本文選題：武滿徹(Toru + Takemitsu　； 參考：《音樂探索》2008年01期

【摘要】：武滿徹的作品可以分為50年代開始到70年代末的第一個階段和80年代以后的第二個階段。第一階段到第二階段的變化從表面上看是從前衛(wèi)向保守轉(zhuǎn)變。第一階段作品采用了西方同時代的前衛(wèi)手法。80年代以后的第二階段作品里的圖形樂譜,不確定性因素消失,更趨向于采用五線譜記譜、常規(guī)的樂隊編制及西洋樂器。與第一階段常用的小二度、大七度、小九度等無調(diào)性音高相比,80年代以后的作品中全音階旋律、和聲音響等成為主導(dǎo)因素,這與西方80年代調(diào)性回歸的作曲傾向相呼應(yīng),即是回歸"古典性"。武滿徹70年代后期管弦樂《鳥群降落在星形的庭園》是一部向第二階段新樣式轉(zhuǎn)變的關(guān)鍵性作品,從這部作品中可以感受到武滿徹音樂的"夢與數(shù)"。
[Abstract]:Wu's works can be divided into the first stage from the 1950s to the late 1970s and the second stage after the 1980s. The change from the first stage to the second stage is ostensibly a shift from avantgarde to conservative. The first stage of the works adopted the avant-garde technique of the Western era. The second stage of the 1980s, the figure music score, the uncertainty disappeared, more tend to use the staff score, conventional band compilation and Western musical instruments. Compared with the non-tonal pitch commonly used in the first stage, seven degrees, nine degrees and so on, the whole scale melody, harmony sound and so on in the works after the 1980s have become the dominant factors, which echoes the tendency of the western countries to compose tonality regression in the 1980s. It is a return to classicality. The Orchestra landed in the Star Garden in the late 1970s is a key work to the second stage of the new style. From this work, we can feel the "Dream and number" of Wu Manchu's music.
【作者單位】： 四川音樂學(xué)院作曲系
【分類號】：J605
，

本文編號：1892222