本文選題：武寧 + “打鼓歌”��； 參考：《西安音樂(lè)學(xué)院》2008年碩士論文

【摘要】： 武寧“打鼓歌”作為田歌的一種,具有田歌的共性,同時(shí)因其產(chǎn)生的自然環(huán)境和人文環(huán)境的不同,它又有其自身獨(dú)特的魅力,是勞動(dòng)人民在集體性農(nóng)業(yè)生產(chǎn)中創(chuàng)造的一種精神文化。 在“打鼓歌”的鼓形態(tài)特征中,鼓師傅用唯一的伴奏樂(lè)器鼓,通過(guò)其不同的鼓點(diǎn)節(jié)奏來(lái)調(diào)動(dòng)整個(gè)勞動(dòng)氛圍、鼓動(dòng)人們的勞動(dòng)情緒,將一天的農(nóng)作安排的井然有序,充分發(fā)揮了武寧“打鼓歌”最本質(zhì)的社會(huì)作用——“催工”,當(dāng)?shù)毓膸煾敌稳萜錇?“一鼓催三工”;在它的歌形態(tài)特征中,鼓師傅將不同類型的唱詞、極具有地方色彩的旋律及節(jié)奏節(jié)拍和速度的變化通過(guò)聯(lián)曲體的形式逐步展開(kāi)演唱,這不僅調(diào)動(dòng)了勞動(dòng)者的積極性,消除了勞動(dòng)過(guò)程中的疲憊感,也充分體現(xiàn)了勞動(dòng)者在創(chuàng)造物質(zhì)食糧的同時(shí),進(jìn)一步創(chuàng)造和享受精神食糧的集體智慧。 如今,武寧“打鼓歌”的依附體——集體性的勞動(dòng)在逐漸消失,武寧“打鼓歌”的承載者——鼓師傅也面臨著尷尬的處境。武寧“打鼓歌”已無(wú)處發(fā)揮它的本質(zhì)作用——“催工”,從這點(diǎn)上來(lái)看,它已失去了其存在的價(jià)值。但我們知道它是武寧當(dāng)?shù)刈孀孑呡厒鞒邢聛?lái)的一種精神食糧,蘊(yùn)含著武寧當(dāng)?shù)厝嗣裉赜械奈幕仞B(yǎng)和藝術(shù)追求,是贛北地區(qū)傳統(tǒng)音樂(lè)文化的重要組成部分。所以作為我國(guó)傳統(tǒng)音樂(lè)文化的重要組成部分,我們應(yīng)積極地去保護(hù)它,將其合理地傳承和發(fā)展下去。
[Abstract]:As a kind of Tian Ge, Wuning's "Drum Song" has the commonness of Tian Ge. At the same time, it has its own unique charm because of its different natural and humanistic environments. It is a kind of spiritual culture that laboring people create in collective agriculture production. In the drum form characteristic of "Drum Song", the drum master uses the only accompaniment instrument drum, through its different drum rhythm to arouse the entire labor atmosphere, to encourage the people's labor mood, will one day's farming arrangement is in perfect order, Wuning played the most essential social role of "playing drum songs"-"urging work". The local drummer described it as "one drum and three works," and in its song form, the drum master would sing different types of words. The changes in melody, rhythm, rhythm and speed, which are extremely local in color, are performed step by step through the form of a combined body, which not only arouses the enthusiasm of the laborer, but also eliminates the feeling of fatigue in the process of labor. It also fully embodies the collective wisdom of workers to create and enjoy spiritual food while creating material food. Nowadays, the attachment of Wuning's Drum songs-collective labor is gradually disappearing, and the bearer of Wuning's Drum songs is also in an awkward situation. Wuning's Drum Song has no place to play its essential role-"rush work", from this point of view, it has lost its value of existence. But we know that it is a spiritual food which has been passed down by Wuning for generations and contains the unique cultural literacy and artistic pursuit of the local people in Wuning. It is an important part of the traditional music culture in northern Jiangxi. Therefore, as an important part of Chinese traditional music culture, we should actively protect it and develop it reasonably.
【學(xué)位授予單位】：西安音樂(lè)學(xué)院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2008
【分類號(hào)】：J607

【引證文獻(xiàn)】

相關(guān)期刊論文 前2條

1 戴曉敏;石米;;贛北打鼓歌起源探析[J];大眾文藝;2011年15期

2 戴曉敏;石米;;贛北武寧打鼓歌現(xiàn)狀及應(yīng)對(duì)策略[J];藝海;2011年08期

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本文編號(hào)：1824560