本文選題：巴洛克時(shí)期 + 詠嘆調(diào)　； 參考：《東北師范大學(xué)》2008年碩士論文

【摘要】： 巴洛克時(shí)期(1600--1750)是歐洲優(yōu)秀聲樂作品薈萃的時(shí)代,這一時(shí)期的聲樂作品雖然距今已經(jīng)有幾百年的歷史,卻仍然受到中外歌唱家的喜愛和傳唱,這是由它的基本特點(diǎn)決定的。巴洛克時(shí)期的聲樂作品題材廣泛、內(nèi)容豐富多彩、旋律線條優(yōu)美、節(jié)奏多種多樣、裝飾音運(yùn)用較多、曲式運(yùn)用多樣化,注重結(jié)構(gòu),工整嚴(yán)謹(jǐn)。這個(gè)時(shí)期對(duì)于聲音的要求比較嚴(yán)謹(jǐn)、規(guī)范,每一字、每一句都要遵守美聲唱法這個(gè)嚴(yán)格的科學(xué)方法,因此,這個(gè)時(shí)期的美聲唱法被稱為美聲的Golden Age(黃金時(shí)代)。 巴洛克時(shí)期的古詠嘆調(diào)及歌曲,除了在藝術(shù)內(nèi)容上反映的當(dāng)時(shí)的進(jìn)步思想和人文主義精神足以為我們借鑒之外,在聲樂演唱技術(shù)上,也樹立了良好典范。巴洛克聲樂作品大都寫在中聲區(qū),音域不廣,既無強(qiáng)力的高音,亦無濃厚的低音,作品風(fēng)格富于抒情性。它們是適于任何聲部的,能成為發(fā)展中聲區(qū)聲音最好的練習(xí)。同時(shí),這些歌曲的風(fēng)格純潔,無過分夸大,常有較長(zhǎng)的連貫句,強(qiáng)弱明顯,節(jié)奏清晰,這些對(duì)于培養(yǎng)演唱技巧、練習(xí)呼吸、咬字及發(fā)母音均有極好的幫助。這些歌曲是學(xué)習(xí)美聲唱法的過程中必不可少的經(jīng)典作品,在當(dāng)今世界上各音樂院校中,它還被列為必修的教材之一。我們美聲唱法的學(xué)習(xí)者和教師可以通過演唱巴洛克聲樂作品塑造美好音色,解決聲樂技術(shù)、技巧方面的問題,它可以讓我們的聲音沿著健康的美聲軌道進(jìn)步①。
[Abstract]:Baroque period (1600-1750) is an era of outstanding European vocal music works. Although it has a history of several hundred years, it is still loved and sung by Chinese and foreign singers, which is determined by its basic characteristics. Baroque's vocal music works have a wide range of subjects, rich and colorful content, beautiful melodic lines, diverse rhythm, more use of decorative sounds, diversified use of music, pay attention to structure, neat and rigorous. The sound requirements of this period are more stringent, standardized, every word, every sentence must abide by the sound of the strict scientific method, therefore, this period of Bel Canto is called the Golden age (golden age). Baroque ancient arias and songs, in addition to the artistic content of the progressive thought and humanistic spirit can be used for reference, in vocal singing technology, also set a good example. Most of Baroque's vocal works are written in the middle vocal area, which have not a wide range, neither strong treble nor strong bass, and the style of the works is full of lyricism. They are suitable for any part of the sound and can be the best practice for developing areas of sound. At the same time, the style of these songs is pure, without exaggeration, often with longer coherent sentences, strong or weak, clear rhythm, which are excellent for training singing skills, practicing breathing, pronunciation and vowel. These songs are the essential classics in the process of studying the canto, and they are also listed as one of the required textbooks in the music schools in the world today. Our Bel Canto learners and teachers can sing baroque vocal works to create beautiful timbre, to solve vocal technical, technical problems, it can make our voice along a healthy sound track 1.
【學(xué)位授予單位】：東北師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2008
【分類號(hào)】：J616

【引證文獻(xiàn)】

相關(guān)碩士學(xué)位論文 前3條

1 李力;亨德爾歌劇《凱撒大帝》之初步研究[D];西安音樂學(xué)院;2011年

2 周熙婷;女高音詠嘆調(diào)《我的救世主為愛而受死》演唱探究[D];南京藝術(shù)學(xué)院;2010年

3 李媛媛;早期歌劇作品的演唱表現(xiàn)[D];西安音樂學(xué)院;2012年

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本文編號(hào)：1923823