【摘要】： 程懋筠在中國(guó)近現(xiàn)代音樂史上是一位做出諸多貢獻(xiàn)的音樂家，但在他去世之后近現(xiàn)代史卻沒有提及他，直到上世紀(jì)90年代后才逐步有了關(guān)于他的研究文章。本文以已有研究程懋筠的論文為基礎(chǔ)，進(jìn)一步從程懋筠的音樂思想、音樂作品、音樂活動(dòng)三個(gè)方面，結(jié)合20世紀(jì)30年代的歷史文化背景對(duì)程懋筠進(jìn)行較為全面深入的研究，從而對(duì)這個(gè)中國(guó)近現(xiàn)代音樂史上曾經(jīng)避而不談的音樂家重新認(rèn)識(shí)并做出相對(duì)客觀的評(píng)價(jià)。 全文共分為五個(gè)部分，第一章是程懋筠的生平事略的簡(jiǎn)要介紹；第二章是在程懋筠數(shù)十篇音樂論文的基礎(chǔ)上，抓住其較為典型的音樂思想，，結(jié)合20世紀(jì)初的中國(guó)音樂思想進(jìn)行分析；第三章將能收集到的程懋筠的音樂作品進(jìn)行歸納、分析，重點(diǎn)分析其抗日救亡歌曲：第四章整理研究程懋筠的音樂教育主張與其緊密相關(guān)的推行音樂教育的工作、活動(dòng)；第五章是全文的小結(jié)。
[Abstract]:Cheng Maoyun is a musician who has made many contributions in the history of modern Chinese music, but he has not been mentioned in modern history since his death. On the basis of Cheng Maoyun's thesis, this paper further studies Cheng Maoyun from three aspects of Cheng Maoyun's music thought, music works and music activities, combined with the historical and cultural background of the 1930s. Therefore, the musicians who have avoided talking in the history of modern Chinese music have been reunderstood and evaluated objectively. The first chapter is a brief introduction of Cheng Maoyun's life. The second chapter is on the basis of Cheng Maoyun's dozens of music papers, grasp his more typical music thought, and combine the Chinese music thought of the beginning of the 20th century to carry on the analysis; The third chapter will be able to collect Cheng Maoyun's music works to sum up, analysis, focus on the analysis of its anti-Japanese salvation songs: the fourth chapter collate Cheng Maoyun's music education proposition closely related to its work and activities of promoting music education; The fifth chapter is the summary of the full text.
【學(xué)位授予單位】：中國(guó)藝術(shù)研究院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2007
【分類號(hào)】：J609.2

【引證文獻(xiàn)】

相關(guān)博士學(xué)位論文 前1條

1 戴俊超;20世紀(jì)上半葉中國(guó)音樂社團(tuán)概論[D];中國(guó)音樂學(xué)院;2010年

相關(guān)碩士學(xué)位論文 前1條

1 孫焱;廣州音�！皫X南音樂專家群”的形成[D];星海音樂學(xué)院;2012年

本文編號(hào)：2354504