本文選題：諧謔曲 + 形式�。� 參考：《南京藝術(shù)學(xué)院》2007年碩士論文

【摘要】： 諧謔曲，是一種產(chǎn)生于文藝復(fù)興末期的音樂體裁，最初指的是具有戲謔、詼諧特點(diǎn)的聲樂小曲或器樂小曲，后海頓將諧謔曲引進(jìn)奏鳴曲套益并確立了它的使用地位，在浪漫主義早中期得到廣泛的流行與發(fā)展，形成注重內(nèi)容的特征，并逐漸融入許多作曲家個性特質(zhì)，于19世紀(jì)中葉由肖邦等人發(fā)展至高峰。19世紀(jì)中葉以后，諧謔曲作為一種獨(dú)立的體裁其概念變得更為寬泛模糊，所涵蓋的范圍也更廣，而諧謔性則常常隱藏于某些其他體裁之中，以“諧謔精神來呈現(xiàn)。 本文以17世紀(jì)到19世紀(jì)間的諧謔曲為研究對象，從形式與內(nèi)容的關(guān)系角度，運(yùn)用技術(shù)分析與文化分析相結(jié)合的方法，對諧謔曲不同歷史階段形態(tài)特征與變化、與其它相關(guān)體裁之間關(guān)系進(jìn)行分析比較和歸納，以及對諧謔曲在不同歷史時(shí)期社會觀念變化影響下，其內(nèi)部演變和外部延伸特征進(jìn)行了考察與分析，，總結(jié)出諧謔曲“形式→內(nèi)容的二維轉(zhuǎn)化特征，即“形式→內(nèi)容轉(zhuǎn)化的內(nèi)部演變特征和“形式→內(nèi)容轉(zhuǎn)化的外部延伸特征。
[Abstract]:Scherzo is a kind of musical genre that originated in the late Renaissance. At first, it refers to the vocal or instrumental music with the characteristics of banter and humor. Later Haydn introduced the banter into the sonata suite and established its use status.In the early and middle period of Romanticism, it was widely popular and developed, forming content-oriented characteristics, and gradually incorporating many composers' personality traits, which developed from Chopin and others in the mid-19th century to the peak in the mid-19th century.As an independent genre, the concept of Scherzo becomes broader and blur, and its scope is wider, while banter is often hidden in some other genres and presented in the spirit of banter.This paper takes the Scherzo from the 17th century to the 19th century as the object of study. From the angle of the relationship between form and content, using the method of combining technical analysis and cultural analysis, this paper analyzes the morphological characteristics and changes of Scherzo in different historical stages.The relationship between Scherzo and other relevant genres is compared and summarized, and the internal evolution and external extension characteristics of Scherzo under the influence of social concept changes in different historical periods are investigated and analyzed.This paper summarizes the characteristics of the two-dimensional transformation of the form and content of the Scherzo, that is, the internal evolution of the transformation of the form and content and the external extension of the transformation of the form.
【學(xué)位授予單位】：南京藝術(shù)學(xué)院
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2007
【分類號】：J609

【引證文獻(xiàn)】

相關(guān)期刊論文 前2條

1 周淼曄;;肖邦諧謔曲的文獻(xiàn)綜述[J];大眾文藝;2013年12期

2 陳宇京;;從“諧謔”的藝術(shù)學(xué)本體意義到人文的“諧謔精神”[J];人民音樂;2011年02期

相關(guān)碩士學(xué)位論文 前1條

1 賈晶;論肖邦對古典主義時(shí)期鋼琴諧謔曲體裁的拓展與革新[D];東北師范大學(xué);2011年

本文編號：1768655