學(xué)科發(fā)展史的濃墨重彩——《中國當(dāng)代音樂學(xué)》評述
發(fā)布時間:2018-05-01 08:02
本文選題:南京藝術(shù)學(xué)院 + 中國當(dāng)代音樂學(xué) ; 參考:《黃鐘(中國.武漢音樂學(xué)院學(xué)報)》2008年02期
【摘要】:由南京藝術(shù)學(xué)院課題組完成的《中國當(dāng)代音樂學(xué)》一書,是世紀(jì)初中國音樂學(xué)學(xué)科建設(shè)回眸中的里程碑意義著作,對我們?nèi)嫔钊氲亓私庵袊魳穼W(xué)的當(dāng)代發(fā)展,為本學(xué)科更好地謀劃未來,具有重要參考價值。該書的學(xué)術(shù)特點是,學(xué)科門類齊全,學(xué)科架構(gòu)上有創(chuàng)新,學(xué)科介紹較有深度。此外,在學(xué)科架構(gòu)探討等方面,也有尚待完善之處。
[Abstract]:The book "Contemporary Chinese Musicology", which was completed by the research group of Nanjing Academy of Art, is a landmark work in the retrospect of the subject construction of Chinese musicology at the beginning of the century, which gives us a comprehensive and in-depth understanding of the contemporary development of Chinese musicology. Better planning for the future of the subject, has important reference value. The academic characteristic of the book is that it has a complete range of disciplines, innovation in its structure and depth in its introduction. In addition, in the subject structure and other aspects, there are still to be improved.
【作者單位】:
【分類號】:J609.2
,
本文編號:1828432
本文鏈接:http://sikaile.net/wenyilunwen/yinyuetheory/1828432.html