本文選題：二十世紀三十年代 + 左翼電影運動��； 參考：《河南大學》2007年碩士論文

【摘要】： 本文以中國二十世紀三十年代左翼電影影響下的電影歌曲為研究對象。通過對現(xiàn)有資料的梳理和分析,在前人研究總結(jié)的基礎上,運用電影史學、音樂史學的研究方法對其進行系統(tǒng)研究。筆者認為,當時嚴酷的政治環(huán)境要求左翼作家在電影文本中不能有過分明朗的意識形態(tài)表述,而電影歌曲因為在審查時不受重視,故而可以更多地包含意識形態(tài)方面的內(nèi)容,受到左翼作家的重視。所以,左翼作家在電影歌曲創(chuàng)作方面的成就甚至超過敘事文本的創(chuàng)作。 筆者希望通過對三十年代歷史時期左翼電影運動的追溯以及深入挖掘,重提電影歌曲的時代意義,喚起音樂界對當前國內(nèi)電影音樂創(chuàng)作的重視,促進電影界與音樂界藝術工作者之間的合作,再次期待電影歌曲的再度輝煌。 筆者首先結(jié)合中國二十世紀三十年代中國政治和文化形勢,對左翼文化運動產(chǎn)生的背景進行探究,對這一時期電影藝術的發(fā)展和創(chuàng)作進行描述和總結(jié)。繼而以大量例證的方法說明左翼作家如何以電影歌曲作為切入點構(gòu)筑意識形態(tài)對時代的影響。然后,通過對幾部影響深遠的電影歌曲為研究對象做出創(chuàng)作和風格的分析研究,以及其時代意義。 正文由四個部分組成: 第一部分:二十世紀三十年代中國電影藝術發(fā)展綜述 主要結(jié)合二十世紀三十年代中國政治、文化發(fā)展現(xiàn)狀,對這一時期電影藝術的創(chuàng)作進行具體的描述和總結(jié)。 第二部分:左翼電影運動及電影理論之爭 總結(jié)歸納時代背景下的左翼電影運動和創(chuàng)作以及這個時期理論界發(fā)起的軟硬電影的論爭。 第三部分:左翼作家影響下的電影歌曲 主要論述左翼作家如何以電影歌曲作為切入點構(gòu)筑意識形態(tài)對當時流行文化以及整個時代的影響。 第四部分:幾部有影響的電影歌曲的創(chuàng)作以及其意義 主要以幾部有影響的電影歌曲為研究對象研究其創(chuàng)作和歌曲在影片中的運用并闡述其時代意義。
[Abstract]:This paper focuses on the movie songs under the influence of the Chinese left-wing films in the 1930 s. By combing and analyzing the existing materials, this paper makes a systematic study on the film history and music history by using the methods of film history and music history on the basis of the previous research summary. The author believes that the harsh political environment at that time required left-wing writers not to have an overly clear ideological expression in the film text, and that film songs, because they were not taken seriously in censorship, could contain more ideological content. Be valued by left-wing writers. Therefore, left-wing writers' achievements in the creation of film songs exceed even the creation of narrative texts. The author hopes to recall the significance of the era of film songs by tracing back to the historical movement of left-wing films in the 1930s and to arouse the attention of the music industry to the current domestic film music creation. Promote the cooperation between the film and music artists, and look forward to the re-glory of film songs. Firstly, combining the political and cultural situation of China in the 1930s, the author probes into the background of the left-wing cultural movement, and describes and summarizes the development and creation of film art in this period. Then a lot of examples are given to illustrate how left-wing writers use film songs as a starting point to construct the influence of ideology on the times. Then, through the analysis of the creation and style of several far-reaching movie songs, as well as the significance of the times. The text consists of four parts: Part one: a Summary of the Development of Chinese Film Art in the 1930s Combined with the present situation of Chinese political and cultural development in 1930s, this paper describes and summarizes the creation of film art in this period. The second part: the controversy between the left-wing film movement and the film theory This paper summarizes the movement and creation of left-wing films under the background of the times and the controversy between hard and soft films initiated by the theorists in this period. Part three: movie songs under the influence of Left-wing Writers This paper mainly discusses how left-wing writers use film songs as a starting point to construct the influence of ideology on popular culture and the whole era. The fourth part: the creation and significance of several influential movie songs This paper focuses on several influential movie songs as the research object to study their writing and the use of songs in the film and expound the significance of their times.
【學位授予單位】：河南大學
【學位級別】：碩士
【學位授予年份】：2007
【分類號】：J617.6

【引證文獻】

相關碩士學位論文 前2條

1 周康;上海早期流行歌曲成因研究[D];華東師范大學;2011年

2 劉偉;左翼電影歌曲的歌詞研究[D];上海師范大學;2012年

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本文編號：1970966