【摘要】： 音樂技術(shù)在我們的音樂活動(dòng)中扮演著不可或缺的角色,沒有哪個(gè)學(xué)音樂的人說自己是完全脫離技術(shù)而完成音樂作品的創(chuàng)作與表現(xiàn)的,但明確的音樂技術(shù)概念對(duì)于許多人來說又是模糊的,所以本文試圖拋開大量文章已經(jīng)研究過的具體音樂創(chuàng)作、表演等方面的的技巧,試圖從宏觀的層面分析音樂技術(shù)的一些問題。如技術(shù)的哲學(xué)含義、音樂技術(shù)的概念、本質(zhì)、結(jié)構(gòu)、音樂技術(shù)的異化等。本文的邏輯思路是:技術(shù)--物質(zhì)世界技術(shù)—精神世界技術(shù)—音樂技術(shù)。全文共分六章:第一章,緒論。在綜述所參閱相關(guān)理論書籍的基礎(chǔ)上,提出了本文所要討論的音樂技術(shù)及其異化;第二章,首先科學(xué)界定技術(shù)定義,然后從哲學(xué)層面討論物質(zhì)世界的技術(shù)和精神層次的技術(shù),分別從定義、要素、本質(zhì)三方面進(jìn)行說明,為后面章節(jié)做好充分的理論基礎(chǔ);第三章,音樂技術(shù)。這是本文論述的重點(diǎn),主要闡釋了音樂技術(shù)的定義、結(jié)構(gòu)特點(diǎn)及作用,以及音樂技術(shù)在中外歷史中的演變;第四章,從物質(zhì)世界技術(shù)兩重性及技術(shù)的異化,引出音樂技術(shù)的兩個(gè)層面及其異化,揭示了音樂技術(shù)異化的表現(xiàn)形式,如現(xiàn)代音樂作品的異化,當(dāng)代中國(guó)音樂教育中技術(shù)的異化等;第五章,針對(duì)以上所分析的音樂技術(shù)及其異化,提出我們?cè)撊绾握_處理技術(shù)與情感的關(guān)系,如何將音樂技術(shù)更好地與音樂作品相融合,達(dá)到人類至善至美的藝術(shù)境界。
[Abstract]:Music technology plays an indispensable role in our music activities. No one who studies music says that he is completely divorced from technology to complete the creation and expression of music works. But the clear concept of music technology is vague for many people, so this paper tries to put aside the specific music creation, performance and other techniques that have been studied in a large number of articles. This paper tries to analyze some problems of music technology from the macro level. Such as the philosophical meaning of technology, the concept, essence, structure and alienation of music technology. The logic of this paper is: technology-material world technology-spirit world technology-music technology. The full text is divided into six chapters: chapter one, introduction. On the basis of reviewing the relevant theoretical books, this paper puts forward the music technology and its alienation to be discussed in this paper. In the second chapter, the definition of technology is defined scientifically, and then the technology of material world and the technology of spiritual level are discussed from the philosophical level. The definition, elements and essence of the technology are explained in order to provide a good theoretical basis for the later chapters. The third chapter, music technology. This is the focus of this paper, mainly explains the definition of music technology, structural characteristics and functions, as well as the evolution of music technology in the history of China and foreign countries; Chapter four, from the duality and alienation of technology in the material world, leads to the two layers of music technology and its alienation, and reveals the forms of dissimilation of music technology, such as the alienation of modern music works. The alienation of technology in contemporary Chinese music education; In the fifth chapter, in view of the above analysis of music technology and its alienation, we put forward how to correctly handle the relationship between technology and emotion, and how to better integrate music technology with music works to reach the artistic realm of human being's supreme goodness and beauty.
【學(xué)位授予單位】：西北民族大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2007
【分類號(hào)】：J61

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本文編號(hào)：2409975