本文選題：東北　切入點：漢族民歌　出處：《東北師范大學》2008年碩士論文

【摘要】： 東北漢族民歌作為中國民族音樂的一個重要組成部分,有其獨特的藝術特點。本文通過對中國當代(1949年至今)音樂創(chuàng)作中藝術歌曲、通俗歌曲、歌劇、舞劇、交響樂、鋼琴曲、影視音樂等諸多音樂體裁中對東北漢族民歌為素材運用于創(chuàng)作實踐的實例分析與對比,總結前人以東北民歌為素材創(chuàng)作的寶貴經驗,研究東北民歌與當代音樂創(chuàng)作的關系。從而更好地為今后的音樂創(chuàng)作服務,有利于將優(yōu)秀、有特色的東北漢族民歌藝術得到更好的傳承和發(fā)揚,探討民族音樂在當代的傳承與可持續(xù)發(fā)展問題。
[Abstract]:As an important part of Chinese folk music, the folk songs of the Han nationality in Northeast China have their unique artistic characteristics. This paper deals with the artistic songs, popular songs, operas, dance plays, symphonies, and piano music in contemporary Chinese music creation (1949 to present). In many musical genres, such as film and television music, the author analyzes and compares the examples of the Han folk songs used in the creation practice, and sums up the valuable experiences of the predecessors who used the Northeast folk songs as the material for the creation. To study the relationship between Northeast folk songs and contemporary music creation, so as to better serve for the future music creation, which is conducive to the better inheritance and development of the fine and characteristic folk song art of the Northeast Han nationality. This paper discusses the inheritance and sustainable development of folk music in the contemporary era.
【學位授予單位】：東北師范大學
【學位級別】：碩士
【學位授予年份】：2008
【分類號】：J607

【引證文獻】

相關碩士學位論文 前1條

1 王春紅;東北漢族民間小調與鄉(xiāng)土因緣研究[D];東北師范大學;2011年

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本文編號：1687699