中國朝鮮族抗日戰(zhàn)爭時期革命歌曲研究
發(fā)布時間:2018-08-20 15:05
【摘要】: 中國朝鮮族革命歌曲是中國革命歌曲的重要組成部分,其旋律蘊涵著鮮明的同時代其他朝鮮族歌曲的旋律特征。本文立足于從民族性差異及同一個民族不同區(qū)域的差異出發(fā),來探索及研究中國朝鮮族革命歌曲對中國現(xiàn)代朝鮮族民族音樂產生的深遠影響,以及對中國民族音樂的豐富和發(fā)展所產生的重要影響。 本文從中國朝鮮族遷入中國的歷史開始闡述,詳細介紹了遷移的歷史背景及中國朝鮮族共同體的形成,描述了中國朝鮮族的抗日斗爭史,揭示了抗戰(zhàn)及解放戰(zhàn)爭時期中國朝鮮族歌曲產生和發(fā)展變遷的歷史背景及抗日歌曲興盛的原因。通過概述中國朝鮮族抗日歌曲的特點,揭示了歌詞的時代特征:即強烈的抗日情感及富有無產階級革命精神。探討了中國朝鮮族抗日歌曲旋律的來源:有來源于朝鮮啟蒙歌謠的、有直接借用流行歌曲的旋律的、也有來源于朝鮮族古民謠的、還有些來源于他民族的旋律的。對音樂多樣化特征的探討,反映了抗日救亡歌曲的時代精神和藝術價值,通過對中國抗日歌曲進行的深入分析,來對同時期中國朝鮮族抗日歌曲的產生和發(fā)展作出了鋪墊,進而揭示了中國抗日歌曲與中國朝鮮族抗日歌曲的淵源關系。 本文通過例舉《總動員歌》、《決戰(zhàn)歌》、《獨立軍歌》、《洪范圖將軍之歌》等歌曲的譜例,介紹了中國朝鮮族抗日歌曲的旋律所具有的簡潔、樸素、明朗,節(jié)奏鮮明,大眾性強的時代特征,力求表現(xiàn)作品的時代性,從而更好的揭露日本帝國主義的侵略行徑,喚醒民眾的抗日意識。這些音樂作品的時代屬性和民族屬性,正是中國朝鮮族抗日民族音樂淵源流傳,并對其后各個歷史時期的音樂創(chuàng)作產生深遠影響的真諦所在,富有時代意義。
[Abstract]:Chinese Korean revolutionary songs are an important part of Chinese revolutionary songs, and their melodies contain distinct melodic characteristics of other Korean songs of the same time. Based on the differences of nationality and different regions of the same nationality, this paper explores and studies the profound influence of Chinese Korean revolutionary songs on Chinese modern Korean folk music. And on the enrichment and development of Chinese folk music has an important impact. This paper begins with the history of the Chinese Korean nationality moving into China, introduces the historical background of the migration and the formation of the Chinese Korean community, and describes the history of the anti-Japanese struggle of the Chinese Korean nationality. It reveals the historical background of the emergence and development of Chinese Korean songs during the War of Resistance against Japan and the War of Liberation and the reasons for the rise of anti-Japanese songs. By summarizing the characteristics of Chinese Korean anti-Japanese songs, this paper reveals the characteristics of the lyrics: strong anti-Japanese feelings and proletarian revolutionary spirit. This paper probes into the origin of the melody of the anti-Japanese songs of the Chinese Korean nationality: some from the Korean Enlightenment ballads, some from the popular songs, some from the Korean ancient folk songs, and some from the melodies of other nationalities. The discussion on the diversified characteristics of music reflects the spirit of the times and the artistic value of the anti-Japanese and anti-Japanese songs, and through the in-depth analysis of the anti-Japanese songs in China, it paves the way for the emergence and development of the anti-Japanese songs of the Korean nationality in China in the same period. Then it reveals the relationship between Chinese anti-Japanese songs and Chinese Korean anti-Japanese songs. This paper introduces the simple, clear and rhythmic melody of the anti-Japanese songs of the Korean people in China through illustrating such songs as "General Mobilization Song", "the Song of the decisive War", "the Song of the Independent Army", "the Song of General Hong Fan Tu", and so on. The characteristics of the times with strong popularity strive to show the epoch of the works so as to better expose the aggression of Japanese imperialism and awaken the anti-Japanese consciousness of the people. The time attribute and national attribute of these music works are the true meaning of the Chinese Korean anti-Japanese national music origin, and have profound influence on the music creation in each historical period thereafter, which is of great significance to the times.
