本文選題：紫陽民歌 + 移民背景��； 參考：《西安音樂學(xué)院》2008年碩士論文

【摘要】： 紫陽縣位于陜西省南部,漢江上游,大巴山北麓,地處我國南北過渡的中間地帶。紫陽民歌是生長在秦巴山區(qū)的民間藝術(shù),是紫陽音樂文化重要的組成部分,其生長的自然環(huán)境為紫陽民歌注入了濃重的西南民歌色彩。由于明清時期大量江浙、兩湖移民的遷入,異地民歌與紫陽民歌的交流融合豐富了紫陽民歌的內(nèi)容,發(fā)展了紫陽的民歌文化。本文將紫陽民歌的研究置身于明清移民的背景中,以紫陽民歌的形態(tài)特征為基礎(chǔ),采用音樂學(xué)的理論和分析、比較的方法,研究了紫陽民歌的藝術(shù)特色以及民歌中蘊含的文化內(nèi)涵。具體的研究內(nèi)容主要涵蓋以下三部分: 一、紫陽民歌自產(chǎn)生、發(fā)展至今已有上千年的歷史,是紫陽地區(qū)最活躍、最受當(dāng)?shù)乩习傩障矚g的民間藝術(shù)。人口的起伏跌宕為文化的交流傳播創(chuàng)造了優(yōu)越的條件,尤其是明清時期的移民活動豐富了本地的民歌文化。通過對紫陽民歌生存環(huán)境的考察,揭示了紫陽在經(jīng)濟、文化、生活等方面受到移民活動的深刻影響。 二、通過對大量傳統(tǒng)紫陽民歌調(diào)式音階、音樂結(jié)構(gòu)、旋律形態(tài)、歌詞內(nèi)容等方面的分析,反映出當(dāng)?shù)孛窀璧乃囆g(shù)特征不僅受到當(dāng)?shù)刈匀画h(huán)境的影響而且留有濃厚的移民印跡。 三、通過對紫陽民歌歌詞的分析,我們看到紫陽民歌中不僅有紫陽地區(qū)豐富多樣的本地文化,且有大量由移民帶入的外地文化。紫陽民歌作為一種地方文化記載的方式,既通俗又真實生動,是我國民間文化瑰寶之一,然而,紫陽民歌今天的境遇令人為之擔(dān)憂。通過對紫陽民歌現(xiàn)狀的分析,筆者對其未來發(fā)展提出了一些思考。
[Abstract]:Ziyang County is located in the south of Shaanxi Province, the upper reaches of Hanjiang River and the northern foot of Daba Mountain. Ziyang folk song is a folk art growing in Qinba mountain area and an important part of Ziyang music culture. The natural environment of Ziyang folk song infuses a strong color of southwest folk song. Due to the migration of immigrants from Jiangsu and Zhejiang provinces and lakes during the Ming and Qing dynasties, the exchange and fusion of folk songs from different places and from Ziyang enriched the content of Ziyang folk songs and developed Ziyang folk song culture. In this paper, the study of Ziyang folk songs is placed in the background of emigration in Ming and Qing dynasties, and based on the morphological characteristics of Ziyang folk songs, the theory and analysis of musicology and comparative methods are adopted. This paper studies the artistic characteristics of Ziyang folk songs and the cultural connotations contained in them. The specific research content mainly covers the following three parts: First, Ziyang folk song has been developed for thousands of years since its birth. It is the most active and popular folk art in Ziyang area. The ups and downs of the population created favorable conditions for the exchange and dissemination of culture, especially the immigration activities during the Ming and Qing dynasties, which enriched the local folk song culture. Through the investigation of the living environment of Ziyang folk songs, it is revealed that Ziyang is deeply influenced by immigration activities in the aspects of economy, culture, life and so on. Secondly, through the analysis of a large number of traditional Ziyang folk songs, such as tone scale, music structure, melody form, lyrics and so on, it reflects that the artistic characteristics of local folk songs are not only influenced by the local natural environment but also have strong imprinting of immigrants. Thirdly, through the analysis of the lyrics of Ziyang folk songs, we can see that there are not only rich and diverse local cultures in Ziyang area, but also a large number of foreign cultures brought in by immigrants. Ziyang folk song, as a way of recording local culture, is not only popular but also true and vivid, and is one of the treasures of Chinese folk culture. However, the situation of Ziyang folk song today is worrying. Through the analysis of the current situation of Ziyang folk songs, the author puts forward some thoughts on its future development.
【學(xué)位授予單位】：西安音樂學(xué)院
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2008
【分類號】：J607

【參考文獻】

相關(guān)期刊論文 前3條

1 董學(xué)民;論五句子歌的形成[J];交響-西安音樂學(xué)院學(xué)報;1997年03期

2 劉清;近年來民歌形態(tài)學(xué)的比較研究[J];交響-西安音樂學(xué)院學(xué)報;2002年04期

3 黃允箴;漢族人口的歷史遷徙與南方漢族民歌的色彩格局[J];中國音樂學(xué);1989年04期

，

本文編號：1805684