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武寧“打鼓歌”的考察與研究

發(fā)布時間:2018-04-30 12:28

  本文選題:武寧 + “打鼓歌” ; 參考:《西安音樂學院》2008年碩士論文


【摘要】: 武寧“打鼓歌”作為田歌的一種,具有田歌的共性,同時因其產生的自然環(huán)境和人文環(huán)境的不同,它又有其自身獨特的魅力,是勞動人民在集體性農業(yè)生產中創(chuàng)造的一種精神文化。 在“打鼓歌”的鼓形態(tài)特征中,鼓師傅用唯一的伴奏樂器鼓,通過其不同的鼓點節(jié)奏來調動整個勞動氛圍、鼓動人們的勞動情緒,將一天的農作安排的井然有序,充分發(fā)揮了武寧“打鼓歌”最本質的社會作用——“催工”,當?shù)毓膸煾敌稳萜錇?“一鼓催三工”;在它的歌形態(tài)特征中,鼓師傅將不同類型的唱詞、極具有地方色彩的旋律及節(jié)奏節(jié)拍和速度的變化通過聯(lián)曲體的形式逐步展開演唱,這不僅調動了勞動者的積極性,消除了勞動過程中的疲憊感,也充分體現(xiàn)了勞動者在創(chuàng)造物質食糧的同時,進一步創(chuàng)造和享受精神食糧的集體智慧。 如今,武寧“打鼓歌”的依附體——集體性的勞動在逐漸消失,武寧“打鼓歌”的承載者——鼓師傅也面臨著尷尬的處境。武寧“打鼓歌”已無處發(fā)揮它的本質作用——“催工”,從這點上來看,它已失去了其存在的價值。但我們知道它是武寧當?shù)刈孀孑呡厒鞒邢聛淼囊环N精神食糧,蘊含著武寧當?shù)厝嗣裉赜械奈幕仞B(yǎng)和藝術追求,是贛北地區(qū)傳統(tǒng)音樂文化的重要組成部分。所以作為我國傳統(tǒng)音樂文化的重要組成部分,我們應積極地去保護它,將其合理地傳承和發(fā)展下去。
[Abstract]:As a kind of Tian Ge, Wuning's "Drum Song" has the commonness of Tian Ge. At the same time, it has its own unique charm because of its different natural and humanistic environments. It is a kind of spiritual culture that laboring people create in collective agriculture production. In the drum form characteristic of "Drum Song", the drum master uses the only accompaniment instrument drum, through its different drum rhythm to arouse the entire labor atmosphere, to encourage the people's labor mood, will one day's farming arrangement is in perfect order, Wuning played the most essential social role of "playing drum songs"-"urging work". The local drummer described it as "one drum and three works," and in its song form, the drum master would sing different types of words. The changes in melody, rhythm, rhythm and speed, which are extremely local in color, are performed step by step through the form of a combined body, which not only arouses the enthusiasm of the laborer, but also eliminates the feeling of fatigue in the process of labor. It also fully embodies the collective wisdom of workers to create and enjoy spiritual food while creating material food. Nowadays, the attachment of Wuning's Drum songs-collective labor is gradually disappearing, and the bearer of Wuning's Drum songs is also in an awkward situation. Wuning's Drum Song has no place to play its essential role-"rush work", from this point of view, it has lost its value of existence. But we know that it is a spiritual food which has been passed down by Wuning for generations and contains the unique cultural literacy and artistic pursuit of the local people in Wuning. It is an important part of the traditional music culture in northern Jiangxi. Therefore, as an important part of Chinese traditional music culture, we should actively protect it and develop it reasonably.
【學位授予單位】:西安音樂學院
【學位級別】:碩士
【學位授予年份】:2008
【分類號】:J607

【引證文獻】

相關期刊論文 前2條

1 戴曉敏;石米;;贛北打鼓歌起源探析[J];大眾文藝;2011年15期

2 戴曉敏;石米;;贛北武寧打鼓歌現(xiàn)狀及應對策略[J];藝海;2011年08期

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本文編號:1824560

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