本文選題：電子音樂 + 聲音空間　； 參考：《南京航空航天大學》2007年碩士論文

【摘要】： 隨著20世紀音樂家們在觀念上開始探索新音響、新形式、新的表達方式的可能性,希望對創(chuàng)作實踐有借鑒作用,越來越多的音樂家注意到空間對音樂表現(xiàn)力的突出作用。 在計算機中通過數(shù)字手段人工調制虛擬聲音的空間,以及有了多聲道錄音技術和播放技術等手段,使聲源被固定于聽眾的前方或是傳統(tǒng)固定位置的單點聲源演變到多點聲源的場空間中,并用各種手段使聲源在定位、變位過程中營造動態(tài)音響效果,使音響空間的立體感增強,并且豐富聲音的動態(tài)運動空間。 聲音空間是聲學研究很早就關注的課題,今日則已開始進入新的境界。本文通過對聲音空間問題的歷史追述,及對其客觀屬性和主觀屬性的分析,并通過了解作品中體現(xiàn)的各種空間感的應用,來探討與研究用數(shù)字技術來虛擬聲音空間的必然性和重要性,實現(xiàn)手段和實現(xiàn)途徑。從理論到技術上力從探研對聲音的空間概念的認識由感性升華到理性,以使我們在創(chuàng)作中增強空間概念和音樂表現(xiàn)力的認識,為電子音樂的空間聲場的創(chuàng)作積累經驗。
[Abstract]:In the 20th century, musicians began to explore the possibility of new sound, new form and new way of expression in concept, hoping to be a reference to creative practice. More and more musicians have noticed the prominent role of space to the expression of music. In the computer, the space of virtual sound is manually modulated by digital means, as well as the technology of multi-channel recording and playing, etc. The sound source is fixed in front of the audience or the single point sound source in the traditional fixed position evolves into the field space of the multi-point sound source, and makes the sound source create the dynamic sound effect in the process of positioning and displacement by various means, so that the stereo sense of the sound space is enhanced. And enrich the dynamic movement of sound space. Acoustic space is a subject that has been concerned for a long time in acoustics research, but it has begun to enter a new realm today. This paper analyzes the objective and subjective attributes of the sound space through the historical review of the sound space problem, and through the understanding of the application of the various spatial senses embodied in the works. To explore and study the necessity and importance of using digital technology to virtual sound space, the means of realization and the way of realization. From theory to technology, it is necessary to explore the understanding of the spatial concept of sound from perceptual sublimation to rationality, so that we can strengthen the understanding of spatial concept and musical expressiveness in creation, and accumulate experience for the creation of spatial sound field of electronic music.
【學位授予單位】：南京航空航天大學
【學位級別】：碩士
【學位授予年份】：2007
【分類號】：J619

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本文編號：1871793