發(fā)布時間：2018-04-08 11:34

  本文選題：中國戲曲　切入點：審美取向　出處：《四川戲劇》2008年03期

【摘要】：正不論聲樂表演,還是中國戲曲,都講究"字正腔圓、聲情并茂",這是從古至今一直延續(xù)的美學傳統(tǒng)和審美標準,這似乎已是亙古不變的真理。無論是古時"唱家們的著書撰文,或是民間藝人口口相傳的"藝諺""藝訣",直至今日眾多學者的理論闡述,談到中國戲曲的聲樂,無不圍
[Abstract]:Whether vocal music performance or Chinese opera, they all pay attention to "sound and sound," this is the aesthetic tradition and aesthetic standard that has continued from ancient times to now, this seems to be the eternal truth.Whether it is the writings of the singers in ancient times, or the "art proverbs" handed down by folk artists by word of mouth, up to now many scholars have expounded their theories on the vocal music of Chinese opera.
【作者單位】：
【分類號】：J812;J616

【共引文獻】

相關期刊論文 前3條

1 吳揚廷;西部音樂地方課程資源開發(fā)大有可為[J];涪陵師范學院學報;2003年05期

2 李玫(李Z，

本文編號：1721424