【摘要】： 臨清,京航大運(yùn)河岸邊的歷史古城、名城,元代以降,憑借險(xiǎn)要的地理位置,南通蘇杭,北連皇都,一度成為全國(guó)著名的商業(yè)都會(huì),明清時(shí)期興盛近500年。清乾隆曰:臨清傍運(yùn)河,富庶甲齊郡;生活在明代景泰至正德年間的大學(xué)士李東陽(yáng)的兩首《熬頭磯》如此描寫(xiě)臨清: (一)十里人家兩岸分,層樓高棟入青云。 官船商舶紛紛過(guò),擊鼓鳴鑼處處聞。 (二)折岸驚流此地回,濤聲日夜響春雷。 城中煙火千家集,江上帆檣萬(wàn)斛來(lái)。 這些詩(shī)文形象地刻畫(huà)了臨清因運(yùn)河之利而達(dá)到的令今人難以想象的鼎盛繁華。商業(yè)的繁榮,使臨清成為明清時(shí)期資本主義經(jīng)濟(jì)萌芽的新興城市,此時(shí),更是以此地為背景,誕生了一部奇特的文學(xué)名著——《金瓶梅》。臨清古老的文化積淀至今仍然隨處可尋,其中臨清民歌,是“會(huì)八方之風(fēng)雨,通百邑之有無(wú)”、與多種外來(lái)音樂(lè)文化相互影響、相互滲透的結(jié)果,經(jīng)過(guò)幾百年的錘煉和發(fā)展,形成了具有濃郁地方特色和獨(dú)特音樂(lè)風(fēng)格的藝術(shù)品種,它成為我國(guó)民歌寶庫(kù)中不可或缺的部分。 臨清民歌的品種可以分為:小調(diào)、秧歌和號(hào)子三類(lèi)。豐富多彩的臨清民歌,不斷的吸引專(zhuān)業(yè)音樂(lè)人士和團(tuán)體來(lái)臨清采風(fēng),特別是解放后,推出了一批優(yōu)秀曲目,如《撒大潑》、《大實(shí)話(huà)》、《看姑娘》、《光棍哭妻》等,灑脫、詼諧的唱詞,委婉、流暢的旋律,構(gòu)成了臨清民歌獨(dú)特的藝術(shù)美。 歷史悠久、底蘊(yùn)豐厚的臨清民歌,以其獨(dú)特的藝術(shù)風(fēng)格吸引著我們?nèi)ビ^察它、貼近它,督促著我們?nèi)ヱ雎?tīng)它、研究它。電視連續(xù)劇《水滸傳》的一首主題曲——《好漢歌》,唱響大江南北,其取材于臨清民歌《撒大潑》和《王大娘鋸缸》,臨清民歌一度走進(jìn)人們久違了的視野,它也以具有無(wú)可爭(zhēng)論的藝術(shù)價(jià)值成為當(dāng)代民族音樂(lè)學(xué)人所必須進(jìn)行探究的對(duì)象。 本文從旋律學(xué)的角度去觀察、思考臨清民歌,對(duì)其進(jìn)行再次的挖掘、梳理、分類(lèi)和初步探析。這一角度不僅能夠使我們鉤沉臨清民歌的歷史風(fēng)貌,而且還有利于我們分析研究臨清民歌的藝術(shù)特征,更重要的是如何運(yùn)用優(yōu)秀的傳統(tǒng)民歌素材進(jìn)行創(chuàng)新和發(fā)展,創(chuàng)造出具有時(shí)代氣息的新作品。 文章欲以對(duì)臨清民歌的初步研究為契機(jī),形成對(duì)臨清整體民間音樂(lè)研究的開(kāi)端,激活具有地域特色的文化氛圍,提高當(dāng)?shù)匾魳?lè)文化的區(qū)域貢獻(xiàn)力和服務(wù)能力,為實(shí)現(xiàn)構(gòu)建和諧臨清和“十一五”的戰(zhàn)略構(gòu)想做出自己的積極貢獻(xiàn),使其在新的歷史條件下,發(fā)揮其應(yīng)有的藝術(shù)功能。
[Abstract]:Linqing, the bank of the Grand Canal of Beijing Airlines historical ancient city, famous city, Yuan Dynasty to drop, by virtue of dangerous geographical location, Nantong Suzhou-Hangzhou, North even the imperial capital, once became a famous commercial capital, Ming and Qing dynasties prosperous nearly 500 years. Qing Qianlong said: Linqing near the canal, rich Jiazi County; lived in the Ming Dynasty Jingtai to Zhengde years of Li Dongyang's two songs, so described Linqing: (1) Ten li people divided between the two sides of the people, floor high-rise into the Qingyun. The official ship and ship went by one after another, beating drums and singing all over the place. (2) the shore broke back here, and the sound of the waves sounded like spring thunder day and night. Thousands of fireworks in the city set, the river on the sail Wan Dendrobium. These poems depict the inconceivable prosperity of Linqing because of the benefits of the canal. With the prosperity of commerce, Linqing became a burgeoning city of capitalist economy in Ming and Qing dynasties. At this time, a peculiar literary masterpiece, Jinpingmei, was born. The ancient cultural accumulation in Linqing is still found everywhere. Among them, the folk songs of Linqing are the result of the mutual influence and mutual penetration of various foreign music and culture, and after hundreds of years of training and development, the folk songs of Linqing are the result of "eight Fang Zhi's wind and rain, whether or not there are many hundred years of foreign music and culture." Has formed the rich local characteristic and the unique music style art variety, it has become our country folk song treasure house indispensable part. Linqing folk songs can be divided into three categories: minor tune, Yangge and bugle. The rich and colorful folk songs of Linqing have continuously attracted professional musicians and groups to come to Linqing to pick the wind, especially after liberation, launched a number of excellent repertoire, such as "scatter Dabu", "Great Truth", "look at Girls", "Bachelors cry wife" and so on, free and easy. Witty singing, euphemism, smooth melody, constitute the unique artistic beauty of Linqing folk songs. Linqing folk songs, with a long history and rich connotation, attract us to observe it, get close to it and urge us to listen to it and study it with its unique artistic style. A theme song of the TV series "the Water margin"-"the good Man's Song", singing in the north and south of the river, its material is drawn from the Linqing folk song "Sappa Dabu" and "the Lady Wang saw the cylinder," and Linqing folk song once entered people's long-lost visual field of vision. It also has the indisputable artistic value to become the contemporary folk music scholar must carry on the inquiry object. In this paper, we observe and think about Linqing folk songs from the angle of whirllaw, dig them up again, sort them out, classify them and make a preliminary analysis of them. This angle not only enables us to focus on the historical features of Qing folk songs, but also helps us to analyze and study the artistic characteristics of Linqing folk songs, and more importantly, how to use excellent traditional folk song materials for innovation and development. Create new works with the flavor of the times. This article takes the preliminary study of Linqing folk songs as an opportunity to form the beginning of the study on the whole folk music in Linqing, activate the cultural atmosphere with regional characteristics, and improve the regional contribution and service ability of the local music culture. In order to construct harmonious Linqing and "Eleventh five-year Plan" strategic concept to make their own positive contribution, so that under the new historical conditions, it should play its artistic function.
【學(xué)位授予單位】：山西大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2008
【分類(lèi)號(hào)】：J607

【引證文獻(xiàn)】

相關(guān)期刊論文 前1條

1 王敬;;五河民歌旋律與方言[J];重慶科技學(xué)院學(xué)報(bào)(社會(huì)科學(xué)版);2011年18期

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本文編號(hào)：2449979