本文選題：音樂劇 + 《歌劇魅影》��； 參考：《首都師范大學》2008年碩士論文

【摘要】： 近年來,音樂劇作為一種新興的藝術表演形式在我國風靡開來,它以其優(yōu)美動聽的旋律、引人入勝的戲劇性情節(jié)、璀璨奪目的舞美場景吸引著無數(shù)音樂愛好者。百老匯經(jīng)典音樂劇《歌劇魅影》以其獨特的聲樂魅力在音樂劇歷史舞臺上占有重要地位,其中的經(jīng)典聲樂作品也在全球廣為傳唱。《歌劇魅影》中的聲樂演唱結合了古典歌劇的美聲唱法,又融入了流行音樂的現(xiàn)代元素,使得它既不失古典音樂的高貴,又具有現(xiàn)代音樂的流行氣息。分析研究它的聲樂演唱特征,并通過對它的分析,歸納、概括出音樂劇的聲樂演唱特征,能夠對我們更好地演唱音樂劇作品起到推動作用。 本文即以經(jīng)典音樂劇劇目《歌劇魅影》中的唱段分析為切入點,運用例證分析的研究方法,結合筆者研究方向,通過音樂劇中唱段的分析和研究,探討音樂劇的聲樂演唱特征。文章第一章重點介紹了音樂劇的有關知識,包括:音樂劇的定義、特征、分類、發(fā)展史等,接著引出音樂劇《歌劇魅影》,并簡要介紹了《歌劇魅影》作曲家韋伯的生平、音樂劇腳本以及本劇的主要劇情梗概。行文第二章著重對音樂劇《歌劇魅影》中主要唱段進行了分析,并結合譜例,歸納、概括出音樂劇聲樂演唱的一些特征。本文第三章在第二章分析研究的基礎上,從聲樂演唱角度總結出音樂劇聲樂演唱特征,并結合自身演唱體驗,總結出一些把握音樂劇聲樂演唱特征的方法和途徑。最后一章筆者對音樂劇的未來做了展望,并提出了音樂劇學習的必要性和可行性,希望音樂劇在我國能被較好地傳承和發(fā)展。 此研究便于聲樂演唱者進一步從理論角度掌握音樂劇聲樂演唱特征,使音樂劇聲樂演唱能夠有據(jù)可循,希望能為聲樂愛好者和聲樂從業(yè)人員演唱音樂劇作品起到拋磚引玉的作用。
[Abstract]:In recent years, as a new form of art performance, musical is popular in our country. It attracts countless music lovers with its beautiful melody, attractive dramatic plot and dazzling dance scene. Broadway classic musical Phantom of Opera plays an important role in musical history with its unique vocal charm. Among them, the classical vocal works are also widely sung around the world. The vocal singing in the Phantom of the Opera combines the canto of classical opera with the modern elements of pop music, so that it does not lose the nobility of classical music. It also has the popular flavor of modern music. This paper analyzes and studies its vocal singing characteristics, and summarizes the vocal singing characteristics of musicals through its analysis, which can promote us to sing musical works better. Based on the canto analysis in the classic musical repertoire Phantom of Opera, this paper uses the research method of illustrative analysis, combined with the author's research direction, to discuss the vocal singing characteristics of the musical through the analysis and research of the choir in the musical. The first chapter focuses on the knowledge of musicals, including the definition, characteristics, classification, history of development of musicals, and then introduces the musical "Phantom of Opera", and briefly introduces the life of composer Weber, "Phantom of Opera". The musical script and the main plot of the play. The second chapter focuses on the analysis of the main vocals in the musical Phantom of the Opera, and summarizes some characteristics of musical vocal singing by combining with some musical examples. On the basis of the analysis and research in the second chapter, the third chapter summarizes the singing characteristics of musical vocal music from the angle of vocal music singing, and sums up some ways and means to grasp the singing characteristics of musical vocal music. In the last chapter, the author looks forward to the future of musicals, and puts forward the necessity and feasibility of studying musicals, hoping that musicals can be inherited and developed in our country. This study is convenient for vocal singers to further grasp the vocal singing characteristics of musicals from a theoretical point of view, so that musical vocal singing can be based on. I hope to play a role in singing musical works for vocal music lovers and vocal music practitioners.
【學位授予單位】：首都師范大學
【學位級別】：碩士
【學位授予年份】：2008
【分類號】：J616

【引證文獻】

相關期刊論文 前3條

1 徐斯佳;;淺析音樂劇《貓》的藝術特點和演唱特征[J];大舞臺;2012年02期

2 趙亮;;試論《歌劇魅影》中“幽靈”形象的音樂塑造[J];文學教育(中);2012年08期

3 呼瀟;;探究音樂劇演唱在聲樂教學中的創(chuàng)新發(fā)展[J];戲劇之家(上半月);2013年09期

相關碩士學位論文 前3條

1 孟盼盼;美通聲樂的發(fā)展與在中國未來發(fā)展道路初探[D];西安音樂學院;2011年

2 李鐵林;中國原創(chuàng)音樂劇探索路上的新“基石”[D];河南大學;2010年

3 鄧陶;論音樂劇《吉屋出租》獨唱唱段藝術特征[D];南京藝術學院;2012年

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本文編號：2075140