發(fā)布時間：2018-04-26 06:33

  本文選題：六盤山 + 花兒��； 參考：《中央民族大學》2007年碩士論文

【摘要】： 寧夏六盤山地區(qū)地處寧夏回族自治區(qū)南部，包括固原縣、海原縣、涇源縣、西吉縣、隆德縣、彭陽縣和同心縣的部分地區(qū)。這里有著悠久的歷史，是中原文化與北方草原文化的接壤地帶，又是中西文化交流的通道，歷史上發(fā)生過很多次政治、經(jīng)濟、文化、宗教的交流以及民族大遷徙、大融合。這里居住著相對于全國、甚至是全寧夏人口比例最多的回族，他們虔誠的信奉伊斯蘭教，宗教文化的烙印極深。在這一地區(qū)，流傳著區(qū)別于其他西北地區(qū)“花兒”的具有鮮明特點的“山花兒”。 “山花兒”又叫干花兒、土花兒，是寧夏六盤山地區(qū)的一種山歌。正是由于這一地區(qū)的地理環(huán)境、歷史文化以及宗教信仰等的原因，使這一地區(qū)流行的“山花兒”既有“花兒”的某些特征，，又受當?shù)厣礁?如信天游)和小調(diào)還有伊斯蘭教贊圣誦經(jīng)音調(diào)的影響，由此也形成了寧夏六盤山地區(qū)“山花兒”獨特的音樂特征和鮮明的個性。 本文以寧夏六盤山地區(qū)的歷史文化與音樂文化為鋪墊，介紹了寧夏六盤山地區(qū)“山花兒”的產(chǎn)生、演變和發(fā)展。重點介紹了“山花兒”的文學形態(tài)特征和音樂形態(tài)特征以及“山花兒”的演唱方法。最后，通過對“山花兒”傳播和傳承的概述，提出了對于民間音樂保護和發(fā)展的建議和意見。文章分為五個部分： 第一章：寧夏六盤山地區(qū)。從地理、人文、宗教、民俗等方面介紹了六盤山地區(qū)的歷史文化；從六盤山地區(qū)流傳的民間歌曲、民間器樂、民間戲曲以及宗教音樂介紹了六盤山地區(qū)的音樂文化。 第二章：寧夏六盤山的“山花兒”。本章是文章的重點，介紹了“山花兒”的產(chǎn)生、演變和發(fā)展；通過與“河州花兒”和“洮岷花兒”在音樂和文學上的比較，重點介紹了“山花兒”的文學形態(tài)特征和音樂形態(tài)特征。 第三章：寧夏六盤山地區(qū)“山花兒”的演唱風格。本章也是文章的重點，詳細介紹了“山花兒”的語言特點、演唱方法、潤腔技巧等，對“山花兒”、“河州花兒”以及“洮岷花兒”演唱上的比較，總結(jié)出個人的觀點和看法。 第四章：“山花兒”的傳承與傳播。本章介紹了“山花兒”的傳承方式與傳播途徑，并介紹了幾位從事傳承與傳播工作的民間歌手。 結(jié)語：現(xiàn)狀與展望。本章在總結(jié)全文的基礎上，提出了對“山花兒”保護和發(fā)展的建議和意見。
[Abstract]:Ningxia Liupanshan region is located in the southern part of Ningxia Hui Autonomous region, including Guyuan County, Haiyuan County, Jingyuan County, Xiji County, Longde County, Pengyang County and Tongxin County. There is a long history here, which is the contiguous zone between Central Plains culture and northern prairie culture, as well as the channel of cultural exchange between China and the West. There have been many times of political, economic, cultural and religious exchanges in history, as well as the great migration and integration of ethnic groups. It is home to the Hui nationality, which has the largest proportion of people in the whole country and even the whole Ningxia. They profess Islam and deeply imprint the religious culture. In this area, different from other northwest regions, the "flowers" with distinctive characteristics of the mountain flowers. Mountain flowers, also called dry flowers, earth flowers, is a folk song in Liupanshan area of Ningxia. It is precisely because of the geographical environment, historical culture and religious beliefs of this region that the popular "mountain flowers" in this region have some characteristics of "flowers". It is also influenced by local folk songs (such as Xintian Tour) and Islamic hymns and chanting tones, thus forming the unique musical characteristics and distinctive personality of "Mountain Flower" in Liupanshan region of Ningxia. Based on the historical culture and music culture of Liupanshan area in Ningxia, this paper introduces the emergence, evolution and development of "Mountain Flower" in Liupanshan area of Ningxia. This paper mainly introduces the literary and musical features of the Mountain Flower and the singing method of the Mountain Flower. Finally, by summarizing the spread and inheritance of "Mountain Flowers", the author puts forward some suggestions and suggestions for the protection and development of folk music. The article is divided into five parts: Chapter one: Ningxia Liupanshan region. This paper introduces the history and culture of Liupanshan area from geography, humanities, religion and folklore, and introduces the music culture of Liupanshan area from folk songs, folk instrumental music, folk opera and religious music. Chapter two: the Mountain Flowers in Liupanshan of Ningxia. This chapter is the focus of the article, introduces the emergence, evolution and development of "Mountain Flower", through the comparison with "Hezhou Flower" and "Tao Min Flower" in music and literature, This paper mainly introduces the literary and musical features of Mountain Flower. Chapter three: the singing style of Mountain Flower in Liupanshan area of Ningxia. This chapter is also the focal point of the article, introduces in detail the language characteristic, the singing method, the moistening cavity skill and so on of "Mountain Flower", "Hezhou Flower" and "Tao Min Flower", sums up the personal viewpoint and the opinion on the singing of "Mountain Flower", "Hezhou Flower" and "Tao Min Flower". Chapter four: the inheritance and dissemination of Mountain Flowers. This chapter introduces the way of passing on and spreading of Mountain Flowers, and introduces several folk singers who are engaged in the work of inheritance and dissemination. Conclusion: current situation and Prospect. On the basis of summing up the full text, this chapter puts forward some suggestions and suggestions on the protection and development of "Mountain Flower".
【學位授予單位】：中央民族大學
【學位級別】：碩士
【學位授予年份】：2007
【分類號】：J607

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