斯特拉文斯基《四重奏小品三首》中節(jié)奏和音高的結(jié)構(gòu)力作用
發(fā)布時間：2018-12-06 18:14
【摘要】： 斯特拉文斯基作為二十世紀音樂中最具代表性人物之一，對于其作品的研究一直是后人關(guān)注的課題。本文以《四重奏小品三首》為研究對象，探尋這首作品中節(jié)奏和音高的結(jié)構(gòu)力作用，以期達到對這部作品創(chuàng)作技法及組織邏輯的認知。 文章共包含兩章，第一章概述了斯特拉文斯基的生平、創(chuàng)作經(jīng)歷及其美學(xué)思想等；第二章為本文的重點，，研究節(jié)奏和音高兩種音樂參數(shù)的結(jié)構(gòu)力作用，具體研究內(nèi)容包括：節(jié)奏與節(jié)奏模式、非對稱節(jié)奏結(jié)構(gòu)、節(jié)拍的增減值組合、節(jié)奏重音的數(shù)理化秩序、雙重或多重節(jié)奏的復(fù)對位、層的運動與循環(huán)圈、節(jié)奏形態(tài)的相對性與相似性；對稱音級集合與隱性的軸／極、復(fù)合音程的多重對位、復(fù)合結(jié)構(gòu)與調(diào)中心等等，在此基礎(chǔ)上，總結(jié)了這首作品節(jié)奏和音高組織的結(jié)構(gòu)關(guān)系和規(guī)律，從而實現(xiàn)從具體的技術(shù)語言到結(jié)構(gòu)力特點的總結(jié)和提升。
[Abstract]:Stravinsky is one of the most representative figures in music in the 20th century. In this paper, the author takes "three pieces of quartet" as the object of study, explores the structural force of rhythm and pitch in this work, in order to achieve the cognition of the creative techniques and organizational logic of this work. The first chapter summarizes Stravinsky's life, creation experience and aesthetic thoughts. The second chapter is the emphasis of this paper, which studies the structural force effect of rhythm and pitch, including rhythm and rhythm mode, asymmetric rhythm structure, the combination of the increase and decrease of rhythm, the order of numerical, physical and chemical changes of rhythm stress, the structure of rhythm and rhythm, the structure of asymmetric rhythm, the combination of increasing and decreasing values of rhythm, and the order of rhythm stress. The double or multiple rhythms of the complex position, the movement and circulation of the layer, the relativity and similarity of the rhythm form; On the basis of the symmetrically sound level set and recessive axis / pole, the multiple counterposition of compound interval, the compound structure and modulation center, etc., the structure relation and law of the rhythm and pitch organization of this work are summarized. In order to achieve from the specific technical language to the structure of the characteristics of the summary and promotion.
【學(xué)位授予單位】：上海音樂學(xué)院
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2007
【分類號】：J614
本文編號：2366448
[Abstract]:Stravinsky is one of the most representative figures in music in the 20th century. In this paper, the author takes "three pieces of quartet" as the object of study, explores the structural force of rhythm and pitch in this work, in order to achieve the cognition of the creative techniques and organizational logic of this work. The first chapter summarizes Stravinsky's life, creation experience and aesthetic thoughts. The second chapter is the emphasis of this paper, which studies the structural force effect of rhythm and pitch, including rhythm and rhythm mode, asymmetric rhythm structure, the combination of the increase and decrease of rhythm, the order of numerical, physical and chemical changes of rhythm stress, the structure of rhythm and rhythm, the structure of asymmetric rhythm, the combination of increasing and decreasing values of rhythm, and the order of rhythm stress. The double or multiple rhythms of the complex position, the movement and circulation of the layer, the relativity and similarity of the rhythm form; On the basis of the symmetrically sound level set and recessive axis / pole, the multiple counterposition of compound interval, the compound structure and modulation center, etc., the structure relation and law of the rhythm and pitch organization of this work are summarized. In order to achieve from the specific technical language to the structure of the characteristics of the summary and promotion.
【學(xué)位授予單位】：上海音樂學(xué)院
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2007
【分類號】：J614
【引證文獻】
相關(guān)博士學(xué)位論文 前1條
1 紀露;斯特拉文斯基的新古典主義音樂觀念研究[D];中央音樂學(xué)院;2011年
相關(guān)碩士學(xué)位論文 前1條
1 顏婷婷;希曼諾夫斯基《第三鋼琴奏鳴曲》節(jié)奏結(jié)構(gòu)研究[D];西南大學(xué);2011年
本文編號：2366448
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