本文選題：新民歌運(yùn)動(dòng)　切入點(diǎn)：大躍進(jìn)　出處：《北京師范大學(xué)》2008年碩士論文

【摘要】： 發(fā)生在1958年的新民歌運(yùn)動(dòng),也被稱為大躍進(jìn)民歌運(yùn)動(dòng)或文藝大躍進(jìn),這場由毛澤東發(fā)起、各級(jí)政府積極響應(yīng)的群眾性詩歌運(yùn)動(dòng),是本文的研究對(duì)象。本文盡可能采用客觀的歷史資料來呈現(xiàn)這一非常的詩歌事件:其過程和結(jié)果、原因和背景。本文共分為四章。 第一章主要呈現(xiàn)新民歌運(yùn)動(dòng)從興起到落潮的過程。這一章又分為四節(jié),第一節(jié)是興起,成都會(huì)議上毛澤東的倡議收集民歌;第二節(jié)是高潮,文化部門和各級(jí)政府迅速響應(yīng),提議轉(zhuǎn)化為政治任務(wù),全國上下掀起搜集、創(chuàng)作新民歌的高潮;第三節(jié)是插曲,在新民歌運(yùn)動(dòng)方興未艾的時(shí)候,詩壇上掀起關(guān)于新詩發(fā)展問題的討論;第四節(jié)是落潮。 第二章是新民歌的文本研究,本章分三節(jié),第一節(jié)介紹在新民歌運(yùn)動(dòng)中各地出版的民歌集,本節(jié)采用列表的方式,按民族、地域、內(nèi)容等不同的標(biāo)準(zhǔn)將現(xiàn)存的民歌集進(jìn)行分類整理,以便對(duì)新民歌有更直觀的認(rèn)識(shí);第二節(jié)介紹專業(yè)詩人在這一時(shí)期的創(chuàng)作情形;第三節(jié)從新民歌的代表文本——《紅旗歌謠》來管窺新民歌的創(chuàng)作特色。 第三章是新民歌運(yùn)動(dòng)發(fā)生背景和原因的分析,分為四節(jié)。第一節(jié)是政治、經(jīng)濟(jì)領(lǐng)域的大躍進(jìn)形勢的推動(dòng);第二節(jié)反右擴(kuò)大化后,荒蕪的文藝界迫切需要一個(gè)轟動(dòng)的創(chuàng)作運(yùn)動(dòng)來顯示文藝的“繁榮”景象;第三節(jié),毛澤東一貫喜愛古典、民間文學(xué),而對(duì)新詩抱有偏見,這也是他發(fā)動(dòng)新民歌運(yùn)動(dòng)的深層原因,同時(shí),他還期望通過這一運(yùn)動(dòng)實(shí)現(xiàn)文藝的大眾化。第四節(jié),從五四文學(xué)革命到“左聯(lián)”時(shí)期到延安文藝運(yùn)動(dòng),文藝大眾化也始終是一部分知識(shí)分子的追求,新民歌運(yùn)動(dòng)正是在這樣的基礎(chǔ)上發(fā)生的。 前三章是本文的重點(diǎn),第四章主要是對(duì)新民歌研究的研究,重點(diǎn)梳理自新民歌運(yùn)動(dòng)結(jié)束以來的半個(gè)世紀(jì)文藝界對(duì)這一事件的認(rèn)識(shí)和評(píng)價(jià)。
[Abstract]:The New Folk Song Movement which took place in 1958 is also called the Great Leap forward Folk Song Movement or the Great Leap forward in Literature and Art. This mass poetry movement initiated by Mao Zedong and positively responded by all levels of government is the object of this paper.This paper uses objective historical materials to present this very poetic event as far as possible: its process and result, reasons and background.This paper is divided into four chapters.The first chapter mainly presents the process of the new folk song movement from rising to falling tide.This chapter is divided into four sections. The first section is the rise of Mao Zedong's proposal to collect folk songs at the Chengdu Conference. The second section is the climax, when cultural departments and governments at all levels respond quickly, proposing to translate it into a political task, which will be collected from all over the country.The third section is the interlude, when the new folk song movement is in the ascendant, the discussion on the development of new poetry is raised in the poetry world; the fourth section is the ebb tide.The second chapter is the text study of the new folk songs. This chapter is divided into three sections. The first section introduces the collection of folk songs published in various parts of the New Folk Song Movement.Different standards such as content sort out the existing collection of folk songs in order to have a more intuitive understanding of the new folk songs.The third section looks at the characteristics of the new folk songs from the representative text of the new folk songs-Red Flag Ballads.The third chapter is the analysis of the background and causes of the New Folk Song Movement, which is divided into four sections.The first section is the promotion of the Great Leap forward situation in the political and economic fields; the second section, after the anti-right expansion, the desolate literary and art circles urgently need a sensational creative movement to show the "prosperity" of literature and art; in the third section, Mao Zedong has always loved classical literature.Folk literature is biased against new poetry, which is also the deep reason why he launched the new folk song movement. At the same time, he also hopes to realize the popularization of literature and art through this movement.In the fourth section, from the May 4th Literary Revolution to the left League period to the Yan'an Literary Movement, the popularization of literature and art has always been the pursuit of some intellectuals, and the New Folk Song Movement took place on this basis.The first three chapters are the focus of this paper, the fourth chapter is the study of the new folk songs, focusing on the new folk song movement since the end of the understanding and evaluation of this event.
【學(xué)位授予單位】：北京師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2008
【分類號(hào)】：J609.2

【引證文獻(xiàn)】

相關(guān)博士學(xué)位論文 前1條

1 于寧志;一九五八年的中國文壇[D];南開大學(xué);2012年

相關(guān)碩士學(xué)位論文 前1條

1 董麗娜;歷史語境中的新民歌運(yùn)動(dòng)與民歌的缺失[D];西北師范大學(xué);2010年

，

本文編號(hào)：1705788