本文選題：唐代 + 箏樂��； 參考：《湖南師范大學(xué)》2007年碩士論文

【摘要】： 唐代的箏樂是唐代音樂文化的重要組成部分，是古人留下的一筆珍貴文化遺產(chǎn)，具有很高的藝術(shù)價值與學(xué)術(shù)研究價值。從唐代音樂研究的現(xiàn)狀來看，涉及唐代箏樂研究的論著頗多，但是專門針對唐代箏樂進行研究的甚少。本文以“唐代箏樂”為研究對象，從形制、演奏家、箏曲等方面入手，運用文獻學(xué)、考古學(xué)、圖像學(xué)等方法對唐代箏樂進行全面的梳理和描述。 本文分為五章： 第一章，收集整理有關(guān)唐代箏樂的論文和專著，從箏的形制、演奏技巧、箏譜、箏樂審美等方面，對二十世紀(jì)以來關(guān)于唐代箏樂的研究成果作一綜述。 第二章，以唐前文獻為基礎(chǔ)，從古人對箏的起源、形制及其象征意義等方面，對唐代以前的箏樂作一概述。 第三章，介紹唐代箏樂的概況。運用文獻學(xué)、圖像學(xué)、考古學(xué)相結(jié)合的研究方法，從三個方面進行論述：一、以傳世文獻為基礎(chǔ)，，概括唐代箏樂的流行情況及形制。二、結(jié)合考古出土實物進行分析。三、以敦煌壁畫為研究對象，將其分類列表進行比較研究。從另一側(cè)面立體地展現(xiàn)唐代音樂文化所取得的成就。 第四章，以演奏為主體，盡可能全面地展示箏樂在唐代音樂活動中的本來面貌，并充分體現(xiàn)這一藝術(shù)形式對我國民族文化產(chǎn)生的重大影響。本章分為三部分：一、以唐代文獻記載為基礎(chǔ)，將箏樂的演奏形式分為獨奏、合奏和大型樂隊演奏三種類型進行研究。二、以日本藤原師長收集唐傳箏曲編訂的《仁智要錄》為基本資料，對其中記載的技法進行陳述，并對唐代文獻中記錄的箏樂演奏技法進行整理，結(jié)合現(xiàn)代指法加以分析。三、全面梳理唐代文獻中有關(guān)唐代箏人的記錄，以求立體展現(xiàn)作為唐代箏樂演奏與傳播主體的演奏者的全貌。 第五章，從樂器專史的角度對唐代箏樂的樂譜和樂曲進行探討。本部分充分借鑒目前學(xué)術(shù)界有關(guān)《仁智要錄》的研究成果，對唐代箏譜進行分析并對箏曲進行曲調(diào)溯源與考證。
[Abstract]:The zither music of the Tang Dynasty is an important part of the music culture of the Tang Dynasty. It is a precious cultural heritage left by the ancient people. It has high artistic value and academic research value. From the present situation of the study of the Tang Dynasty music, there are many works on the study of the Tang Dynasty zither music, but the study of the Tang Dynasty Zheng music is very few. This article is "Tang Dynasty" Zither music as the research object, from the form, the performers, the zither music and other aspects, the use of literature, archaeology, image and other methods of the Tang Dynasty Zheng music comprehensive carding and description.
This article is divided into five chapters.
In the first chapter, the papers and monographs about the Tang Dynasty zither music are collected and collated. From the form of the Zheng, the playing skills, the zither spectrum, the zither music aesthetic and so on, the research achievements of the Tang Dynasty zither music since the twentieth Century are reviewed.
The second chapter, based on the literature before Tang Dynasty, summarizes the zither music before the Tang Dynasty from the origin, form and symbolic meaning of the ancients.
The third chapter introduces the general situation of the zither music in the Tang Dynasty. Using the research methods of bibliography, iconography and archaeology, this paper discusses the following three aspects: first, based on the literature of the world, the epidemic situation and the form of the Tang Dynasty Zheng music are summarized. Two, combined with the archaeological unearthed objects. Three, the Dunhuang mural is the research object, and the classification list is put into the list. A comparative study is carried out to show the achievements of music culture in the Tang Dynasty from another aspect.
The fourth chapter, taking performance as the main body, shows the original appearance of the zither music in the music activities of the Tang Dynasty as comprehensive as possible, and fully embodies the great influence of this art form on our national culture. This chapter is divided into three parts: first, the form of the music is divided into solo, ensemble and large band playing on the basis of the literature of the Tang Dynasty. The three types are studied. Two, the Japanese Fujiwara master collects the zither zither compilation of the Tang zither music book as the basic material, and states the techniques recorded in it, and collects the music performance techniques recorded in the Tang Dynasty and combines the modern fingering method. Three, the records of the Tang Dynasty Zheng people in the literature of the Tang Dynasty are completely combed, so that the records of the Tang Dynasty Zheng people are completely combed. The three-dimensional appearance is the panorama of the performance of the zheng music player in the Tang Dynasty.
The fifth chapter, from the perspective of the special history of musical instruments, discusses the music music and music of the Tang Dynasty. This part fully draws lessons from the research achievements of the present academic circles about the "Yan Zhi Lu", analyzes the Zheng spectrum in the Tang Dynasty and traced the tune and textual research of the zither music.
【學(xué)位授予單位】：湖南師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2007
【分類號】：J632.32

【參考文獻】

相關(guān)期刊論文 前1條

1 閆林紅;簡論日本俗箏定弦法及其樂調(diào)系統(tǒng)[J];中央音樂學(xué)院學(xué)報;2001年01期

本文編號：1937508