發(fā)布時(shí)間：2018-04-05 02:11

  本文選題：恒通民族樂(lè)團(tuán)　切入點(diǎn)：江南絲竹班社　出處：《藝術(shù)百家》2008年S2期

【摘要】：太倉(cāng)市文化館"恒通民族樂(lè)團(tuán)"是近年來(lái)在國(guó)內(nèi)外影響頗大的一個(gè)江南絲竹團(tuán)社組織,她生于民間,得非物質(zhì)文化保護(hù)浪潮之益,逐漸成長(zhǎng)起來(lái)的新型"準(zhǔn)專業(yè)"江南絲竹團(tuán)社。樂(lè)團(tuán)自20世紀(jì)90年代成立至今,從最初由私人贊助成立的純民間業(yè)余絲竹班社變?yōu)槟壳坝烧�、民間力量及自籌經(jīng)費(fèi)方式生存的"準(zhǔn)專業(yè)"樂(lè)團(tuán)。這一轉(zhuǎn)變,不僅呈現(xiàn)了樂(lè)團(tuán)自身的發(fā)展軌跡,同時(shí)亦從一個(gè)側(cè)面體現(xiàn)了國(guó)家、政府對(duì)傳統(tǒng)音樂(lè)文化認(rèn)知上的嬋變。
[Abstract]:Taicang City Cultural Center "Hengtong National Orchestra" is a large influence in recent years at home and abroad in the Jiangnan silk bamboo troupe organization, she was born in the folk, the benefits of the wave of intangible cultural protection.Gradually growing up a new-type "quasi-professional" Jiangnan silk bamboo club.Since its founding in the 1990s, the Orchestra has changed from a purely private amateur silk bamboo club to a "quasi-professional" band, which is now survived by the government, private forces and self-financing means.This transformation not only presents the Orchestra's own development track, but also reflects the change of the government's cognition of traditional music culture from one side.
【作者單位】： 華僑大學(xué)音樂(lè)舞蹈學(xué)院;
【分類號(hào)】：J632

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1 賈怡;;“準(zhǔn)專業(yè)”的江南絲竹團(tuán)——太倉(cāng)市文化館恒通民族樂(lè)團(tuán)調(diào)查報(bào)告[J];藝術(shù)百家;2008年S2期

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本文編號(hào)：1712722