking about the protection and inheritance of the intangible cultural heritage of our country.
【學(xué)位授予單位】：天津師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2008
【分類號(hào)】：J607
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，本文編號(hào)：2467796
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