中國傳統(tǒng)音樂美學(xué)研究斷想——回顧“音心對映論”之爭所引發(fā)的幾點(diǎn)思考
發(fā)布時(shí)間：2018-09-10 20:56
【摘要】：正李曙明先生在1984年發(fā)表的《音心對映論———樂記"和律論"音樂美學(xué)初探》一文及其后續(xù)文章,其最初出發(fā)點(diǎn)在于通過對《樂記》一書音樂美學(xué)思想的解讀,提出"和律論"的美學(xué)思想,并由此涉及到中國古代音樂美學(xué)文獻(xiàn)的讀解以及音樂美學(xué)研
[Abstract]:In 1984, Mr. Li Shuming published the article "Music Aesthetics" and "Music Aesthetics" published by Mr. Li Shuming in 1984. The initial starting point of his article is to interpret the music aesthetics thought of the book "Le Ji". This paper puts forward the aesthetic thought of "Harmony Theory", which involves the interpretation of ancient Chinese music aesthetics literature and the study of music aesthetics.
【作者單位】： 山東師范大學(xué)音樂學(xué)院;
【分類號(hào)】：J601
[Abstract]:In 1984, Mr. Li Shuming published the article "Music Aesthetics" and "Music Aesthetics" published by Mr. Li Shuming in 1984. The initial starting point of his article is to interpret the music aesthetics thought of the book "Le Ji". This paper puts forward the aesthetic thought of "Harmony Theory", which involves the interpretation of ancient Chinese music aesthetics literature and the study of music aesthetics.
【作者單位】： 山東師范大學(xué)音樂學(xué)院;
【分類號(hào)】：J601
【相似文獻(xiàn)】
相關(guān)期刊論文 前10條
1 洪燁;;從現(xiàn)代人的角度談屈原的音樂美學(xué)思想[J];大眾文藝;2011年14期
2 池瑾t，
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