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聲樂藝術(shù)教學(xué)中“柔軟歌唱”的探究

發(fā)布時(shí)間:2018-08-12 15:04
【摘要】: 聲樂藝術(shù)教學(xué)不同于音樂學(xué)科中的其他科目的教學(xué),它是一種非常抽象性的教學(xué),除了外在的演唱表演外,它不再具備直觀性,因此有人說,聲樂是音樂學(xué)科中最難學(xué)和最難教的科目。 本人通過自己多年學(xué)習(xí)聲樂的經(jīng)驗(yàn),查閱了大量的文獻(xiàn),根據(jù)近幾年國際,國內(nèi)聲樂藝術(shù)教學(xué)的發(fā)展,提出了“柔軟歌唱”這一新的聲樂藝術(shù)教學(xué)理論。這一新的教學(xué)理論在目前來說對我們的聲樂教學(xué)和學(xué)習(xí)有著重要的意義。 緒論,主要闡述了本研究題目的相關(guān)概念以及研究目的及其意義。 第一部分,本人通過查閱大量歷史文獻(xiàn)和傳記資料,綜述了十九世紀(jì)前以及十九世紀(jì)后聲樂藝術(shù)教學(xué)的歷史,記述了歷史上聲樂藝術(shù)教學(xué)的要求,并通過近些年文獻(xiàn)資料以及國內(nèi)一些院校舉辦的聲樂學(xué)術(shù)交流活動(dòng)記述了目前最前沿的聲樂教學(xué)理念,提出“柔軟歌唱”這一理論的必要性,和可行性。 第二部分,通過對人的發(fā)聲機(jī)理的詳細(xì)介紹,和如何獲得放松柔軟的聲音以及氣息上的歌唱,這三方面的詳細(xì)敘述,讓學(xué)生認(rèn)識自己的樂器,了解樂器的特點(diǎn),認(rèn)識到松弛自然的歌唱來源于生理器官合乎自然的規(guī)律的活動(dòng)。 第三部分,柔軟歌唱在歌劇和藝術(shù)歌曲中的運(yùn)用。音色明亮音質(zhì)純凈,音量豐富而又聲區(qū)統(tǒng)一,氣息充沛而又控制自如,聲音連貫而又靈活自然是我們在演唱作品時(shí)的最終目的。 結(jié)論,主要總結(jié)了本論題的研究結(jié)果。
[Abstract]:The teaching of vocal music is different from the teaching of other subjects in the subject of music. It is a kind of very abstract teaching. It is no longer intuitive except for external performance, so some people say, Vocal music is one of the most difficult and difficult subjects to learn and teach in music. According to the development of vocal music teaching at home and abroad in recent years, I have put forward the new vocal music teaching theory of "soft singing". This new teaching theory is of great significance to our vocal music teaching and learning. Introduction, mainly elaborated this research topic related concept, the research goal and the significance. In the first part, I reviewed the history of vocal music teaching before and after the nineteenth century by consulting a large number of historical documents and biographies, and described the requirements of vocal music art teaching in history. Through the literature in recent years and the vocal music academic exchange activities held by some colleges and universities in China, this paper describes the most advanced vocal music teaching concept, and puts forward the necessity and feasibility of the theory of "soft singing". The second part, through the detailed introduction to the mechanism of human voice, and how to obtain relaxed and soft sound and breath of singing, these three aspects of the detailed description, let students know their own instruments, understand the characteristics of musical instruments, Realize that the relaxed nature of singing comes from the activities of physiological organs that conform to the laws of nature. The third part is the application of soft singing in opera and art songs. The final purpose of singing works is that the tone is bright and pure, the volume is rich and the sound area is unified, the breath is abundant and the control is free, the sound is coherent and flexible. Conclusion: the research results of this thesis are summarized.
【學(xué)位授予單位】:西北師范大學(xué)
【學(xué)位級別】:碩士
【學(xué)位授予年份】:2007
【分類號】:J616-4

【參考文獻(xiàn)】

相關(guān)期刊論文 前3條

1 程寧敏;"以字行腔"和"以腔行字"之辨析[J];音樂研究;2005年01期

2 周曉音;聲情并茂的審美思考[J];人民音樂;2004年05期

3 鄭寶華;中國民族聲樂與美聲唱法之比較研究[J];中國音樂;2005年01期

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