中國小提琴作品演奏技法探微
發(fā)布時間：2018-08-07 17:08
【摘要】： 中國小提琴作品是中西方音樂文化相互交融的結晶。在作品的表演藝術上就必然牽涉到與中國本民族音樂文化相結合的問題。這既包含了文化上、美學上的特定內涵，同時在演奏技法上也自成體系，創(chuàng)造性地形成了一些適用于民族化作品的演奏技法。本文基于五聲調式指法規(guī)律以及線性音樂美的塑造這樣兩個大的方面，，對小提琴民族化的演奏技法做出進一步的整理和研究。特點在于從民族化作品所依存的中國傳統(tǒng)音樂文化的觀察角度，以傳統(tǒng)音樂的形態(tài)特征作為分析和解決問題的切入點，對小提琴民族化演奏技法的種類、成因、風格把握、尤其是演奏技術原理、練習方法等問題進行了初步的研究。重點在于針對特色演奏技術中的核心內涵來分析可能存在的量化規(guī)律，并且總結出一套較為科學、系統(tǒng)的訓練方法。文中對此進行了嘗試性的探索，旨在通過科學的導入式訓練來達到從原有的西方傳統(tǒng)演奏方式向民族化特色演奏方式的自然過渡，并且抓住技術環(huán)節(jié)中的一些核心規(guī)律，希望在具體的技術實踐領域為中國的小提琴民族化演奏藝術做出有益的補充。
[Abstract]:Chinese violin works are the crystallization of the blend of Chinese and western music culture. In the performing art of the works, it is bound to involve the combination of Chinese national music and culture. It contains both the specific connotation of culture and aesthetics, but also the system of performing techniques, and creatively forms some applicable to the nationalization. This article makes a further arrangement and Research on the playing techniques of the nationalization of the violin based on the two major aspects of the five tone pattern and the shaping of the beauty of linear music. The characteristics of this paper are the view of the traditional Chinese music culture which is dependent on the nationalized works, and the morphological features of traditional music as a form. On the basis of analyzing and solving the problem, a preliminary study is made on the types, causes and style of the violin nationalization techniques, especially the technical principles and practice methods of the playing. The emphasis is on the analysis of the quantitative rules that may exist in the core connotation of the characteristic performance technology, and summarizes a more scientific system. The purpose of this article is to make a tentative exploration in this article, which aims to achieve a natural transition from the traditional western traditional playing mode to the national characteristic performance through scientific introduction training, and to grasp some core rules in the technical link, and hope to be a Chinese violin nation in the field of practical technical practice. Make a useful complement to the art of playing.
【學位授予單位】：南京藝術學院
【學位級別】：碩士
【學位授予年份】：2007
【分類號】：J622.1
本文編號：2170748
[Abstract]:Chinese violin works are the crystallization of the blend of Chinese and western music culture. In the performing art of the works, it is bound to involve the combination of Chinese national music and culture. It contains both the specific connotation of culture and aesthetics, but also the system of performing techniques, and creatively forms some applicable to the nationalization. This article makes a further arrangement and Research on the playing techniques of the nationalization of the violin based on the two major aspects of the five tone pattern and the shaping of the beauty of linear music. The characteristics of this paper are the view of the traditional Chinese music culture which is dependent on the nationalized works, and the morphological features of traditional music as a form. On the basis of analyzing and solving the problem, a preliminary study is made on the types, causes and style of the violin nationalization techniques, especially the technical principles and practice methods of the playing. The emphasis is on the analysis of the quantitative rules that may exist in the core connotation of the characteristic performance technology, and summarizes a more scientific system. The purpose of this article is to make a tentative exploration in this article, which aims to achieve a natural transition from the traditional western traditional playing mode to the national characteristic performance through scientific introduction training, and to grasp some core rules in the technical link, and hope to be a Chinese violin nation in the field of practical technical practice. Make a useful complement to the art of playing.
【學位授予單位】：南京藝術學院
【學位級別】：碩士
【學位授予年份】：2007
【分類號】：J622.1
【引證文獻】
相關碩士學位論文 前1條
1 吳玫;嶺南音畫 粵樂風情[D];南京藝術學院;2013年
本文編號：2170748
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