【摘要】： 本文基于自己民族唱法的演唱實(shí)踐和聲樂理論的學(xué)習(xí),首先對(duì)民族唱法和西洋唱法作概述,并將民族唱法和西洋唱法進(jìn)行簡要比較。文章的主體部分是從氣息的運(yùn)用、真假聲的結(jié)合和打開喉嚨三個(gè)方面深入分析民族唱法和西洋唱法在理論和技法上的相同之處、不同之處、西洋唱法的先進(jìn)之處,論述如何通過借鑒西洋唱法,提高和發(fā)展民族唱法,如何把握借鑒的適度感、分寸感,又不脫離民族傳統(tǒng)特色的根基。
[Abstract]:Based on the singing practice of national singing method and the study of vocal music theory, this paper first gives an overview of national singing method and western singing method, and makes a brief comparison between national singing method and western singing method. The main part of the article is from the use of breath, the combination of true and false voice and the opening of the throat three aspects of in-depth analysis of national singing and Western singing in the theory and techniques of the similarities, differences, the advanced Western singing, This paper discusses how to improve and develop the national singing method by drawing lessons from the Western singing method, and how to grasp the sense of moderation, sense of proportionality, and the foundation of the traditional characteristics of the nation.
【學(xué)位授予單位】：上海師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2007
【分類號(hào)】：J616

【引證文獻(xiàn)】

相關(guān)碩士學(xué)位論文 前1條

1 王穎;西安音樂學(xué)院民族聲樂教學(xué)實(shí)踐[D];西安音樂學(xué)院;2011年

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本文編號(hào)：2318137