【摘要】：現(xiàn)代歌詞作為抒情文類之一種,其文體特征總體上類同于"書(shū)寫(xiě)—閱讀"式的詩(shī)歌,但其藝術(shù)生成卻是通過(guò)譜曲并以人聲為傳播媒介,以聽(tīng)覺(jué)為接受方式。音樂(lè)、人聲等的介入,又使歌詞呈現(xiàn)出有別于"書(shū)寫(xiě)—閱讀"式詩(shī)歌的特征,具體表現(xiàn)為文本生成的非獨(dú)立性和文本形態(tài)的開(kāi)放性;此外,接受方式上的"直面相向"的特點(diǎn),使歌詞的文本生成與接受語(yǔ)境之間形成一種顯豁的共生共謀關(guān)系。
[Abstract]:As a kind of lyric, modern lyric has the same stylistic characteristics as "writing-reading" poetry in general, but its artistic generation is through composing music and using human voice as the medium of communication and hearing as the receiving way. The intervention of music, voice and so on makes the lyrics appear different from the "writing-reading" poetry, which is embodied in the non-independence of the text generation and the openness of the text form, in addition, the reception mode is characterized by "facing each other". To form an explicit symbiotic collusion relationship between the text generation and reception context of the lyrics.
【作者單位】： 西華師范大學(xué)文學(xué)院;
【分類號(hào)】：J614.9

【共引文獻(xiàn)】

相關(guān)期刊論文 前10條

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本文編號(hào)：2136873