【摘要】： 巴赫是音樂界的靈魂,是一個(gè)時(shí)代的坐標(biāo)。通過對(duì)巴赫及其作品的研究,可以更深入的了解巴赫以及巴洛克時(shí)代的特點(diǎn)。由于巴赫生活的年代離我們已經(jīng)久遠(yuǎn),因此很多同仁都對(duì)他的作品感到陌生,甚至茫然。巴赫內(nèi)向的性格也使得其作品充滿深?yuàn)W的探索,因此對(duì)其作品的理解也千差萬別。 巴赫于1726-1731年間創(chuàng)作的古鋼琴作品《帕蒂塔》(德國(guó)組曲),共六首。這部作品是巴赫生前唯一出版的組曲,是作為他的第一部分鍵盤練習(xí)出版的,是巴赫的作品的第一號(hào)。本文通過對(duì)巴赫《六首帕蒂塔》演奏風(fēng)格的研究,對(duì)每個(gè)小舞曲的譜例分析;以此來映射巴赫作品的演奏規(guī)律與方法;就其根本而言是對(duì)巴赫文化的傳承。 論文中簡(jiǎn)要的介紹了巴赫生平及其鍵盤作品,在解釋了組曲中各個(gè)舞曲標(biāo)題的性格特點(diǎn)的同時(shí),重點(diǎn)強(qiáng)調(diào)了第三章中每個(gè)組曲的技術(shù)及風(fēng)格特點(diǎn),以及如何演奏這些組曲。巴赫鋼琴作品的研究與教學(xué)演奏方面的探索對(duì)于廣大音樂愛好者特別是鋼琴學(xué)習(xí)者來說具有很強(qiáng)的應(yīng)用價(jià)值。通過這方面的研究可以使鋼琴學(xué)習(xí)者提高自身的內(nèi)心聽覺意識(shí),提高對(duì)復(fù)調(diào)音樂的理解性,對(duì)《六首帕蒂塔》的學(xué)習(xí)又多了一份可信賴的參考資料,使得學(xué)習(xí)者們更全面的了解巴赫鍵盤作品的技巧特點(diǎn),并學(xué)會(huì)如何演奏巴赫的鍵盤作品。 本文運(yùn)用文獻(xiàn)閱讀法、經(jīng)驗(yàn)總結(jié)法、實(shí)例分析法、學(xué)術(shù)研究法,通過對(duì)《六首帕蒂塔》的演奏分析來完善巴赫音樂在文獻(xiàn)上的不足。 通過對(duì)巴洛克音樂的了解來系統(tǒng)的研究巴赫作品;通過系統(tǒng)的分析巴赫的《六首帕蒂塔》來豐富巴赫文化;通過巴赫文化的學(xué)習(xí)和繼承來認(rèn)識(shí)巴洛克音樂。音樂無止境、音樂無國(guó)界、音樂無好壞;享受音樂,熱愛音樂,為巴赫的輝煌喝彩,為音樂中的巴赫而自豪,通過學(xué)習(xí)音樂不斷的豐富自己,巴赫為我指明了學(xué)習(xí)音樂的道路。
[Abstract]:Bach is the soul of the music world and the coordinate of an era. Through the study of Bach and his works, we can deeply understand the characteristics of Bach and Baroque era. Because Bach lived a long time ago, many of his colleagues were unfamiliar or even confused about his works. Bach's introverted character also makes his works full of profound exploration, so the understanding of his works is very different. Bach in 1726-1731 the ancient piano works "Patita" (German Suite), a total of six. This is Bach's only published suite, published as his first part of the keyboard exercise, Bach's work No. 1. Based on the study of Bach's performance style of "six Patita", this paper analyzes the spectrum of each small dance song, and maps the rules and methods of Bach's performance, which is basically the inheritance of Bach's culture. This paper briefly introduces Bach's life and keyboard works, explains the character characteristics of each dance title in the suites, and emphasizes the technical and stylistic characteristics of each of the suites in the third chapter, as well as how to play these suites. The research and teaching of Bach's piano works are of great application value to the majority of music lovers, especially piano learners. Through this research, piano learners can improve their inner sense of hearing, improve their understanding of polyphonic music, and have a more reliable reference for the study of "six Patita". So that learners have a better understanding of the skills of Bach's keyboard works and how to play Bach's keyboard works. This paper uses literature reading method, experience summary method, case analysis method and academic research method to perfect the deficiency of Bach's music in the literature by analyzing the performance of "six Patita". Through the understanding of Baroque music to a systematic study of Bach works; through the systematic analysis of Bach's "six Patita" to enrich the Bach culture; Bach culture through the study and inheritance to understand Baroque music. Music is endless, music has no national boundaries, music is not good or bad; enjoy music, love music, cheer for Bach's brilliance, proud of Bach in music, through learning music to enrich themselves, Bach has shown me the way to study music.
【學(xué)位授予單位】：東北師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2008
【分類號(hào)】：J624.1

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