【學位授予單位】:東北師范大學
【學位級別】:碩士
【學位授予年份】:2007
【分類號】:J609.2
本文編號:2194069
[Abstract]:Chinese Korean revolutionary songs are an important part of Chinese revolutionary songs, and their melodies contain distinct melodic characteristics of other Korean songs of the same time. Based on the differences of nationality and different regions of the same nationality, this paper explores and studies the profound influence of Chinese Korean revolutionary songs on Chinese modern Korean folk music. And on the enrichment and development of Chinese folk music has an important impact. This paper begins with the history of the Chinese Korean nationality moving into China, introduces the historical background of the migration and the formation of the Chinese Korean community, and describes the history of the anti-Japanese struggle of the Chinese Korean nationality. It reveals the historical background of the emergence and development of Chinese Korean songs during the War of Resistance against Japan and the War of Liberation and the reasons for the rise of anti-Japanese songs. By summarizing the characteristics of Chinese Korean anti-Japanese songs, this paper reveals the characteristics of the lyrics: strong anti-Japanese feelings and proletarian revolutionary spirit. This paper probes into the origin of the melody of the anti-Japanese songs of the Chinese Korean nationality: some from the Korean Enlightenment ballads, some from the popular songs, some from the Korean ancient folk songs, and some from the melodies of other nationalities. The discussion on the diversified characteristics of music reflects the spirit of the times and the artistic value of the anti-Japanese and anti-Japanese songs, and through the in-depth analysis of the anti-Japanese songs in China, it paves the way for the emergence and development of the anti-Japanese songs of the Korean nationality in China in the same period. Then it reveals the relationship between Chinese anti-Japanese songs and Chinese Korean anti-Japanese songs. This paper introduces the simple, clear and rhythmic melody of the anti-Japanese songs of the Korean people in China through illustrating such songs as "General Mobilization Song", "the Song of the decisive War", "the Song of the Independent Army", "the Song of General Hong Fan Tu", and so on. The characteristics of the times with strong popularity strive to show the epoch of the works so as to better expose the aggression of Japanese imperialism and awaken the anti-Japanese consciousness of the people. The time attribute and national attribute of these music works are the true meaning of the Chinese Korean anti-Japanese national music origin, and have profound influence on the music creation in each historical period thereafter, which is of great significance to the times.
【學位授予單位】:東北師范大學
【學位級別】:碩士
【學位授予年份】:2007
【分類號】:J609.2
【參考文獻】
相關期刊論文 前7條
1 蔣立文;東北朝鮮族十四年抗日斗爭述論[J];長白學刊;2002年01期
2 高胡;《大刀進行曲》與其他抗日歌曲[J];福建黨史月刊;2005年10期
3 葉婷;;抗日歌曲中的記憶[J];南昌航空工業(yè)學院學報(社會科學版);2005年04期
4 楊積山;淡淡江南月——汪秋逸的抗日歌曲[J];人民音樂;1987年07期
5 趙玲;革命性 民族性 現(xiàn)實性——論威爾第歌劇創(chuàng)作的藝術成就[J];西南師范大學學報(人文社會科學版);2003年03期
6 趙仁福;試論中國朝鮮族藝術歌曲的音樂美學特征[J];延邊大學學報(社會科學版);2004年02期
7 余峰;救亡之聲,蕩氣回腸——抗日戰(zhàn)爭勝利60周年有感[J];中國音樂;2005年03期
相關碩士學位論文 前1條
1 陳婷婷;論延邊地區(qū)朝鮮族音樂對漢族歌曲創(chuàng)作的影響[D];延邊大學;2005年
,本文編號:2194069
本文鏈接:http://sikaile.net/wenyilunwen/yinyuetheory/2194069.html