本文選題：臺(tái)灣高山族 + 樂器研究��； 參考：《南京藝術(shù)學(xué)院》2008年博士論文

【摘要】： 本文以幾代中外學(xué)者主要文獻(xiàn)和報(bào)告資料之成果為基礎(chǔ),對(duì)高山族傳統(tǒng)器樂和音樂文化進(jìn)行了梳理,其中研究方法是以民族音樂學(xué)的實(shí)際調(diào)查,將所獲第一手材料和前人所研究進(jìn)行了比較和分析。同時(shí)提出“以樂器、歌喉和舞蹈的肢體動(dòng)作為一體”的不同研究宗旨,強(qiáng)調(diào)以樂器為研究主體,藉由重新論定樂器地位,詮釋高山族音樂體系。 全文從高山族樂器形制來(lái)源與演變以及歌、舞、樂為一體在各族社會(huì)中的運(yùn)用和表現(xiàn)情形進(jìn)行了較為具體的闡釋。 本文部份內(nèi)容是針對(duì)高山族傳統(tǒng)器樂的文化內(nèi)涵和功能與大陸南方諸族同類樂器進(jìn)行了對(duì)比研究,并將外來(lái)政權(quán)統(tǒng)治以及外來(lái)文化等因素之影響下,各族樂器和音樂文化受到的沖擊、互動(dòng)與保存現(xiàn)況進(jìn)行了論證。最后針對(duì)排灣族口、鼻笛音準(zhǔn)、音域、調(diào)性以及音量等進(jìn)行了改良以達(dá)到保存?zhèn)鹘y(tǒng)之面貌,又能與現(xiàn)代器樂接軌為原則,并針對(duì)高山族樂器文化的保存、推廣、傳承與發(fā)展提出了具體地建言。
[Abstract]:Based on the achievements of several generations of Chinese and foreign scholars' main documents and reports, this paper combs the traditional instrumental music and music culture of the Gaoshan nationality, among which the research method is based on the actual investigation of ethnomusicology. The first-hand materials obtained are compared and analyzed with previous studies. At the same time, it puts forward the different research purposes of "the body movement of musical instrument, singing and dancing", emphasizes the musical instrument as the research subject, and interprets the music system of the Gaoshan nationality by re-discussing the status of the musical instrument. This paper explains the origin and evolution of Gaoshan musical instruments and the application and expression of songs, dances and music in the society of all nationalities. Part of the content of this paper is to compare the cultural connotation and function of the Gaoshan traditional instrumental music with the similar instruments of the southern peoples of the mainland, and under the influence of foreign political power and foreign culture, etc. The impact, interaction and preservation of musical instruments and music cultures of all ethnic groups are demonstrated. Finally, aiming at the Paiwan people's mouth, nasal flute, range, tone, volume and so on, it has been improved to preserve the traditional appearance, and can be connected with the modern instrumental music as the principle, and aiming at the preservation and promotion of the Gaoshan nationality musical instrument culture, Inheritance and development put forward specific suggestions.
【學(xué)位授予單位】：南京藝術(shù)學(xué)院
【學(xué)位級(jí)別】：博士
【學(xué)位授予年份】：2008
【分類號(hào)】：J607

【引證文獻(xiàn)】

相關(guān)博士學(xué)位論文 前2條

1 張曉娟;中國(guó)弦樂史研究六十年（1949-2009）[D];福建師范大學(xué);2010年

2 梅英;傳播學(xué)視域下佤族木鼓文化源承模式研究[D];西南大學(xué);2012年

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本文編號(hào)：1792753