【摘要】： “薇奧萊塔”是威爾第在《茶花女》中成功塑造的歌劇形象，也是聞名于世界的經(jīng)典歌劇形象之一。本文立足于薇奧萊塔詠嘆調(diào)的音樂因素和薇奧萊塔人物的戲劇因素，結(jié)合譜例，從“崇高”和“悲劇性”兩個(gè)方面具體論析了薇奧萊塔人物形象的審美價(jià)值和藝術(shù)魅力。 基本思路是：在歌劇本性論及歌劇美學(xué)的理論指導(dǎo)下，從“歌劇人物高度上分析”的角度論析作曲家如何以劇中人物為出發(fā)點(diǎn)，采用種種藝術(shù)手段在過程中展開和完成對(duì)歌劇形象的塑造，從而使歌劇人物上升為生動(dòng)，鮮明，感人的歌劇形象，進(jìn)而賦予歌劇作品長(zhǎng)久的藝術(shù)價(jià)值和魅力。在理論現(xiàn)實(shí)意義上，本文從薇奧萊塔詠嘆調(diào)的音樂因素，，人物形象的戲劇特征和審美價(jià)值，以及作曲家一度創(chuàng)作心理等方面進(jìn)行的綜合分析，有利于豐富發(fā)展我國傳統(tǒng)的歌劇理論，有利于進(jìn)一步深刻地挖掘該歌劇作品的藝術(shù)內(nèi)涵和價(jià)值，同時(shí)有助于演唱者從更深層次上塑造薇奧萊塔歌劇形象和對(duì)薇奧萊塔詠嘆調(diào)進(jìn)行二度創(chuàng)作。 本文在寫作安排上遵循“作品—人物—作品”和“創(chuàng)作，表演，欣賞”兩條邏輯線索。全文共分為四大部分：第一章主要交待《茶花女》的創(chuàng)作背景和創(chuàng)作心理；第二章主要從音樂和戲劇兩因素分析作曲家如何對(duì)薇奧萊塔人物形象進(jìn)行塑造和演唱者如何進(jìn)行二度創(chuàng)作；第三章，主要從美學(xué)角度分析薇奧萊塔形象的“崇高”和“悲劇性”審美價(jià)值；第四章，從“薇奧萊塔”歌劇形象看威爾第歌劇的獨(dú)特藝術(shù)魅力。
[Abstract]:Violeta is a successful opera image created by Verdi in Camellia and one of the most famous operas in the world. Based on the musical factors of Violeta arias and the dramatic factors of Violeta's characters, this paper analyzes the aesthetic value and artistic charm of Violeta's characters from the aspects of "sublime" and "tragic". The basic ideas are as follows: under the guidance of the theory of opera nature and opera aesthetics, this paper discusses how the composer takes the characters in the opera as the starting point from the angle of "the height analysis of opera characters". In the process, various artistic means are used to develop and complete the shaping of the opera image, thus making the opera figures rise to vivid, vivid and moving opera images, thus endowing the opera works with the artistic value and charm for a long time. In the theoretical and practical sense, this paper makes a comprehensive analysis of the musical factors of Violeta aria, the dramatic characteristics and aesthetic value of the characters, and the composers' psychology of once creating. It is beneficial to enrich and develop the traditional opera theory in our country, and to further dig into the artistic connotation and value of the opera work. At the same time, it helps the singer to create Violeta opera image and second creation of Violeta aria. This paper follows two logical clues of "works-people-works" and "creation, performance and appreciation" in writing arrangement. The thesis is divided into four parts: the first chapter mainly explains the background and psychology of the creation of "Camellia Girl"; The second chapter mainly analyzes how the composer shapes the character of Violeta and how the singer creates the second time from the two factors of music and drama. The third chapter mainly analyzes the aesthetic value of Violeta's "sublime" and "tragic" from the aesthetic point of view, and the fourth chapter looks at the unique artistic charm of Verdi's opera from the "Violeta" opera image.
【學(xué)位授予單位】：首都師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2007
【分類號(hào)】：J832;J617.2

【引證文獻(xiàn)】

相關(guān)期刊論文 前2條

1 張藝;;論歌劇《茶花女》對(duì)當(dāng)代學(xué)生的現(xiàn)實(shí)意義[J];大舞臺(tái);2012年01期

2 鄒筱丹;;論《唐卡洛斯》中人物塑造的戲劇性[J];四川戲劇;2013年04期

相關(guān)碩士學(xué)位論文 前6條

1 肖明艷;論威爾第歌劇《茶花女》中薇奧萊塔的藝術(shù)形象塑造[D];西南大學(xué);2011年

2 程翔;輕型不“輕”[D];中國音樂學(xué)院;2011年

3 高娟;論社會(huì)底層女性人物在歌劇中的藝術(shù)表現(xiàn)[D];河南大學(xué);2010年

4 徐文博;論合唱在威爾第歌劇中的應(yīng)用特征[D];陜西師范大學(xué);2010年

5 周密;《茶花女》從小說到歌劇—兼論歌劇的音樂戲劇語言[D];上海音樂學(xué)院;2012年

6 周曼清;從小說到歌劇[D];湘潭大學(xué);2012年

本文編號(hào)：2308209